Author: Poulomi Saha
File Type: pdf
In todays world of unequal globalization, Bangladesh has drawn international attention for the spate of factory disasters that have taken the lives of numerous garment workers, mostly young women. The contemporary garment industryand the labor organizing pushing backdraws on a long history of gendered labor division and exploitation in East Bengal, the historical antecedent of Bangladesh. Yet despite the centrality of womens labor to anticolonial protest and postcolonial state-building, historiography has struggled with what appears to be its absence from the archive.Poulomi Saha offers an innovative account of womens political labor in East Bengal over more than a century, one that suggests new ways to think about textiles and the gendered labors of their making. An Empire of Touch argues that women have articulatedin writing, in political action, in stitchingtheir own desires in their own terms. They produce narratives beyond womens empowerment and independence as global and national projects they refuse critical pronouncements of their own subjugation. Saha follows the historical traces of how women have claimed their own labor, contending that their political commitments are captured in the material objects of their manufacture. Her analysis of the production of historical memory through and by the bodies of women spans British colonialism and American empire, anticolonial nationalism to neoliberal globalization, depicting East Bengal between development economics and postcolonial studies. Through a material account of text and textile, An Empire of Touch crafts a new narrative of gendered political labor under empire.**ReviewA brilliant provocation in the debate about female political subjectivity in the Global South, An Empire of Touch is an important and timely book. Going beyond the typical focus on womens empowerment and independence, it demonstrates how women in East Bengal through their symbolic and material labor produce the terms of their own political self-conception. Sahas deft and sophisticated readings of the material particulars of womens labor reveal a relational politics of the self that expands what and who count as political. (Mrinalini Sinha, author of Specters of Mother India The Global Restructuring of an Empire) Saha has given us a thought-provoking, incisive, elegant, and necessary work wherein she recasts and regenerates postcolonial criticism. This book is well written, beautifully researched, creative, and politically vital. (Erin Manning, author of Politics of Touch Sense, Movement, Sovereignty) Saha proposes that the diaphanous nature first of muslin and then of other fabrics constitutes neither a simple product with exchange value nor an ephemeral or affective form of labor we have come to associate with certain kinds of womens work. Forms of touch are woven into the fabric of colonial and postcolonial exchange. And they carry a spectral quality. Rather like the visor effect in Derridas reading of Hamlet in Specters of Marx, fabric casts a shadow on abstracted beings moving through history teleologically, and weaves a different affect. (Ranjana Khanna, author of Algeria Cuts Women and Representation, 1830 to the Present) About the Author Poulomi Saha is assistant professor of English at the University of California, Berkeley.