Author: Stanley Milgram File Type: epub A part of Harper Perennials special Resistance Library highlighting classic works that illuminate our times A special edition reissue of Stanley Milgrams landmark examination of humanitys susceptibility to authoritarianism.The classic account of the human tendency to follow orders, no matter who they hurt or what their consequences. *Washington Post Book World*In the 1960s, Yale University psychologist Stanley Milgram famously carried out a series of experiments that forever changed our perceptions of morality and free will. The subjectsor teacherswere instructed to administer electroshocks to a human learner, with the shocks becoming progressively more powerful and painful. Controversial but now strongly vindicated by the scientific community, these experiments attempted to determine to what extent people will obey orders from authority figures regardless of consequences. Milgrams experiments on obedience have made us more aware of the dangers of uncritically accepting authority, wrote Peter Singer in the New York Times Book Review. With an introduction from Dr. Philip Zimbardo, who conducted the famous Stanford Prison Experiment, Obedience to Authority is Milgrams fascinating and troubling chronicle of his classic study and a vivid and persuasive explanation of his conclusions.******Review... one of the most significant books I have read in more than two decades of reviewing -- --Robert Kirsch, Los Angeles Times**From the Back CoverTHE INSPIRATION FOR THE MAJOR MOTION PICTURE*THE EXPERIMENTER*The classic account of the human tendency to follow orders, no matter who they hurt or what their consequences. Michael Dirda,*Washington Post Book World* In the 1960s Yale University psychologist Stanley Milgram famously carried out a series of experiments that forever changed our perceptions of morality and free will. The subjectsor teacherswere instructed to administer electroshocks to a human learner, with the shocks becoming progressively more powerful and painful. Controversial but now strongly vindicated by the scientific community, these experiments attempted to determine to what extent people will obey orders from authority figures regardless of consequences. Milgrams experiments on obedience have made us more aware of the dangers of uncritically accepting authority, wrote Peter Singer in theNew York Times Book Review. Featuring a new introduction from Dr. Philip Zimbardo, who conducted the famous Stanford Prison Experiment,Obedience to Authorityis Milgrams fascinating and troubling chronicle of his classic study and a vivid and persuasive explanation of his conclusions.
Author: David Packard
File Type: pdf
Inferior pdf from inferior scanIn the fall of 1930, David Packard left his hometown of Pueblo, Colorado, to enroll at Stanford University, where he befriended another freshman, Bill Hewlett. After graduation, Hewlett and Packard decided to throw their lots in together. They tossed a coin to decide whose name should go first on the notice of incorporation, then cast about in search of products to sell.Today, the one-car garage in Palo Alto that housed their first workshop is a California historic landmark the birthplace of Silicon Valley. And Hewlett-Packard has produced thousands of innovative products for millions of customers throughout the world. Their little company employs 98,400 people and boasts constantly increasing sales that reached $25 billion in 1994.While there are many successful companies, there is only one Hewlett-Packard, because from the very beginning, Hewlett and Packard had a way of doing things that was contrary to the prevailing management strategies. In defining the objectives for their company, Packard and Hewlett wanted more than profits, revenue growth and a constant stream of new, happy customers.Hewlett-Packards success owes a great deal to many factors, including openness to change, an unrelenting will to win, the virtue of sustained hard work and a company-wide commitment to community involvement. As a result, HP now is universally acclaimed as the worlds most admired technology company its wildly successful approach to business has been immortalized as The HP Way.In this book, David Packard tells the simple yet extraordinary story of his lifes work and of the truly exceptional company that he and Bill Hewlett started in a garage 55 years ago.
Author: Robert R. Williams
File Type: pdf
Hegels analysis of his culture identifies nihilistic tendencies in modernity i.e., the death of God and end of philosophy. Philosophy and religion have both become hollowed out to such an extent that traditional disputes between faith and reason become impossible because neither any longer possesses any content about which there could be any dispute this is nihilism. Hegel responds to this situation with a renewal of the ontological argument (Logic) and ontotheology, which takes the form of philosophical trinitarianism. Hegel on the Proofs and Personhood of God examines Hegels recasting of the theological proofs as the elevation of spirit to God and defense of their content against the criticisms of Kant and Jacobi. It also considers the issue of divine personhood in the Logic and Philosophy of Religion. This issue reflects Hegels antiformalism that seeks to win back determinate content for truth (Logic) and the concept of God. While the personhood of God was the issue that divided the Hegelian school into left-wing and right-wing factions, both sides fail as interpretations. The center Hegelian view is both virtually unknown, and the most faithful to Hegels project. What ties the two parts of the book together--Hegels philosophical trinitarianism or identity as unity in and through difference (Logic) and his theological trinitarianism, or incarnation, trinity, reconciliation, and community (Philosophy of Religion)--is Hegels Logic of the Concept. Hegels metaphysical view of personhood is identified with the singularity (Einzelheit) of the concept. This includes as its speculative nucleus the concept of the true infinite the unity in difference of infinitefinite, thought and being, divine-human unity (incarnation and trinity), God as spirit in his community. **
Author: David Aliano
File Type: pdf
During the 1920s and 1930s, Mussolinis fascist regime attempted to promote fascist Italys national project in Argentina, bombarding the republic with its propaganda. Although politically a failure, this propaganda provoked a debate over the idea of a national identity outside the nation-state and the potential roles that citizens living abroad could play in their country of origin. In propagating an Italian national identity within another sovereign state, Mussolinis initiative also inspired heated debate among native Argentines over their own national project as a nation of immigrants. Using the experiences of Mussolinis efforts in Argentina as its case study, this book demonstrates how national projects take on different meanings once they enter a contested public space. It details how both members of the Italian community as well as native Argentines reshaped Italys national discourse from abroad by entangling it with Argentinas own national project. In exploring the way in which nations are imagined, constructed, and recast both from above as well as from below, Mussolinis National Project in Argentina offers new perspectives on the politics of identity formation while providing a transatlantic example of the dynamic interplay between the Italian state and its emigrant communities. It is in short, a transnational perspective on what it means to belong to a nation. **
Author: Markus Gabriel
File Type: epub
In this highly original book, Markus Gabriel offers an account of the human self that overcomes the deadlocks inherent in the standard positions of contemporary philosophy of mind. His view, Neo-Existentialism, is thoroughly anti-naturalist in that it repudiates any theory according to which the ensemble of our best natural-scientific knowledge is able to account fully for human mindedness. Instead, he shows that human mindedness consists in an open-ended proliferation of mentalistic vocabularies. Their role in the human life form consists in making sense of the fact that the human being does not merely blend in with inanimate nature and the rest of the animal kingdom. Humans rely on a self-portrait that locates them in the broadest conceivable context of the universe. What distinguishes this self-portrait from our knowledge of natural reality is that we change in light of our true and false beliefs about the human being. Gabriels argument is challenged in this volume by Charles Taylor, Andrea Kern and Jocelyn Benoist. In defending his argument against these and other objections and in spelling out his theory of self-constitution, Gabriel refutes naturalisms metaphysical claim to epistemic exclusiveness and opens up new paths for future self-knowledge beyond the contemporary ideology of the scientific worldview.**ReviewMarkus Gabriel has a radical and deeply interesting conception of what philosophical picture we should form of our situation, a conception which has roots in classical German philosophy and retrieves a powerful but neglected portion of the existentialist legacy. This book weighs the familiar claims of naturalism and anti-naturalism in new terms and puts forward an original proposal for exiting from the deadlock to which they all too often lead. Sebastian Gardner, University College, LondonAbout the Author Markus Gabriel was born in 1980 and studied in Heidelberg, Lisbon and New York. Since 2009 he has held the Chair for Epistemology at the University of Bonn and with this appointment he became Germanys youngest philosophy professor. He is also the director of the International Center for Philosophy in Bonn.
Author: T. G. Rosenthal
File Type: pdf
On Art and Artists is a collection of critical essays by T.G. Rosenthal, chosen by the author from his considerable output over more than fifty years of writing and reviewing, focus mainly on what has come to be known as Modern British art from the 20th century. Rosenthal knew many of his subjects personally and some became friends Michael Ayrton Arthur Boyd Ivon Hitchens Thelma Hulbert L. S. Lowry Sidney Nolan Paula Rego. There are also essays on Wyndham Lewis, Jack B. Yeats and the paintings of AugustStrindberg. There is a profile of Walter and Eva Neurath, founders of the art-book publishers Thames & Hudson, the author s first employers an essay on antisemitism in England and an obituary of Matthew Hodgart, who at Cambridge, influenced and developed Rosenthal s knowledge and passion for literature.
Author: William Kolbrener
File Type: pdf
Joseph Soloveitchik (19031993) was a major American Orthodox rabbi, Talmudist, philosopher, and theologian. In this new work, William Kolbrener takes on Soloveitchiks controversial legacy and shows how he was torn between the traditionalist demands of his European ancestors and the trajectory of his own radical and often pluralist philosophy. A portrait of this self-professed lonely man of faith reveals him to be a reluctant modern who responds to the catastrophic trauma of personal and historical loss by underwriting an idiosyncratic, highly conservative conception of law that is distinct from his Talmudic predecessors, and also paves the way for a return to tradition that hinges on the ethical embrace of multiplicity. As Kolbrener melds these contradictions, he presents Soloveitchik as a good deal more complicated and conflicted than others have suggested. The Last Rabbi affords new perspective on the thought of this major Jewish philosopher and his ideas on the nature of religious authority, knowledge, and pluralism. **
Author: Caroline Pollentier
File Type: pdf
Marked by a rejection of traditional affiliations such as nation, family, and religion, modernism is often thought to privilege the individual over the community. The contributors to this volume question this assumption, uncovering the communal impulses of the modernist period across genres, cultures, and media. Contributors show how modernist artists and intellectuals reconfigured relations between the individual and the collective. They examine Dada art practices that involve games and play shared reactions to the postWorld War I rhetoric of Woodrow Wilson the reception of James Joyces Ulysses in Harlem Renaissance circles the publishing platform of the Bengali literary review Parichay popular radio shows and news broadcasts and the universal aspects of film-viewing. They also explore radical reimaginings of community as seen in the collective cohabiting envisioned by Virginia Woolf, the utopian experiment of Black Mountain College, and the communal autobiographies of Gertrude Stein. The essays demonstrate that these pluralist ecosystems based on participation were open to paradox, dissent, and multiple perspectives. Through a transnational and transmedial lens, this volume argues that the modernist period was a breakthrough in a rethinking of community that continues in the postmodern era. Contributors Helene Aji | Jessica Berman | Jeremy Braddock | Supriya Chaudhuri | Debra Rae Cohen | Melba Cuddy-Keane | Claire Davison | Irene Gammel | Geneva M. Gano | Vassiliki Kolocotroni | Laura Marcus | Caroline Pollentier | Christine Savinel | Benoit Tadie | Sarah Wilson **
Author: John Plunkett
File Type: pdf
Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of popular literature. One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture. Victorian Print Media A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organized into ten thematically arranged sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.