Reading Richard Dawkins: A Theological Dialogue With New Atheism
Author: Gary Keogh File Type: pdf Theological reactions to the rise of the new atheist movement have largely been critically hostile or defensively deployed apologetics to shore up the faith against attack. Gary Keogh contends that focusing on scholarly material that is inherently agreeable to theology will not suffice in the context of modern academia. Theology needs to test its boundaries and venture into dialogue with those with antithetical positions. Engaging Richard Dawkins, as the embodiment of such a position, illustrates how such dialogue may offer new perspectives on classical theological problems, such as the relationship of science and religion, the existence of God, creation, natural suffering and theodicy. Keogh demonstrates how a dialogical paradigm may take shape, rather than merely discussing it as a theoretical framework. A dialogue between such opposing hermeneutics may provide a new paradigm of theological scholarship - one which is up to the task of facing its critics in the public and pluralistic context of modern academia. **
Author: Kent J. Kille
File Type: pdf
Once described by Trygve Lie as the most impossible job on earth, the position of UN Secretary-General is as frustratingly constrained as it is prestigious. The Secretary-Generals ability to influence global affairs often depends on how the international community regards his moral authority. In relation to such moral authority, past office-holders have drawn on their own ethics and religious backgrounds -- as diverse as Lutheranism, Catholicism, Buddhism, and Coptic Christianity -- to guide the role that they played in addressing the UNs goals in the international arena, such as the maintenance of international peace and security and the promotion of human rights. In The UN Secretary-General and Moral Authority, contributors provide case studies of all seven former secretaries-general, establishing a much-needed comparative survey of each office-holders personal religious and moral values. From Trygve Lies forbearance during the UNs turbulent formative years to the Nobel committees awarding Kofi Annan and the United Nations the prize for peace in 2001, the case studies all follow the same format, first detailing the environmental and experiential factors that forged these mens ethical frameworks, then analyzing how their inner code engaged with the duties of office and the global events particular to their terms. Balanced and unbiased in its approach, this study provides valuable insight into how religious and moral leadership functions in the realm of international relations, and how the promotion of ethical values works to diffuse international tensions and improve the quality of human life around the world.
Author: Paul Basu
File Type: pdf
We habitually categorize the world in binary logics of animate and inanimate, natural and supernatural, self and other, authentic and inauthentic. The Inbetweenness of Things rejects such Western classificatory traditions which tend to categorize objects using bounded notions of period, place and purpose and argues instead for a paradigm where objects are not one thing or another but a multiplicity of things at once. Adopting an object-centred approach, with contributions from material culture specialists across various disciplines, the book showcases a series of objects that defy neat classification. In the process, it explores how things mediate and travel between conceptual worlds in diverse cultural, geographic and temporal contexts, and how they embody this mediation and movement in their form. With an impressive range of international authors, each essay grounds explorations of cutting-edge theory in concrete case studies. An innovative, thought-provoking read for students and researchers in anthropology, archaeology, museum studies and art history which will transform the way readers think about objects. **Review Provocative and absorbing, The Inbetweenness of Thingsprovides a diverse set of case studies of past and present things of our world. Taking movement or inbetweenness+? as its core analytic, Paul Basu and this volumes contributors demonstrate how productive research on materiality can be. This volume is a vibrant addition to the interdisciplinary study of objects, and should be widely read. Joshua A. Bell, National Museum of Natural History, USA Paul Basu makes a unique and compelling contribution to the fields of anthropology, material culture and museology. Pioneering in cutting-edge scholarship, Basu opens up the fascinating world of inbetween objects to a broader audience, with an analysis of a gamut of anthropological tropes from the fetish to the exotica of the European Wunderkammer. Alison J. Clarke, University of Applied Arts Vienna, Austria About the Author Paul Basu is Professor of Anthropology at the School of Oriental and African Studies, University of London, UK
Author: Ed Sikov
File Type: mobi
Amazon.com ReviewHow do you write the biography of a cipher? Thats the daunting challenge veteran Hollywood biographer Ed Sikov tackles in exploring the life of one of the 20th centurys most acclaimed comic actors. Peter Sellers uncanny talents as a mimic would inform everything from English radios Goon Show and the highly profitable--if increasingly broad--cycle of Inspector Clouseau Pink Panther films to his brilliant turn as Chauncey Gardiner in Being There, a role that had all too many discomforting parallels to Sellers own cryptic personality. Sikov reveals that the man long hailed as comedys greatest chameleon was in fact a tragic, troubled personal vacuum, the only child of a literal stage mother who indulged his every whim, yet left him a distinct void for a soul. Sikov interviews many of the relatives, intimates, and survivors of Sellers that filled his alternately strange and spectacular life, while thoroughly chronicling every professional triumph and more than a few missteps. Sikovs straightforward reporting, seasoned by his own dry wit, details the parts that made up the man, but the sum remains an ever compelling enigma. As Lolita and Dr. Strangelove director Stanley Kubrick, no slouch in the personal riddle sweepstakes himself, once said of Sellers There is no such person. --Jerry McCulleyFrom Publishers WeeklySellers was undoubtedly one of the 20th centurys funniest people. From his first star-making turns in Lolita and Dr. Strangelove (in which he played three different characters), to the bumbling but strangely dignified Inspector Clouseau of the Pink Panther movies, Sellers never failed to send audiences rolling in the aisles. But as Sikov shows in this hip, unblinking biography, there was a downside to his genius. Sellers abused drugs, beat his wives and neglected his children. On set, he was a nightmare prima donna, insisting on special treatment and embroiling himself in ridiculous feuds with costars and directors. Moreover, his compulsive need to do impressions verged at times on multiple personality disorder (his first wife said, Its like being married to the United Nations). Sikov shows that no one, not even his friends, really knew Sellers. The actor was, in Sikovs estimation, a comic tabula rasa on which he could inscribe any character or personality. This mutability gave Sellers his first break, as he bluffed his way onto radio by impersonating a BBC star on the telephone. He later became the star of the hugely influential radio program The Goon Show, whose eccentric, Dadaist humor predated Monty Python by a decade. An avid party-goer (jet-setting friends included Roman Polanski and the Beatles), Sellers enjoyed a go-go lifestyle finally that caught up with him in 1980, when he suffered a massive heart attack. Sikov, whose previous work includes a Billy Wilder biography, treats Sellers with just the right mix of awe, irritation and sympathy, giving readers a clear-headed, respectful tribute to a disturbed genius.br 2002 Reed Business Information, Inc.
Author: Pier Vittorio Aureli
File Type: pdf
In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of pure, but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form the city as the composition of (separate) parts.Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large Andrea Palladio, Giovanni Battista Piranesi, Etienne Louis-Boullee, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an archipelago of site-specific interventions.
Author: Mark Jurdjevic
File Type: pdf
Guardians of Republicanism analyses the political and intellectual history of Renaissance Florence-republican and princely-by focusing on five generations of the Valori family, each of which played a dynamic role in the citys political and cultural life. The Valori were early and influential supporters of the Medici family, but were also crucial participants in the citys periodic republican revivals throughout the Renaissance. Mark Jurdjevic examines their political struggles and conflicts against the larger backdrop of their patronage and support of the Neoplatonic philosopher Marsilio Ficino, the radical Dominican prophet Girolamo Savonarola, and Niccolo Machiavelli, the premier political philosopher of the Italian Renaissance. Each of these three quintessential Renaissance reformers and philosophers relied heavily on the patronage of the Valori, who evolved an innovative republicanism based on a hybrid fusion of the classical and Christian languages of Florentine communal politics. Jurdjevics study thus illuminates how intellectual forces-humanist, republican, and Machiavellian-intersected and directed the politics and culture of the Florentine Renaissance. Guardians of Republicanism analyses the political and intellectual history of Renaissance Florence-republican and princely-by focusing on five generations of the Valori family, each of which played a dynamic role in the citys political and cultural life. The Valori were early and influential supporters of the Medici family, but were also crucial participants in the citys periodic republican revivals throughout the Renaissance. Mark Jurdjevic examines their political struggles and conflicts against the larger backdrop of their patronage and support of the Neoplatonic philosopher Marsilio Ficino, the radical Dominican prophet Girolamo Savonarola, and Niccoli Machiavelli, the premier political philosopher of the Italian Renaissance. Each of these three quintessential Renaissance reformers and philosophers relied heavily on the patronage of the Valori, who evolved an innovative republicanism based on a hybrid fusion of the classical and Christian languages of Florentine communal politics. Jurdjevics study thus illuminates how intellectual forces-humanist, republican, and Machiavellian-intersected and directed the politics and culture of the Florentine Renaissance.ReviewJurdjevics arguments are subtle and imaginative. -- Journal of Modern HistoryAbout the AuthorMark Jurdjevic was born and raised in Toronto, Canada. He earned a BA from the University of Toronto in 1996 and a PhD in early modern European history from Northwestern University in 2002. Between 2002-2004, he taught at Yale Universitys Whitney Humanities Center. He is currently an Assistant Professor at the University of Ottawa, where he teaches early modern European history. He has published articles in Renaissance Quarterly, Past and Present, English Historical Review, Journal of the History of Ideas, Journal of Interdisciplinary History, and is currently writing a study of Machiavellis later political thought.
Author: Mark Lloyd
File Type: pdf
Inspired by Madisons observation, Mark Lloyd has crafted a complex and powerful assessment of the relationship between communications and democracy in the United States. In Prologue to a Farce, he argues that citizens political capabilities depend on broad public access to media technologies, but that the U.S. communications environment has become unfairly dominated by corporate interests. Drawing on a wealth of historical sources, Lloyd demonstrates that despite the persistent hope that a new technology (from the telegraph to the Internet) will rise to serve the needs of the republic, none have solved the fundamental problems created by corporate domination. After examining failed alternatives to the strong publicly-owned communications model, such as anti-trust regulation, the public trustee rules of the Federal Communications Commission, and the under-funded public broadcasting service, Lloyd argues that we must recreate a modern version of the Founders communications environment, and offers concrete strategies aimed at empowering citizens. **
Author: Mark Franko
File Type: pdf
In this insightful new book, Mark Franko explores the many genres of theatrical dancing during the radical decade of the 1930s and their relationship to labor movements, including Fordist and unionist organizational structures, the administrative structures of the Federal Dance and Theatre Project, the International Ladies Garment Workers Union, and the Communist Party. Franko shows how the structures of labor organization were reproduced and acted out -- but also profoundly reasoned through in corporeal terms -- by choreography and performance of the proletarian mass dance, the chorus line of the Ziegfeld Follies and the reflexive backstage musical film, Martha Grahams modern dance, the revolutionary dance movement of the proletarian avant-garde, African-American ethnic opera-ballet, and Lincoln Kirsteins American ballet. The contributions of many important personalities of American theatrical, visual and literary culture are included in this study. Frankos focus extends from the direct impact of performances on audiences to the reviewing, reporting and photography of print journalism.