The sixth and final chapter of our #InsideImageEngine series filmed in 2019 sheds light on the studio's approach to its work and its philosophies around enabling creativity and collaboration.
Mari 5.0 ships with a workflow to author USD Preview looks for assets look-developed in Mari, so you can easily create preview looks for DCC’s with Hydra-powered viewports, like Foundry’s own Katana. This brings look development and lighting teams closer together, enabling you to develop preview looks, alongside their production look, earlier in your pipeline.
BTS | Take a look #BehindTheScenes of Ford's F-150 Lightning ad campaign directed by Andrew Proctor and Adam Grint.
We teamed up with Chrome Productions to bring an iconic brand forward to the vanguard of production technology with a studio-based virtual production to help unveil the highly-anticipated, all-electric Ford F-150 Lightning Truck.
Discover more here: https://archive.themill.com/portfolio/5587/ford-f-150-lightning-bts
Get in touch with us to find out more: www.themill.com/contact
Website: www.themill.com
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Join our Global Creative Community ‘The Mill & Co.’ here: https://www.themill.com/globalcreativecommunity/
Roughly half of War for the Planet of the Apes takes place in an abandoned prison camp. See how we used 100,000 square feet of green screen, photogrammetry construction and our proprietary simulator Totara to create this enormous environment.
We won three VES Awards, the Annie Award for Outstanding Character Animation, and the HPA Award for Outstanding Feature Film VFX for our work on War for the Planet of the Apes.
Artists and Innovators in the World of Digital Entertainment.
Client: Kraft Philadelphia
Title: Heavenly Escape
PIXOMONDO Virtual Production
Matthew Swanton: Lead Unreal Operator/Unreal Environment Artist
Tristan Fields: Lead Unreal Operator/Unreal Environment Artist
Phil Jones: Virtual Production VFX Supervisor
Jack Chadwick: Virtual Production Manager
Chris Cox: Virtual Production Producer
Christopher Chinea: Virtual Production Supervisor
Asad M.: Unreal Environment Artist
Amir Alam: Virtual Production Technician
Alter Ego:
Executive Producer: Hilda Pereira
Producer: Andrew Tavares
Creative Directors & On-Set Supervisors: David Whiteson & Darren Achim
Lead Sr. VFX Artist: Darren Achim
Sr. VFX Artist: Joel Osis
VFX Artist: Eric Perrella
VFX Assistant: Jake Hussey
Sr. CG Artist: Jerry Corda-Stanley
Sr. CG Artist: Mike Waldrum
Colourist: Eric Whipp
Colour Assistant: Jonah Venneri
Rethink AGENCY:
Adam Park: Producer (ENG)
Annick D’Auteuil: Producer (FRE)
Jamie Marcovitch: Creative Director
Joel Holtby: Creative Director
Michelle Budge: Art Director
Jackson Byrne: Copywriter
Animals production:
Christopher Hustul: Executive Producer
Leigh Marling: Director
Chris Mably: DP
Red Rooster Editorial Ltd:
Melissa Kahn: Executive Producer
Paul Proulx: Editor
Sochima Nwakaeze: Assistant Editor
Shot on PIXOMONDO and William F. White International Inc.'s
Stage Six Virtual Production stage in Toronto
Netflix networking event in Los Angeles, CA on February 6, 2020. Ioannis Papapanagiotou speaks about the work of Netflix's Platform Engineering to support content creation. Examples include Studio Developer Productivity, Studio App Troubleshooting, Studio Data Insights, https://entertainmentatscale.splashthat.com/