Now let's start from the beginning and play through the entire six measures.
As you sight read the piece, it may help you to count eighth notes out loud with the meter.
If you are holding the guitar correctly, then the heel of your picking hand is placed on the bridge.
When you alternate your picking direction, you should be pivoting from side to side at the point where the heel of your palm and your wrist meet.
When you are in the right position, the heel of your palm is set just behind the bridge saddle.
crescendo - gradually becoming louder.
Find string number 5 on your guitar.
Pick the string continuously using 60 beats per minute as your tempo, but pick the string very softly so the notes are just audible.
As you alternate your picking direction, begin to gradually increase the attack on the string until you are playing fortissimo.
The challenge is to keep playing at a tempo of 60 beats per minute as you gradually play more loudly.
'Amazing Grace' is written in 3\4 meter, so there are three beats in a measure, but the first measure is incomplete.
Because beats 1 and 2 are missing, the music begins with an anacrusis on beat number 3, so the count will start on beat number 3.
Since the smallest note duration present is the eighth note, the count will include eighth note values.
Counting the meter in this song follows this pattern: 3 & 1 & 2 &
Sometimes composers will alter the minor scale further and raise the submediant tone one half step.
Usually the submediant tone is only raised when the scale is ascending, and only when the subtonic is raised as well.
Here is a variation of the last exercise, which now includes both G Open and A Second Fret on string number 3.
On the staff, the line-to-space note placement indicates a pitch difference of one step.
Let's play this practice measure using the new note, G Third Fret on string number 6.
On the first pass, we'll play the quarter notes in the top line, and on second pass, we'll play the triplets in the bottom line.
On both passes, use a triplet count.
Play string number one on your guitar and exaggerate the strong and weak beats as you play in 4/4 time.
Try your best to make beat number 1 strong and beat number 3 medium strength.
Count out loud while you play this exercise, making all of the beats equal in duration.