Charlie Parker Story On Dial Volume 1: West Coast Days
01 Dizzy Gillespie Jazzmen Diggin' Diz (D. Gillespie)
02 The Charlie Parker Septet Moose The Mooche (C. Parker)
03 The Charlie Parker Septet Yardbird Suite (C. Parker)
04 The Charlie Parker Septet Ornithology (Harris, Parker)
05 The Charlie Parker Septet A Night In Tunisia (Gillespie, Paparelli)
06 The Charlie Parker Quintet Max Making Wax (Unknown Artista
07 The Charlie Parker Quintet Lover Man (Sherman, Davis, Ramirez)
08 The Charlie Parker Quintet The Gypsy (Reid)
09 The Howard McGhee Quintet Bebop (D. Gillespie)
10 The Charlie Parker Quartet This Is Always (Warren, Gordon)
11 The Charlie Parker Quartet Dark Shadows (S. Henry)
12 The Charlie Parker Quartet Bird's Nest (C. Parker)
13 The Charlie Parker Quartet Hot Blues (Cool Blues) (C. Parker)
14 The Charlie Parker Quartet Cool Blues (Hot Blues) (C. Parker)
15 The Charlie Parker Quartet Relaxin' At Camarillo (C. Parker)
16 The Charlie Parker Quartet Cheers (H. McGhee)
17 The Charlie Parker Quartet Carvin' The Bird (C. Parker)
18 The Charlie Parker Quartet Stupendous (C. Parker)
Alto Saxophone – Charlie Parker
Trumpet – Dizzy Gillespie (1), Howard McGhee (7 to 9, 15 to 18), Miles Davis (2 to 5, 15 to 18)
Tenor Saxophone – Lucky Thompson (1 to 5), Wardell Gray (15 to 18)
Guitar – Arvin Garrison (3 to 5), Barney Kessel (15 to 18)
Piano – Dodo Marmarosa (2 to 5), Erroll Garner (10 to 14), George Handy (1), Jimmy Bunn (7 to 10)
Bass – Bob Kesterson (6 to 9), Ray Brown (1), Red Callender (10 to 18), Vic McMillan (2 to 6)
Drums – Don Lamond (15 to 18), Harold "Doc" West (10 to 14), Roy Porter (2 to 8), Stan Levey (1)
Vocals – Earl Coleman (10 to 14)
Recorded February 5th, 1946 to February 26, 1947; Hollywood, CA
1 "Catta" (Hill)
2 "Idle While" (Chambers)
3 "Les Noirs Marchant" (Hill)
4 "Dialogue" (Chambers)
5 "Ghetto Lights" (Hill)
6 "Jasper" (Hill) (CD Bonus)
Bobby Hutcherson – vibraphone, marimba (3, 4).
Sam Rivers – tenor saxophone (1, 6) soprano saxophone (5), bass clarinet (4, 5, 6), flute (2, 3)
Freddie Hubbard – trumpet
Andrew Hill – piano
Richard Davis – double bass
Joe Chambers – drums
(Note: CD was converted to 24bit PCM, and 2x up-sampled using an interpolative algorithm; thus the stream is of a 24-88 file, whereas the title describes the source properly as 16-44)
"Tricrotism" (Originally Tractitsm) (Oscar Pettiford)
"On Green Dolphin Street" (Bronislaw Kaper, Ned Washington)
"Thag's Dance" (Oscar Peterson)
"Ill Wind" (Harold Arlen, Ted Koehler)
"Kadota's Blues" (Peterson)
Oscar Peterson - piano; Ray Brown - double bass; Ed Thigpen - drums
Recorded live July 28, 29, 1961 at London House, Chicago
A1 Fine And Dandy
A2 Fooling Myself
A3 D.B. Blues
A4 You're Driving Me Crazy
A5 Easy Living
B1 Polka Dots And Moonbeams
B2 No Eyes Blues
B3 This Years Kisses
B4 There Will Never Be Another You
B5 Jumpin' With Symphony Sid
Trumpet – Paul Serreno
Bass Trumpet – Cy Touff
Vibraphone – Charles Stepney
Piano – King Fleming
Bass – Earl May, "L.D." Young
Drums – Vernell Fournier
Recorded at a club in Chicago in 1957.
"A Foggy Day" (George Gershwin, Ira Gershwin)
"Here 'Tis"
"Cool Blues" (Charlie Parker)
"Watusi Jump"
"Walk Wid Me"
(All compositions by Lou Donaldson except as in Brackets)
Lou Donaldson - alto saxophone
Baby Face Willette - organ
Grant Green - guitar
Dave Bailey - drums
Recorded January 23, 1961 at Rudy Van Gelder Studio
1. "E.S.P." (Wayne Shorter)
2. "Eighty-One" (Ron Carter, Miles Davis)
3. "Little One" (Herbie Hancock)
4. "R.J." (Ron Carter)
5. "Agitation" (Miles Davis)
6. "Iris" (Wayne Shorter)
7. "Mood" (Ron Carter, Miles Davis)
Miles Davis – trumpet; Wayne Shorter – tenor saxophone; Herbie Hancock – piano; Ron Carter – bass; Tony Williams – drums
Recorded January 20 (1, 4), 21 (2, 3), 22 (5-7), 1965 at Columbia Studios, Hollywood
A1 Introduction
A2 Gingerbread Boy / Footprints
B1 'Round Midnight
B2 So What / The Theme
Miles Davis, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams
2013 Remaster
2-01 Let's Dance (Benny Goodman Version)
2-02 April In Paris (Count Basie Version)
2-03 Pennsylvania 6-5000 (Glenn Miller Version)
2-04 Northwest Passage (Woody Herman Version)
2-05 Blues In The Night (Parts 1 & 2) (Jimmie Lunceford Version)
2-06 Moten Swing (Andy Kirk Version)
2-07 Boogie Woogie (Tommy Dorsey Version)
2-08 Satin Doll (Duke Ellington Version)
2-09 And Her Tears Flowed Like Wine (Stan Kenton Version)
2-10 Air Mail Special (Benny Goodman Version)
2-11 Straighten Up And Fly Right (Nat King Cole Version)
2-12 Drumboogie (Gene Krupa Version)
2-13 I've Got A Gal In Kalamazoo (Glenn Miller Version)
2-14 Hamp's Boogie Woogie (Lionel Hampton Version)
(Note: CD was converted to 24bit PCM, and 2x up-sampled using an interpolative algorithm; thus the stream is of a 24-88 file, whereas the title describes the source properly as 16-44)
More information [here](https://www.discogs.com/release/1057839-Billy-May-Glen-Gray-Swing-Era-Swingtime)
"Back Home Again in Indiana" (James F. Hanley, Ballard MacDonald)
"Baby, It's Cold Outside" (Frank Loesser)
"Way Down Yonder in New Orleans" (Henry Creamer, Turner Layton)
"Stardust" (Hoagy Carmichael, Mitchell Parish)
"The Hucklebuck" (Roy Alfred, Andy Gibson)
"Honeysuckle Rose" (Andy Razaf, Fats Waller)
"Just You, Just Me" (Jesse Greer, Raymond Klages)
"My Monday Date" (Earl Hines)
"You Can Depend on Me" (Charles Carpenter, Louis Dunlap, Earl Hines)
"That's a Plenty" (Lew Pollack)
Louis Armstrong – trumpet, vocals
Jack Teagarden – trombone
Barney Bigard – clarinet
Earl Hines – piano
Arvell Shaw – double bass
Cozy Cole – drums
Velma Middleton – vocals
Recorded January 30, 1951 at Pasadena Civic Auditorium, California