The Spirit of Compromise: Why Governing Demands It and Campaigning Undermines It
Author: Amy Gutmann To govern in a democracy, political leaders have to compromise. When they do not, the result is political paralysisdramatically demonstrated by the gridlock in Congress in recent years. In The Spirit of Compromise, eminent political thinkers Amy Gutmann and Dennis Thompson show why compromise is so important, what stands in the way of achieving it, and how citizens can make defensible compromises more likely. They urge politicians to focus less on campaigning and more on governing. In a new preface, the authors reflect on the state of compromise in Congress since the books initial publication.Calling for greater cooperation in contemporary politics, The Spirit of Compromise will interest everyone who cares about making government work better for the good of all.
Author: James Pratt
Alongside the various people moving into and through the nineteenth-century Texas frontier was a group of European intellectuals bent on establishing a socialist utopia near the hamlet of Dallas. Their inspiration, French philosopher Charles Fourier, envisioned a society in which basic human ambitions would be expressed and cultivated, tied together by the bonds of emotion. Fouriers self-appointed disciple Victor Considerant led the establishment of La Reunion in 1855, organized under a Paris stock company. James Pratt weaves together the dramatic story of this utopia: the complex tale of a diverse group of Europeans who sought a new society but were forced to face the realities of life in nineteenth-century Texas. Considerants followers endured a long ocean voyage with Spanish gunboats following in their Caribbean wake. They brushed blooming magnolias through Buffalo Bayou between Galveston Bay and Houstonso narrow a channel that two ships could not pass simultaneously. They walked for three weeks across barren country, came into conflict with the Texas legislature over land, and had to buy their stolen horses back from Chief Ned, a famous Delaware Indian living in Texas. They were buffeted in the rising political winds of abolition, and droughts ruined their crops. In the end, however, it was their flamboyant leader Victor Considerant who sabotaged their dream.
Author: Frank; Art in Cinema Society. Scott; Stauffacher MacDonald
From 1946 until 1954, the San Francisco-based film society Art in Cinema presented programs of independent film to audiences at the San Francisco Museum of Art and the University of California, Berkeley. Led by filmmaker Frank Stauffacher, Art in Cinema's programs pioneered the promotion of avant-garde cinema in America. Scott MacDonald's Art in Cinema presents complete programs presented by the legendary society; dozens of previously unavailable letters between Stauffacher, his collaborators, and filmmakers including Maya Deren, Hans Richter, Vincent Minelli, and Man Ray; a reprint of the society's original catalog, which features essays by Henry Miller and others; and a wide range of other remarkable historical documents. A companion to Cinema 16 (Temple), a documentary history of the first west coast film society, Art in Cinema provides cineastes, students, teachers, and scholars with extensive and fascinating documentation of one of the most important film societies in American history. Together or separately, the books provide an indispensable reference source for the beginning of this country's love affair with independent film.
Author: Ron D. Porley
This is the first book to cover England's rare and threatened mosses and liverworts, collectively known as bryophytes. As a group, they are the most ancient land plants and occupy a unique position in the colonization of the Earth by plant life. However, many are at risk from habitat loss, pollution, climate change, and other factors. Britain is one of the world's best bryologically recorded areas, yet its mosses and liverworts are not well known outside a small band of experts. This has meant that conservation action has tended to lag behind that of more charismatic groups such as birds and mammals. Of the 916 different types of bryophyte in England, 87 are on the British Red List and are regarded as threatened under the strict criteria of the International Union for the Conservation of Nature. This book aims to raise awareness by providing stunning photographs--many never before published--of each threatened species, as well as up-to-date profiles of 84 of them, including status, distribution, history, and conservation measures. The book looks at what bryophytes are, why they are important and useful, and what makes them rare; it also examines threats, extinctions, ex situ conservation techniques, legislation, and the impact of the 1992 Convention on Biological Diversity. Provides the first treatment of England's rare and threatened mosses and liverworts Features stunning photographs--many never before published--of each species and many of their habitats Treats each species in a handy and attractive double-page layout Includes up-to-date profiles of 84 species, including status, distribution, history, and conservation measures Presents the first overview of English bryophyte conservation Offers invaluable guidance to people working in conservation in England, the British Isles, Europe, and beyond
Author: Una Roman D’Elia
Raphaels Ostrich begins with a little-studied aspect of Raphaels paintingthe ostrich, which appears as an attribute of Justice, painted in the Sala di Costantino in the Vatican. Una Roman DElia traces the cultural and artistic history of the ostrich from its appearances in ancient Egyptian hieroglyphs to the menageries and grotesque ornaments of sixteenth-century Italy. Following the complex history of shifting interpretations given to the ostrich in scientific, literary, religious, poetic, and satirical texts and images, DElia demonstrates the rich variety of ways in which people made sense of this living monster, which was depicted as the embodiment of heresy, stupidity, perseverance, justice, fortune, gluttony, and other virtues and vices. Because Raphael was revered as a god of art, artists imitated and competed with his ostrich, while religious and cultural critics complained about the potential for misinterpreting such obscure imagery. This book not only considers the history of the ostrich but also explores how Raphaels painting forced viewers to question how meaning is attributed to the natural world, a debate of central importance in early modern Europe at a time when the disciplines of modern art history and natural history were developing. The strangeness of Raphaels ostrich, situated at the crossroads of art, religion, myth, and natural history, both reveals lesser-known sides of Raphaels painting and illuminates major cultural shifts in attitudes toward nature and images in the Renaissance. More than simply an examination of a single artist or a single subject, Raphaels Ostrich offers an accessible, erudite, and charming alternative to Vasaris pervasive model of the history of sixteenth-century Italian art.
Author: Sheila J. Petty
Created at the crossroads of slavery, migration, and exile, and comprising a global population, the black diaspora is a diverse space of varied histories, experiences, and goals. Likewise, black diasporic film tends to focus on the complexities of transnational identity, which oscillates between similarity and difference and resists easy categorization. In Contact Zones author Sheila J. Petty addresses a range of filmmakers, theorists, and issues in black diasporic cinema, highlighting their ongoing influences on contemporary artistic and theoretical discourses. Petty examines both Anglophone and Francophone films and theorists, divided according to this volumes three thematic sectionsSlavery, Migration and Exile, and Beyond Borders. The feature films and documentaries consideredwhich include Sankofa, Daughters of the Dust, The Man by the Shore, and Rude, among othersrepresent a wide range of cultures and topics. Through close textual analysis that incorporates the work of well-known diasporic thinkers like W. E. B. DuBois, Aime Cesaire, and Frantz Fanon along with contemporary notables such as Molefi Kete Asante, bell hooks, Clenora Hudson-Weems, Rene Depestre, Paul Gilroy, and Rinaldo Walcott, Petty details the unique ways in which black diasporic films create meaning. By exploring a variety of African American, Caribbean, Black British, and African Canadian perspectives, Contact Zones provides a detailed survey of the diversity and vitality of black diasporic contributions to cinema and theory. This volume will be a welcome addition to the libraries of scholars and students of film studies and Africana studies.
Author: Noam Chomsky
In his foundational book, The Minimalist Program, published in 1995, Noam Chomsky offered a significant contribution to the generative tradition in linguistics. This twentieth-anniversary edition reissues this classic work with a new preface by the author. In four essays, Chomsky attempts to situate linguistic theory in the broader cognitive sciences, with the essays formulating and progressively developing the minimalist approach to linguistic theory. Building on the theory of principles and parameters and, in particular, on principles of economy of derivation and representation, the minimalist framework takes Universal Grammar as providing a unique computational system, with derivations driven by morphological properties, to which the syntactic variation of languages is also restricted. Within this theoretical framework, linguistic expressions are generated by optimally efficient derivations that must satisfy the conditions that hold on interface levels, the only levels of linguistic representation. The interface levels provide instructions to two types of performance systems, articulatory-perceptual and conceptual-intentional. All syntactic conditions, then, express properties of these interface levels, reflecting the interpretive requirements of language and keeping to very restricted conceptual resources. In the preface to this edition, Chomsky emphasizes that the minimalist approach developed in the book and in subsequent work is a program, not a theory. With this book, Chomsky built on pursuits from the earliest days of generative grammar to formulate a new research program that had far-reaching implications for the field.
Author: edited by James Brewer Stewart foreword by James O. Horton
This book originated in the summer of 2006, in the burial ground of the First Church of Christ, Congregational, of East Haddam, Connecticut, where a team of forensic scientists began excavating the graves of two emancipated slaves, Venture Smith (d. 1805) and his wife, Marget (d. 1809). Those requesting this remarkable investigation were the Smiths direct descendants, members of the eighth, ninth, tenth, and eleventh generations, who were determined to honor the bicentennial of their founding ancestors death by discovering everything possible about his life. Opening burial plots in the hope of recovering DNA for genealogical tracing proved a compelling first step. But what began as a scientific inquiry into African origins rapidly evolved into an unparalleled interdisciplinary collaboration between historians, literary analysts, geographers, genealogists, anthropologists, political philosophers, genomic biologists, and, perhaps most revealingly, a poet. Their common goal has been to reconstruct the life of an extraordinary African American and to assay its implications for the sprawling, troubled eighteenth-century world of racial exploitation over which he triumphed. This volume displays the rich results of that collaboration. A highly intelligent, deeply self-motivated and immensely energetic slave transported from Africa, Venture Smith transformed himself through unstinting labor into a respectable Connecticut citizen, a successful entrepreneur, and the liberator of other enslaved African Americans. As James O. Horton emphasizes in his foreword to this volume, Venture Smiths saga is a gift to all who seek to understand the complex racial beginnings of America. It helps to connect the broad American story with the stories of many Americans whose lives illustrate the national struggle to live out the national ideals. In addition to Horton and volume editor James Brewer Stewart, contributors include Cameron Blevins, Vincent Carretta, Anna Mae Duane, Robert P. Forbes, Anne L. Hiskes, Paul Lovejoy, Marilyn Nelson, David Richardson, Chandler B. Saint, Linda Strausbaugh, Kevin Tulimieri, and John Wood Sweet.