Morton Feldman - Violin and Orchestra (Audio + Full Score SEE DESCRIPTION)
I uploaded violin and orchestra last month, but it got instantly blocked, and only just became public now. I tried to schedule it for the usual time today but it didn't shown up as a new upload, so here is the link to the actual score video: https://www.youtube.com/watch?v=hsqV3Svtkl4
Pierre Boulez - Domaines, for clarinet solo (1958)
Clarinet - Roger Heaton
Cahier A Original - 0:00
Cahier E Original - 0:49
Cahier C Original - 1:50
Cahier B Original - 2:50
Cahier D Original - 4:19
Cahier F Original - 5:20
Cahier F Miroir - 7:44
Cahier D Miroir - 10:12
Cahier B Miroir - 11:18
Cahier C Miroir - 13:02
Cahier E Miroir - 14:15
Cahier A Miroir - 15:18
Boulez’s Domaines (Areas/Domains), composed during an extended period between 1959 and 1968, was written for clarinet alone. Boulez turned it into a kind of concerto later by adding six discrete ensembles of one to six players while retaining the original solo part. Domaines follows on from the Third Piano Sonata of 1957 and the large-scale work for soprano and orchestra Pli selon pli (Fold by Fold), which he worked on between 1957 and 1962. There are close links between the three pieces in terms of expressive melodic material, for example similarities between clarinet and vocal writing, and the quasi-aleatoric nature of the notation - the actual layout on the page of fragments of music.
One interesting note to make, is the similarities between Domaines and Boulez's other work involving a solo clarinet: Dialogue de l'ombre double (1985). The clearest example comes in one the first sections heard in this recording. This section of the original Cahier A, 0:14, is identical (in sound) to the entry of the shadow clarinet in Transition I à II in Dialogue: https://youtu.be/tJKhUZEhtX8?t=188
Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs
PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - https://www.patreon.com/ryanpower
PAYPAL - Donations of any amount welcome! - https://www.paypal.com/paypalme/officialryan3?country.x=GB&locale.x=en_GB
...
https://www.youtube.com/watch?v=VQwWn4l7qWY
Karlheinz Stockhausen - Helicopter String Quartet, Nr. 69, for string quartet, 4 helicopters with pilots and 4 sound technicians... (1992-93)
Performed by the Arditti Quartet
Helicopter 1:
Cello - Rohan de Saram
Pilot - Captain Erik Boekelman
Sound Technician - Joke van Amersfoort
Ground Engineer - Sergeant Major Alfred Huhnholz
Helicopter 2:
Viola - Garth Knox
Pilot - 1st Lieutenant Robert de Lange
Sound Technician - Maurice Bom
Ground Engineer - Sergeant Ed Spieksma
Helicopter 3:
Violin 2 - Graeme Jennings
Pilot - 1st Lieutenant Denis Jans
Sound Technician - Jeroen Bas
Ground Engineer - Sergeant Marco Jeuken
Helicopter 4:
Violin 1 - Irvine Arditti
Pilot - 1st Lieutenant Marco Olivier
Sound Technician - Jos Mulder
Ground Engineer - Sergeant Hans Mazier
...also requires 4 television transmitters, 4 sounds transmitters, auditorium with 4 columns of televisions and 4 columns of loudspeakers, sound projectionist with mixing console and a moderator.
Scene 3 from the opera 'Mittwoch aus Licht'.
Intro - 0:00
Ignition of the Turbines - 0:13
Ascent / Entry of the Instruments - 2:04
Bar 1: First Formula Cycle - 5:24
Bar 22: Second Formula Cycle - 10:02
Bar 43: Third Formula Cycle - 19:20
Descent and Landing - 27:00
The Helicopter String Quartet is developed from the Licht super formula, seen as the top 3 staves of the score. The instrumental parts are the bottom 4 staves, and the coloured lines joining together the different notes and staves of the super formula correspond to the different parts of the quartet. (Red = Violin 1, Blue = Violin 2, Green = Viola, Orange = Cello).
https://en.wikipedia.org/wiki/Helikopter-Streichquartett
Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs
PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - https://www.patreon.com/ryanpower
PAYPAL - Donations of any amount welcome! - https://www.paypal.com/paypalme/officialryan3?country.x=GB&locale.x=en_GB
...
https://www.youtube.com/watch?v=uVUNekDLyv4
Karlheinz Stockhausen - Klavierstück XVI, Werk Nr. 63½, for tape, stringed piano and electronic keyboard instruments ad lib. (1995)
Performed by Antonio Pérez Abellán
Klavierstück XVI (1995) is for stringed piano and electronic keyboard instruments ad lib. (one player), who plays together with Sound Scene 12 of Freitag aus Licht, on tape or CD.
The piece was written for the 1997 Micheli Competition, who had commissioned a seven-minute piano piece. It was first played in October 1997 to the jury by the three finalists in that competition. According to the preface to the score, the composer's offer to rehearse individually with the pianists was rejected, so he did not hear the result but was told afterward that "they were completely lost and could not imagine how the piece should be played". The first public performance was given by Antonio Pérez Abellán on 21 July 1999 at the Stockhausen Courses Kürten. The score is dedicated to "all pianists who do not only play the traditional stringed piano but who also include electronic keyboard instruments in their instrumentarium".
In Klavierstück XVI, the connection with the Licht superformula is mediated through the melodic structure of Elufa, the ninth "real scene" in Freitag. Although the piece is precisely notated, there is no specific part for the keyboardist to perform. Instead, the performer must choose which notes to perform synchronously with the meticulously notated electronic music. This process has been compared by one writer to the realization of a figured bass in Baroque performance practice.
Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs
PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - https://www.patreon.com/ryanpower
PAYPAL - Donations of any amount welcome! - https://www.paypal.com/paypalme/officialryan3?country.x=GB&locale.x=en_GB
...
https://www.youtube.com/watch?v=wv9uE_op8R8
Performers:
Woglinde - Norma Sharp
Wellgunde - Ilse Gramatzki
Floßhilde - Marga Schiml
Alberich - Hermann Brecht
Conductor - Pierre Boulez
Bayreuth Festival Orchestra
0:00 - Scene One (The Rhine River)
3:56 - (Woglinde's lullaby)
5:07 - (The dwarf Alberich appears)
6:23 - (Alberich tries to catch Woglinde...but fails)
7:24 - (Wellgunde's seduction)
9:02 - (Flosshilde's seduction)
10:57 - (Alberich's anger and accusation as he falls for the Rhinemaidens' pranks)
11:24 - (The Rhinemaidens don't give a damn)
13:50 - (The sun shines on the Rhinegold)
17:06 - (Wellgunde: "Making a ring from the gold grants world-power.")
17:47 - (Woglinde: "One must renounce love to make the ring of power.")
19:37 - (Alberich renounces love and steals the Rhinegold.)
*Description taken from tomekkobialka's video, with adjusted timestamps*
https://en.wikipedia.org/wiki/Das_Rheingold#Scene_1
Join the Score Video Creator Discord Server:
https://discord.gg/QRbwTRs
Support me on Patreon: https://www.patreon.com/ryanpower
...
https://www.youtube.com/watch?v=zslzs-c-Iy4
Boris Tishchenko - Rondo for Violin and Piano, Op. 2 (1957)
Violin - Gabriel Tchalik
Piano - Dania Tchalik
"The Rondo from 1957 reverts to a neo-classic melodicism that might appeal to a follower of Ravel. Late Brahms meets early Poulenc? Again, excellently executed by the brother-duo." - https://dschjournal.com/cd-reviews-44#tishchenko
Join the Score Video Creator Discord Server:
https://discord.gg/QRbwTRs
Support me on Patreon: https://www.patreon.com/ryanpower
...
https://www.youtube.com/watch?v=882WYMYdD1w
Anton Bruckner - In Jener Letzten Der Nächte, WAB 17
Soprano - Ludmila Kuznetzova
Organ - Ludmilla Golub
In jener letzten der Nächte (In this last of nights), WAB 17, is a motet composed by Anton Bruckner. Bruckner composed the motet in c. 1848 at St. Florian Monastery for the celebration of Maundy Thursday. However, it is not known whether it was performed at that time. It was edited first by Anton Böhm & Sohn, Augsburg & Vienna, 1931.
There are two settings: one for soloist and organ, and another for mixed choir a cappella. The manuscript of the setting for soloist and organ is stored in the archive of the city museum of Wels. A transcription of the other setting is found in the Österreichische Nationalbibliothek.
The two settings of the motet are put in Band XXI/15 of the Gesamtausgabe.
Join the Score Video Creator Discord Server:
https://discord.gg/QRbwTRs
Support me on Patreon: https://www.patreon.com/ryanpower
...
https://www.youtube.com/watch?v=DCPPLk55uig
Henri Dutilleux - Sur le même accord, nocturne for violin and orchestra (2002)
Dedicated to Anne-Sophie Mutter
Seattle Symphony Orchestra
Conductor - Ludovic Morlot
Violin - Augustin Hadelich
Sur le même accord (On only one chord) is a piece by the French composer Henri Dutilleux for solo violin and orchestra. It was composed for the violinist Anne-Sophie Mutter, and was premiered by her on 28 April 2002 in London with the London Philharmonic Orchestra conducted by Kurt Masur. The piece lasts about 10 minutes in performance.
Dutilleux describes the piece as "a nocturne-like work". The one movement consists of an introduction followed by an alternation of rapid music and slow, lyrical passages: Introduction – Rapid Music – Lyrical Section I – Rapid Music – Lyrical Section II – Rapid Music.
The entire piece is based on one six-note chord, heard at the beginning of the piece, which is manipulated in various ways. The chord has the property of all-combinatoriality, and Dutilleux uses this property several times to create an aggregate. The piece also features the Dutilleux trademark of mirror writing, which can be heard in several passages. The work is tonally centered on G, which is established by assertion, most notably by the repeated use of the violin's low open G.
https://en.wikipedia.org/wiki/Sur_le_m%C3%AAme_accord
Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs
PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - https://www.patreon.com/ryanpower
PAYPAL - Donations of any amount welcome! - https://www.paypal.com/paypalme/officialryan3?country.x=GB&locale.x=en_GB
...
https://www.youtube.com/watch?v=3g4Vmhhq5gk
You can watch the full opera with score here: https://youtu.be/GdDuGcaugpo
London Symphony Orchestra
Conductor – Anthony Pappano
Lauretta - Angela Gheorghiu
ITALIAN:
O mio babbino caro
Mi piace, è bello, bello
Vo’ andare in Porta Rossa
A comperar l’anello!
Sì, sì, ci voglio andare!
E se l’amassi indarno,
Andrei sul Ponte Vecchio,
Ma per buttarmi in Arno!
Mi struggo e mi tormento!
O Dio, vorrei morir!
Babbo, pietà, pietà!
Babbo, pietà, pietà!
ENGLISH:
Oh my dear papa
I like him, he is so handsome.
I want to go to Porta Rossa
To buy the ring!
Yes, yes, I want to go there!
And if my love were in vain,
I would go to the Ponte Vecchio
And throw myself in the Arno!
I am pining, I am tormented!
Oh God, I would want to die!
Father, have pity, have pity!
Father, have pity, have pity!
Join the Score Video Creator Discord Server:
https://discord.gg/QRbwTRs
Support me on Patreon: https://www.patreon.com/ryanpower
...
https://www.youtube.com/watch?v=AbsOwEtMJJQ
Luciano Berio - Récit (Chemins VII) su Sequenza IXb, for saxophone and orchestra (1996)
WDR Sinfonieorchester
Conductor - Brad Lubman
Saxophone - Lutz Koppetsch
Récit is based on Sequenza IX (1980), also for alto saxophone. Berio chose the title “Récit” to underline the music’s narrative character, selecting the word, as he said, under the influence of French philosopher Paul Ricoeur (1913-2005). Berio noted in an interview that the orchestra functions in a different way from that of the other Chemins: instead of further developing or preparing the solo part, it is completely autonomous. Essentially, the alto saxophone plays the Sequenza – but the pauses are longer this time, to let the orchestra unfold its own material.
Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs
PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - https://www.patreon.com/ryanpower
PAYPAL - Donations of any amount welcome! - https://www.paypal.com/paypalme/officialryan3?country.x=GB&locale.x=en_GB
...
https://www.youtube.com/watch?v=Tl2jYqbwjW0