【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Beethoven Piano Sonata No.28 Op.101 in A major 貝多芬 鋼琴 奏嗚曲 第28號 作品191 A大調 贝多芬 钢琴 奏呜曲 第28号 作品191 A大调 Beethoven Sonata para piano n.º 28 en la mayor Op.101 ベートーヴェン ピアノ ソナタ 第28番 イ長調 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Beethoven #Piano #Sonata 00:00 I Allegretto, ma non troppo 04:35 II Vivace alla marcia 10:21 III Adagio, ma non troppo, con affetto 13:29 IV Allegro 《A大調鋼琴奏鳴曲》，作品101，是路德維希·范·貝多芬於1816年創作的四樂章鋼琴奏鳴曲，獻給多蘿蒂亞·馮·艾特曼夫人，多蘿蒂亞是當時的著名鋼琴家，也是貝多芬的學生。這首奏鳴曲相比貝多芬過去的作品，音樂的形式、主題和思想更加複雜，使用了更多的對位法。這首奏鳴曲被認為是貝多芬晚期作品的開始。 Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101, was written in 1816 and was dedicated to the pianist Baroness Dorothea Ertmann, née Graumen. This sonata marks the beginning of what is generally regarded as Beethoven's final period, where the forms are more complex, ideas more wide-ranging, textures more polyphonic, and the treatment of the themes and motifs even more sophisticated than before. Op. 101 well exemplified this new style, and Beethoven exploits the newly expanded keyboard compass of the day. This piano sonata consists of four movements. A complete performance of the work takes about 19–22 minutes. First movement Etwas lebhaft, und mit der innigsten Empfindung (Somewhat lively, and with innermost sensibility) This movement is in A major, 6/8 time, and in sonata form. The tempo marking for the opening movement, Etwas Lebhaft und mit der innigsten Empfindung, is roughly translated as "somewhat lively and with the warmest feeling." (This term is used on the first published score but not on the autograph, which has only "Allegretto ma non troppo.) Four-part harmony and contrapuntal texture is used throughout the movement. Though the sonata is marked as being in A major, Beethoven does not write any cadences on the tonic key; the exposition and development do not include a single root position A major chord. The first tonic chord in root position appears towards the end of the recapitulation. It appears once more at the end of the recapitulation, but even then is blunted by the omission of the fifth scale degree. Second movement Lebhaft, marschmäßig (Lively, march-like) The second movement is in F major, 4/4 time. It takes the form of a march in ternary form, and is characterized by dotted rhythms, harmonic dislocation and alternation between static and accelerando. The middle section is in B♭ major, mostly composed in strict canonic structure. Third movement Langsam und sehnsuchtsvoll (Slow and longingly) The third movement begins with a slow introduction in A minor, 2/4 time. The opening melody of the first movement is recalled just as the introduction nears its conclusion in original tempo and meter. Fourth movement Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Swiftly, but not overly, and with determination) The Finale in 2/4 time begins without pause, and returns to the key of the first movement, in A major. It is a grand contrapuntal movement in which Beethoven explored the newest keyboard set in his command, using the lowest E (E1) on the piano near the end. This movement is the longest and most technically challenging one in the sonata, including a dense and 100-bar-long fugato in four voices as its development section. History As with the previous sonata, it is unclear why Beethoven wrote Op. 101. The earliest known sketches are on leaves that once formed the parts of the Scheide Sketchbook of 1815–16. It shows the first movement already well developed and notated as an extended draft in score, and there are also a few preliminary ideas for the final Allegro. Beethoven himself described this sonata, composed in the town of Baden, just south of Vienna, during the summer of 1816, as "a series of impressions and reveries." The more intimate nature of the late sonatas probably has some connection with his deafness, which by this stage was almost total, isolating him from society so completely that his only means of communicating with friends and visitors was via notebooks. Composition The Piano Sonata No. 28, Op. 101 is the first of the series of Beethoven's "Late Period" sonatas (although sometimes Op. 90 is considered the first), when his music moved in a new direction toward a more personal, intimate, sometimes even introspective, realm of freedom and fantasy. In this period he had achieved a complete mastery of form, texture and tonality and was subverting the very conventions he had mastered to create works of remarkable profundity and beauty.[citation needed] It is also characteristic of these late works to incorporate contrapuntal techniques (e.g. canon and fugue) into the sonata form. ... https://www.youtube.com/watch?v=siwY5OFkRWI

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Richard Strauss 5 Piano Pieces Op.3 5 Klavierstücke Klavierstucke No.5 3-5 Allegro marcatissimo 理察 史特勞斯 五首 鋼琴 小品 作品3 理察 史特劳斯 五首 钢琴 小品 作品3 リヒャルト・シュトラウス 5つの ピアノ 小品 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Richard #Strauss #Pieces No.1 3-1 Andante No.2 3-2 Allegro vivace. Scherzando No.3 3-3 Largo No.4 3-4 Allegro molto No.5 3-5 Allegro marcatissimo ... https://www.youtube.com/watch?v=BGQdUonAh7E