What If...? – Disney / Wayfare / CJ / 1492 / Imagine (Ron Howard's The Graveyard Book)
A live-action feature film adaptation of Neil Gaiman's acclaimed young adult horror fantasy novel The Graveyard Book has been in varying stages of development for well over a decade. After an initial attempt from Miramax Films and acclaimed director Neil Jordan didn't pan out, the rights were acquired by Walt Disney Pictures in 2012, with CJ Entertainment co-financing and Chris Columbus, Michael Barnathan and Mark Radcliffe co-producing through their 1492 Pictures shingle alongside Ben Browning of Wayfare Entertainment and Gil Netter, with Michael Maher and Peter Rawlinson serving as executive producers. The spring of that year saw visionary stop-motion filmmaker Henry Selick attached to direct the film from a screenplay adapted by Jordan and rewritten by Rowan Joffé, whose story concerns a boy named Nobody "Bod" Owens who's adopted and reared by the supernatural occupants of a graveyard after his family is brutally murdered. However, due to scheduling and development conflicts, Selick departed the project and was soon replaced with reliable journeyman Ron Howard, who would also join as a producer alongside Brian Grazer through their Imagine Entertainment shingle. No doubt many of Howard's frequent collaborators would've also joined in, including costume designer Daniel Orlandi, film editors Dan Hanley and Mike Hill, production designer Michael Corenblith, cinematographer Salvatore Totino, and executive producer Todd Hallowell. Alas, due to commitments to other projects, Howard dropped out, and while the film is back in development at Disney with Marc Forster directing from a new script penned by frequent collaborator David Magee, Howard's take on the property will forever remain unrealized. Follow me and ponder the question, "What if...?"
After attempting to produce a follow-up to New Line Cinema's financially successful 2009 reboot of the Friday the 13th franchise didn't pan out, in the summer of 2013, Warner Bros. Pictures relinquished the rights to the series back to the original owner, Paramount Pictures, as part of a deal that would allow Warner Bros. to co-produce Christopher Nolan's Interstellar. If a new entry in the series weren't produced within the next five years, Warner Bros. would get the rights back. Michael Bay's Platinum Dunes would once again be producing. Initially hired to direct the new installment was V/H/S co-director David Bruckner, who would be helming from a screenplay penned by Ian Goldberg and Richard Naing. Their draft utilized the found-footage angle, as mandated by the studio in response to the success of their Paranormal Activity films as well as the growing popularity of the sub-genre. However, this didn't last long, as Nick Antosca was soon brought in to write a more traditional draft that would ditch this approach, with Bruckner envisioning it as a throwback to the old-school slasher and classic coming-of-age films of the 1980's. Alas, Bruckner soon left the project. In the winter of 2015, it was reported that Prisoners scribe Aaron Guzikowski would be writing a new script, which would serve as an origin story for series villain Jason Voorhees. Eight months later, Breck Eisner was hired to direct, fresh off of the fantasy action thriller The Last Witch Hunter, with Paramount setting the release date for October 13, 2017 and aiming to begin production in March. Unfortunately, on February 6, 2017, the project was effectively cancelled by Paramount following the critical and commercial failure of their recently released horror sequel Rings. Thus, the rights to the franchise reverted back to Warner Bros. the following year. Follow me and ponder the question, "What if...?"
Music: "Rules to Survive" – Brian Tyler (Scream)
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https://www.youtube.com/watch?v=-iNZliGOKl8
In the spring of 2011, it was announced that the Broadway rock musical adaptation of Green Day's chart-topping concept album American Idiot would be developed into a feature film to be produced by Tom Hanks and Gary Goetzman's Playtone Productions for Universal Pictures, with band frontman Billie Joe Armstrong reprising his role as St. Jimmy, the alter ego of Jesus of Suburbia. Michael Mayer, who also wrote the musical's book alongside Armstrong, was to reprise his directing duties as well, with the screenplay being adapted by Milk and J. Edgar scribe Dustin Lance Black. Three years later, the script was being revised by playwright Rolin Jones, who intended to make it more gritty, without much in the way of dialogue. In 2016, Armstrong confirmed that the film would now be co-produced by HBO and that the script was undergoing further rewrites. Alas, the project was ultimately not meant to be, as four years later, Armstrong revealed that any and all plans for the film were scrapped entirely. Follow me and ponder the question, "What if...?"
Music: "Good Riddance (Time of Your Life)" – Green Day (Nimrod)
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https://www.youtube.com/watch?v=NGPIAFul8wg
The art of cinema was done a great injustice when the world denied it a film that would've paired up producer-star Nicolas Cage with visionary director John Carpenter. In the mid-to-late 2000's, the two were to team up on a prison riot action-thriller entitled Scared Straight for New Line Cinema and Millennium Films, based on the Academy Award-winning documentary about a group of juvenile delinquents and their three-hour session with actual convicts — "lifers" — who berate, scream at, and terrify the young offenders in an attempt to "scare them straight," so that the teens will avoid prison life. Scripted by Joe Gazzam and revised by Ron L. Brinkerhoff, the film would see a troubled youth being sent to the Scared Straight crime prevention program, but when a riot breaks out and the prisoners take him hostage, one of the lifers — to be played by Cage — is forced to help the young man out. The film was slated to be released sometime in 2009, but Cage unfortunately ended up pulling out as he was too busy with other projects, as well as having recently signed a two-picture deal with Millennium Films, making Bad Lieutenant: Port of Call – New Orleans and Drive Angry with the company. Follow me and ponder the question, "What if...?"
Music: "Prison Montage" – John Carpenter, Cody Carpenter and Daniel Davies (Halloween); "Vortex" – John Carpenter (Lost Themes)
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https://www.youtube.com/watch?v=e2-UohV7y6Q
For the job of directing the feature film adaptation of the late great Neil Simon's stage play The Sunshine Boys, which tells the story of two legendary vaudeville comics-turned-bitter rivals — Willy Clark and Al Lewis — who are brought together for a reunion and revival of their famous act, the producers originally looked at another famed comedian: the now-disgraced Woody Allen, who was still a relatively new director at the time and who had previously worked alongside Simon — as well as the likes of Mel Brooks and Larry Gelbart — as a writer on Sid Caesar's Your Show of Shows. While Allen was interested in the material, he wasn't looking to direct, instead desiring to play one of the comics: Al Lewis, specifically. Ultimately, Allen turned down the job and Herbert Ross — who would become a frequent collaborator with Simon — was instead hired to direct, but Allen would later co-star as Lewis in the 1996 made-for-TV re-adaptation of the play. Follow me and ponder the question, "What if...?"
Music: "Make 'Em Laugh" – Nacio Herb Brown and Arthur Freed (Singin' in the Rain)
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https://www.youtube.com/watch?v=N9iO5Ri6y4o
From the early 1990's to the late 2000's, Warner Bros. Pictures had been developing The Mayor of Castro Street, a biopic — based on the book of the same name by Randy Shilts — detailing the life and times of Harvey Milk, the groundbreaking politician who would be the first openly gay man to be elected to public office in the state of California. Acclaimed filmmaker Oliver Stone would be producing the project through his Ixtlan banner, also penning the adapted screenplay alongside David Franzoni and director Gus van Sant, with Academy Award winner Robin Williams in mind to play Milk. However, due to creative differences, Van Sant left, and years later, he would direct a different Milk biopic for Focus Features. At the same time that was in the developing stages, Warner Bros. attempted to revive The Mayor of Castro Street as a lower-budgeted indie production to be made through their short-lived Warner Independent Pictures label. The disgraced Bryan Singer was hired to direct, in what was to be his next film following Superman Returns, who in turn brought on Brandon Boyce — and later hire Christopher McQuarrie — to revise the initial script. Singer would also serve as a producer through his Bad Hat Harry banner, alongside Stone and Storyline Entertainment's Craig Zadan and Neil Meron. No doubt many of Singer's frequent collaborators would've also joined in, including score composer and film editor John Ottman, costume designer Louise Mingenbach, production designer Guy Hendrix Dyas, and cinematographer Newton Thomas Sigel. However, due to troubles with the 2007-2008 Writers Guild of America strike, the project died while production on Van Sant's Milk ran forward. Singer quickly moved on to make Valkyrie instead. Follow me and ponder the question, "What if...?"
Music: "Pussy" – John Ottman (Suites and Themes from the Scores of John Ottman: Music Inspired by the Film Cruel Intentions)
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https://www.youtube.com/watch?v=QZ901FMFsC4
In the spring of 2017, it was announced that acclaimed filmmaker Andrew Dominik would be directing a Navy SEAL-based adventure action drama entitled War Party for the streaming service Netflix. Nothing about what the plot of the film would concern has ever been revealed aside from the fact that it would be inspired by true events. Dominik would helm from a screenplay that he co-wrote with Harrison Query, while visionary director Ridley Scott and his production partners Jules Daly and Kevin J. Walsh would produce through Scott Free Productions. This would mark Scott and Daly's second collaboration with Dominik following The Assassination of Jesse James by the Coward Robert Ford. Also reteaming with Scott would be Tom Hardy, who was attached to star in the film. No doubt the project would've also seen Nick Cave and Warren Ellis composing the original musical score, as they had for Dominik's prior two films. Alas, no further news ever came of the project, with Dominik instead moving on to get his long-gestating passion project Blonde off the ground for the streamer. Follow me and ponder the question, "What if...?"
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https://www.youtube.com/watch?v=XnOHaJ64XGg
In the summer of 2013, it was announced that Tom Hardy would be starring in an action thriller entitled The Outsider, about an American man who spends his time in World War II as a prisoner-of-war in Japan, staying in the country after the war ends and working his way through the rituals and hardships to become the rare outsider who gains membership in the Yakuza. Hardy would be replacing Michael Fassbender in the titular role. Furthermore, it was revealed that the film, to be distributed by Warner Bros. Pictures, would mark the English-language filmmaking debut of prolific Japanese cult auteur Takashi Miike, who'd be taking over for Safe House director Daniel Espinosa, helming from a Black List screenplay by Andrew Baldwin, with Joel Silver producing alongside Art and John Linson and Waypoint Entertainment's Ken Kao. However, while pre-production was well underway, Hardy would end up exiting the project, and in turn, Miike would depart as well due to scheduling conflicts. The film would eventually see the light of day as a Netflix original in 2018, but not with the involvement of Miike, Hardy, or even Silver. Follow me and ponder the question, "What if...?"
Music: "Boxeur" – Kôji Endô (First Love)
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https://www.youtube.com/watch?v=IISp0P-YsuU
The best-selling Stephen King sci-fi horror novel Firestarter, about a young girl with pyrokinetic powers named Charlie McGee who's being hunted down by a top-secret government agency, was originally going to be adapted into a film by none other than horror maestro John Carpenter, in what was to be his next film following The Thing. Carpenter enlisted that film's screenwriter Bill Lancaster to pen the screenplay, which deviated from King's novel by way of telling the story chronologically — ditching King's original flashback structure entirely — and merging the characters of John Rainbird and Dr. Joseph Wanless into one: a new female antagonist named Dr. Rahv, who presided over the Lot 6 experiments and later posed as a maid in order to gain Charlie's trust. Months later, Carpenter hired frequent collaborator Bill Phillips to do a rewrite, and rumor has it that his planned casting choices included Jennifer Connelly as Charlie, Richard Dreyfuss as her father Andy, Darwin Joston as Rainbird, and Lancaster's father Burt as Captain James Hollister. However, when The Thing was a critical and commercial failure upon its release, Universal Pictures promptly booted Carpenter off of the project. The studio and proudcer Dino De Laurentiis then forged ahead with a new take directed by Mark L. Lester and adapted by Stanley Mann, staying closer to the novel than the abanoned Lancaster and Phillips drafts and starring Drew Barrymore as Charlie. Follow me and ponder the question, "What if...?"
Music: "Lot 6" – John Carpenter, Cody Carpenter and Daniel Davies (Firestarter)
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https://www.youtube.com/watch?v=IWggH-BaDo0
Years before visionary director Tim Burton would be involved with the Netflix original series Wednesday, he was planning on helming a 3D stop-motion animated adaptation of Charles Addams' beloved New Yorker single-panel cartoon series The Addams Family for Universal Pictures and Chris Meledandrdi's Illumination Entertainment, with a screenplay penned by Burton's Ed Wood and Mars Attacks! scribes Scott Alexander and Larry Karaszewski. The project was announced in 2010 and initially slated to be released in 2013, the same year that Illumination would also premiere Despicable Me 2. No doubt many of Burton's frequent collaborators would've also joined in, including score composer Danny Elfman, film editor Chris Lebenzon, and production designer Rick Heinrichs. However, development on the project promptly came to a close when Universal and Illumination ended up losing the rights to the property, which were soon acquired by Metro-Goldwyn-Mayer Pictures, who would release their own CGI-animated film version in 2019. Follow me and ponder the question, "What if...?"
Music: "Defeated" – Danny Elfman (Before I Wake)
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https://www.youtube.com/watch?v=DxnegRAHOWg