【Kero MyPlay Saxophone】 港町ブルース 森 進一 苦海女神龍 西卿 苦海女神龙 西卿 誰來愛我 鄧麗君 谁来爱我 邓丽君 台語 老歌 日本語 日本歌 演歌 台语 日本语 Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment #鳳飛飛 #流水年華 #あなただけを Yamaha YDS-150 ----- 港町ブルース ----- 背のびして見る　海峡を 今日も汽笛が　遠ざかる あなたにあげた　夜をかえして 港　港　函館 通り雨 流す涙で　割る酒は だました男の　味がする あなたの影を　ひきずりながら 港　宮古　釜石　気仙沼 出船入船　帰り船 あなた乗せない　帰り船 うしろ姿も　他人のそら似 港　三崎　焼津に　御前崎 別れりゃ三月　待ちわびる 女心の　やるせなさ 明日はいらない　今夜が欲しい 港　高知　高松　八幡浜 呼んでとどかぬ　人の名を こぼれた酒と　指で書く 海に涙の　ああ愚痴ばかり 港　別府　長崎　枕崎 女心の残り火は 燃えて身をやく　桜島 ここは鹿児島　旅路の果てか 港　港町　ブルースよ ----- 苦海女神龍 ----- 無情的太陽　可恨的沙漠　迫阮滿身的汗流甲濕糊糊 拖著沉重的腳步　要走千里路途 阮為何　為何淪落江湖　為何命這薄 有情風吹動　三尺黑頭毛　有情月照阮的胸前半身光 流浪著千里遠　無一個相借問 心頭酸　心酸孤單女　為何命如此 討厭交男子　歡迎女朋友　討厭文雅幼秀歡喜學風流 無人像我這款　心頭亂亂想 飲兇酒　怎樣飲兇酒　越飲越憂愁 為誰人酒醉　為誰人迷茫　淪落在異鄉的苦海女神龍 不願做女紅妝　偏扮做女紅妝 醉茫茫　怎樣醉茫茫　無奈的女郎 黑暗路也著行　賭窟也著行　人生的六字變換失去了生命 我不是小娘子　我就是女妖精 嘆一聲　生成這款命　美人無美命 放捨著流浪　願做好娘子　無情的環境迫阮墜落黑暗城 風塵的女妖精　誰人要娶做某子 嘆一聲　生成這款命　美人無美命 ----- 誰來愛我 ----- 你曾經對我說過 永遠的愛我 誰知道你的話兒 都是在騙我 你狠心拋棄我 也不管我死活 誰愛我 誰愛我 誰來愛我 不知誰來愛我 想起了心裡難過 我對你不錯 我的心為了你 沒有放下過 怕你冷 怕你熱 怕你渴 怕你餓 誰愛我 誰愛我 誰來愛我 不知誰來愛我 你從來沒有給我 一點兒快樂 我命裡注定 要受你的折磨 愛是枷 情是鎖 我偏願 受折磨 誰愛我 誰愛我 誰來愛我 不知誰來愛我 想起了心裡難過 我對你不錯 我的心為了你 沒有放下過 怕你冷 怕你熱 怕你渴 怕你餓 誰愛我 誰愛我 誰來愛我 不知誰來愛我 你曾經對我說過 永遠的愛我 誰知道你的話兒 都是在騙我 你狠心拋棄我 也不管我死活 誰愛我 誰愛我 誰來愛我 不知誰來愛我 你從來沒有給我 一點兒快樂 我命裡注定 要受你的折磨 愛是枷 情是鎖 我偏願 受折磨 誰愛我 誰愛我 誰來愛我 不知誰來愛我 原曲 https://www.youtube.com/watch?v=6zmfHbIqtr4 參考 https://www.youtube.com/watch?v=LMaLeZAJEIU https://www.youtube.com/watch?v=bddzGfZt4hA&ab_channel=%E9%83%AD%E8%81%B0%E6%AD%A3 https://www.youtube.com/watch?v=yatlO9r1LRk&ab_channel=HenryChen 『港町ブルース』は、1969年4月15日に発売された森進一の12枚目のシングル。 森 進一（1947年〈昭和22年〉11月18日 - ）は、日本の歌手、作曲家、社会福祉活動家。本名・森内 一寛。 山梨県甲府市生まれ鹿児島県育ち。身長167cm、体重49kg、血液型はO型。息子にONE OK ROCKのTaka とMY FIRST STORYのHiroを持つ。 苦海女神龍，本名波娜娜，早期黃俊雄布袋戲的木偶人物。 波娜娜是韃靼國的三公主，來到中原，化名做苦海女神龍，同史豔文有一段的戀情，波娜娜出場時會播放由西卿所演唱的主題曲「苦海女神龍」。後來再由被女歌手李翊君、黃鳳儀（西卿之女）翻唱。 ... https://www.youtube.com/watch?v=tKtC2PQJrKU

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Rachmaninoff Etudes-Tableaux study pictures Op.33 No.5 33-5 拉哈曼尼諾夫 拉赫曼尼諾夫 音畫 練習曲 作品33 拉哈曼尼诺夫 拉赫曼尼诺夫 音画 练习曲 作品33 Rajmáninov Études-Tableaux ラフマニノフ 音の絵 作品33 piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Rachmaninoff #Etude #Tableaux The Études-Tableaux ("study pictures"), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too much of his images. Let [the listener] paint for themselves what it most suggests." However, he willingly shared sources for a few of these études with the Italian composer Ottorino Respighi when Respighi orchestrated them in 1930. Rachmaninoff wrote nine études-tableaux at his Ivanovka estate in 1911. Six of them, the original Nos. 1–2 and 6–9, were published that year. The original No. 4 is lost; the piece was revised and published as Op. 39, No. 6. The original Nos. 3 and 5 were published posthumously within Op. 33. Probably best identified by their tempo markings and keys, the 1911 pieces are numbered by the International Music Score Library Project (IMSLP) as follows, leaving aside the piece that is now part of Op. 39. Allegro non troppo in F minor — No. 1 This study has a martial character. Rachmaninov admired the music of Frédéric Chopin, and there are often parallels between the music of the two composers. This study recalls the Étude Op. 25, No. 4 of Chopin. Allegro in C major — No. 2 This study is characterized by a marked lyricism and a very expressive melody. Notice the similarity to Rachmaninoff's Prelude op. 32 no. 12, which was composed the year before, in 1910. Grave in C minor — No. 3 (published posthumously) This study was re-used in the Largo of Rachmaninov's Fourth Concerto, which was completed in 1926. Moderato in D minor — No. 4 (published posthumously, originally No. 5) This study is similar to the Prelude op. 23 No. 3 composed by Rachmaninoff in 1903, both in tone and character. It is a simple march that grows into a thing of striking contrapuntal complexity. Non allegro—Presto in E♭ minor — No. 5 (published as No. 3, originally No. 6) This study ranks among the most difficult of the opus, to play. The right hand runs constantly throughout the whole keyboard with numerous octave leaps and chromatic scales. Note some similarity to the Prelude op. 28 No. 16 and the Op. Study 25 No. 6 by Chopin. In Russia, this piece is nicknamed The Snow Storm. Allegro con fuoco in E♭ major — No. 6 (published as No. 4, originally No. 7) This study has primarily a military aspect. The study concludes with a particularly virtuosic coda. Its joyous, exuberant character earned it the nickname of "The Fair", according to Rachmaninoff in his correspondence with Ottorino Resphigi. Moderato in G minor — No. 7 (published as No. 5, originally No. 8) This study parallels the finale of the First Ballade in G minor by Chopin. Grave in C♯ minor — No. 8 (published as No. 6, originally No. 9) This study is a thundering piece with violent wavering between minor and major, as well as a bravura display at the end featuring harmonic dips and turns, chromatic runs, huge left-hand leaps, and a countermelody that emerges apparently out of nowhere. This study was one of the three in this opus that were recorded in the Melodiya studios by Sviatoslav Richter, the other two being Moderato in D minor and Non allegro—Presto in E♭ minor. ... https://www.youtube.com/watch?v=MoYqmIuH-pk

【Saxophone Practice Eb】 【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Pennsylvania Polka from Groundhog Day 賓州波卡 今天暫時停止 宾州波卡 今天暂时停止 ペンシルバニア ポルカ グラウンドホッグデー Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment Classical music Música clásica クラッシック 古典音樂 古典音乐 #Saxophone #Pennsylvania #Polka Note: Pitch shift to Eb for alto saxophone practice. 音高調至 Eb 中音 薩克斯風 練習 用 Eb Alto Saxophone practice playlist 中音 薩克斯風 練習 清單 https://www.youtube.com/playlist?list=PLu81SiUmmTCBgQ4rMCB2lcASYMhuxS76j Original Music: Pennsylvania Polka by The Andrew Sisters https://www.youtube.com/watch?v=92rmDlhgPqk Original Soundtrack: https://www.youtube.com/watch?v=Yeb08cbUswk ... https://www.youtube.com/watch?v=uYAnMAz5t_E

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Paganini Caprice Op.1 No.1 1-1 in E major Andante Arpeggio 帕格尼尼 作品1 第1首 隨想曲 E大調 琶音 帕格尼尼 作品1 第1首 随想曲 E大调 琶音 Paganini Capricho n.º 1 Op.1 en mi mayor Arpeggio パガニーニ 奇想曲 作品1 第1番 ホ長調 アルペジオ Violin 小提琴 violín ヴァイオリン Classical music Música clásica クラッシック 古典音樂 古典音乐 #Paganini #Caprice #Arpeggio The 24 Caprices for Solo Violin were written in groups (six, six and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982. The Caprices are in the form of études, with each number exploring different skills (double stopped trills, extremely fast switching of positions and strings, etc.) Unlike many earlier and later sets of 24 pieces, there was no intention to write these caprices in 24 different keys. Nicknamed "The Arpeggio", this composition matches chordal playing with ricochet across all 4 strings. The piece opens in E major and then quickly transitions into an E minor development section, where descending scales in thirds are introduced.