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20 Feb 2023 02:05:13 UTC
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Kreisler Recitativo senza Scherzo @Edvard Lee (edu) // Earthworks Microphones
At my friend Edvard's studio @Edvard Lee (edu) testing out some beautiful microphones sent to us by Earthworks Microphones.
Fritz Kreisler
Recitativo senza Scherzo
...
https://www.youtube.com/watch?v=58NLTqj5pPs
Fritz Kreisler
Recitativo senza Scherzo
...
https://www.youtube.com/watch?v=58NLTqj5pPs
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I do not hold copyrights for this material. It is posted solely for the purpose of non profit music education and is protected under "Fair Use"
17 U.S.C. § 107
Notwithstanding the provisions of sections 17 U.S.C. § 106 and 17 U.S.C. § 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:
the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
the nature of the copyrighted work;
the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
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www.fb.com/bulletproofcello
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www.fb.com/constantinefinehousepianist
www.cfinehouse.com
Filmed & Produced by Overtone Artists Boston
www.overtoneartists.com
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https://www.youtube.com/watch?v=WoB5kWE9_8E
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Want learn how to take apart a difficult passage? Or how to find different kinds of sound colors, how to improve articulation, or expand our expressive possibilities in the practice room?
Welcome to Part 2 of my masterclass on "How I Practice". We're going to cover Johannes Brahms Violin Sonata in d minor, op.108: movements 2 and 4.
My 2nd Q&A is happening soon! Submit questions in the comments section.
My FREE pdfs on violin technique + E-Book: 64 Practice Hacks
► https://payhip.com/violin
Brahms Violin Sonata No.3 sheet music, to follow along with the video:
► https://bit.ly/3noaIiY
To support the channel and my work:
► http://patreon.com/artiststechnique
? Take violin lessons with me ► theviolin@outlook.com
Check out Part 1:
https://youtu.be/Nd1ZlXHRHbM
===TIMESTAMPS===
00:00 Welcome!
01:16 Announcing my second Q & A
01:58 Excerpt 1 (Movement 4)
06:51 Excerpt 2 (Movement 4)
09:18 Excerpt 3 (Movement 4)
12:45 Excerpt 4 (Movement 4)
17:48 Excerpt 5 (Movement 2)
23:16 Excerpt 6 (Movement 2)
PLAYLISTS
BestPractice Series ► http://tiny.cc/bestpractice1
Recent Performances ► http://tiny.cc/performances
? LATEST ALBUM ► http://hyperurl.co/5tbpdm
? OFFICIAL WEBSITE ► http://www.kurganov.org
? FACEBOOK ► https://www.fb.com/dkviolin/
? VIDEO PRODUCTION ► http://www.overtoneartists.com
Subscribe to my channel The Artist's Technique and hit the notification bell, so you don’t miss any of my new violin videos! Upcoming topics include how to master finger dexterity, ways to speed up violin passages correctly, specialized exercises for mobility and strength for string players and techniques for musical development.
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http://hyperurl.co/5tbpdm
Follow me on Facebook:
www.facebook.com/dkviolin
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Music of an age-old prophecy:
Typically rife with overtones of Strauss and Mahler, Ernest Bloch’s compositions periodically explore and honor Jewish culture. The Nigun (“Improvisation”) from his suite Baal Shem (1923) represents one such departure from the classical form. It speaks the harmonic and stylistic language reminiscent of the great cantorial traditions of pre-war Europe, when it was not unheard of for synagogue leaders to have the voice of an opera singer. It can be said that this tradition was a catalyst for what is often called the "Golden Age of Violin Playing." One can imagine young Jewish mothers holding their toddlers’ hands as they passed the shtetl synagogue only to hear the divine voice of a great cantor such as Manfred Lewandowski. These soulful sounds were a major influence on early 20th-century violinists such as Mischa Elman, Jascha Heifetz, Yehudi Menuhin, Toscha Seidel and countless others. The cantorial tradition has since greatly declined, and early audio recordings bear witness to the striking resemblance in the temperament and way in which these musicians moved between the notes.
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nice melody :)
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A new piece by our friend, composer Andrew Trovato.
"The impetus for this piece came from the intention of writing a work for children and other beginner violinists. The rhythm of the melody, four 16th notes followed by two 8th notes, was meant to train the bow arm. Though through the flushing out and developing said material, the piece evolved into a much more challenging work, while still retaining those more or less simplistic original characteristics."
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Youtube Channel:
andrewtrovatoat@gmail.com
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Transaction
Created
1 year ago
Content Type
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video/mp4
English