A verse section will often set the mood or establish the nature of the song.
If a piece of music were like a short story, the verse section would likely describe the setting of the story, introduce the characters, and initiate the rising action.
In the song 'Jingle Bells', the verse section acts in this way.
Even before a note is played, there is an expression mark instructing you to play the song in a lively fashion.
As the verse section of this music plays out, it suggests a lively scene with characters having a joyful, exciting time.
This music is written in 3/4 meter and begins with an anacrusis on beat number 3.
An eighth note is the smallest note duration, so the meter is counted: 3 & 1 & 2 &.
Play string number one on your guitar and exaggerate the strong and weak beats as you play in 3/4 time.
Count out loud while you play this exercise, making all of the beats equal in duration.
In this rhythmic variation, the quarter note on beat 3 has been divided into two eighth notes.
When you play this variation, count out the eighth note rhythm.
Play this example one more time using the note A Second Fret on string number 3.
As you alternate your picking direction, concentrate on making even movements in both directions, so that all of the eighth notes ring for the same duration.
In the next phrase, a series of three octaves plays out using the pitch E in different registers.
Now we'll put the pieces together and play the entire series of octaves.
On string number 1, place the fingertip of your fourth finger directly over the twelfth fret, so that your finger isn't just behind the fret as you would normally play, but actually over the fretwire.
Now instead of pressing the string down as you would normally, just allow your fingertip to rest on the string, dampening the string over the fretwire.
It requires only a light touch.
With your finger still dampening over the fretwire, pick the string, and just after you strike, pull your finger straight up and away from the string, allowing the harmonic to ring on its own.
The headstock is shaped and positioned for the proper alignment of the six tuning machines.
The headstock on your guitar may look different than the one in this picture, but whatever the design, they are all made to work in a similar way.
If you're feeling comfortable with measures 5 and 6, use your practice utilities to work on the complete song.
Keep in mind, there is repeat sign at the end of measure 8, which takes you back to the beginning.
Follow string number 1 up the neck until you reach fret number 12.
On most guitars, fret number twelve lies just after the double-dot fretboard marking.
If you place your fourth finger just behind fret number 12 and press down, you can strike the string to hear the note E Twelfth Fret, which is the correct pitch.