Author: Paolo Diego Bubbio File Type: pdf An examination of the philosophical notion of sacrifice from Kant to Nietzsche. In this book, Paolo Diego Bubbio offers an alternative to standard philosophical accounts of the notion of sacrifice, which generally begin with the hermeneutic and postmodern traditions of the twentieth century, starting instead with the post-Kantian tradition of the nineteenth century. He restructures the historical development of the concept of sacrifice through a study of Kant, Solger, Hegel, Kierkegaard, and Nietzsche, and shows how each is indebted to Kant and has more in common with him than is generally acknowledged. Bubbio argues that although Kant sought to free philosophical thought from religious foundations, he did not thereby render the role of religious claims philosophically useless. This makes it possible to consider sacrifice as a regulative and symbolic notion, and leads to an unorthodox idea of sacrifice not the destruction of something for the sake of something else, but rather a kenotic emptying, conceived as a withdrawal or a making room for others.** An examination of the philosophical notion of sacrifice from Kant to Nietzsche.In this book, Paolo Diego Bubbio offers an alternative to standard philosophical accounts of the notion of sacrifice, which generally begin with the hermeneutic and postmodern traditions of the twentieth century, starting instead with the post-Kantian tradition of the nineteenth century. He restructures the historical development of the concept of sacrifice through a study of Kant, Solger, Hegel, Kierkegaard, and Nietzsche, and shows how each is indebted to Kant and has more in common with him than is generally acknowledged. Bubbio argues that although Kant sought to free philosophical thought from religious foundations, he did not thereby render the role of religious claims philosophically useless. This makes it possible to consider sacrifice as a regulative and symbolic notion, and leads to an unorthodox idea of sacrifice not the destruction of something for the sake of something else, but rather a kenotic emptying, conceived as a withdrawal or a making room for others.

Author: Peter Ackroyd File Type: mobi FromEven during the dominance of the Roman Empire, Venice and Venetians were regarded as distinct by their neighbors. They spoke Latin, and later Italian, in an unusual dialect. Their geographic position as an island in a lagoon contributed to their fierce spirit of independence, but it also positioned them to control trade routes to and from the East. Ackroyd, the novelist, biographer, and writer of tributes to great urban centers (London), has captured the rich tradition, beauty, and vibrancy of this magnificent city in a survey that combines political and artistic history with aspects of a travelogue. Ackroyd moves back and forth in time as he examines the growth of Venice, from prehistoric settlement to its place in both the Roman and Byzantine empires to the present time. As he describes the development of the art and architectural treasures, he includes informative and charming diversions on various traditions, events, and personalities. For those who have visited or hope to visit the Pearl of the Adriatic, this work will be a treasure. --Jay Freeman ReviewAckroyd the marvelously erudite and staggeringly industrious English writer [has compiled] an encyclopedic amount of general and arcane factual information and then [arranged] it less chronologically than thematically much as one might encounter it in the course of a long walk over fascinating terrain in the company of a knowledgeable but never pedantic companion. Its an experience rendered all the more agreeable by the independent turn of Ackroyds critical imagination and lapidary quality of his prose.br _Los Angeles Timesbr _br Peter Ackroyd fully explores one of the worlds most undeniably glorious cities.... Like his acclaimed London, Ackroyds account isnt a chronological history of this charming Italian metropolis. The structure and style of Venice is engagingly impressionistic and digressive.... Magnificently crafted.br _The Boston Globebr _br [_Venice Pure City_] is aswarm - a storm - of dazzling details that coalesce into an artful picture.... Ackroyds is a glittering introduction to Venice. There is not much new that can be said about the city, but Ackroyd says it with ripeness - like those Venetian pears, only now it is the readers appetite that is whetted. Godspeed.br _San Francisco Chronicle_ Ackroyds marvelous book certainly adds to the allure of this magical metropolis.br _Minneapolis Star Tribunebr _br Peter Ackroyd understands Venice, perhaps even better than modern Venetians. Venice Pure Cityisa grand biography of a subject that is as complicated and labyrinthine as Venices tiny alleyways. It is impossible not to get lost there, and that is why Ackroyd may have been the best person to write such an insightful book.... He approaches Venice the way a scholar would a historical figure, because thats what Venice is. Yet he isnt locked into a timeline He enjoys pushing the tides of history back and forth. Its an engaging technique.br _Newark Star-Ledger_ Thoughtful, thorough and insightful, [Ackroyd] is at least as much interpreter as historian. He brings this iconic city to vivid life ... While Venice is by no means an orthodox travelers guide, its a wonderful introduction to a city that has cast a particular spell since the fifth century ... A portrait so vivid its aromatic ... Intoxicating.br _Pittsburgh Post-Gazette_ In an effortless style, [Ackroyd] seamlessly stitches the storied citys crazy quilt of past and present. The watery origins, the architecture that rises and seams to float on a sea of glass, the early settlers and the key players are all rendered with a historians curiosity and a novelists feel for plot.br _The Free Lance-Star_ (Fredericksburg, VA) Ackroyd provides a history of and meditation on the actual and imaginary Venice in a volume as opulent and paradoxical as the city itself. . . . How Ackroyd deftly catalogues the overabundance of the citys real and literary tropes and touchstones is itself a kind of tribute to La Serenissima, as Venice is called, and his seductive voice is elegant and elegiac. The resulting book is, like Venice, something rich, labyrinthine and unique that makes itself and its subject both new and necessary.br _Publishers Weekly_ Praise from the UK Ackroyd is hugely intelligent and formidably industrious there can be few people, Venetian or foreign, who know Venice better than he. John Julius Norwich, _The Telegraphbr _br Ackroyd covers an immense amount of ground with verve and elegance. _The Independentbr _br Venice tends to provoke extreme reactions. People love it or hate it. Ackroyds response, however, is pleasingly complex. He observes his subject with a forensic yet morally neutral eye. You can tell he is fascinated by the place but he is not blind to its many flaws. _The Timesbr _br Irresistible, entrancing, occasionally weird but undeniably grand. _Literary Reviewbr _