Read the full article: https://tinyurl.com/427xb25p McEnroe achieved a remarkable and unparalleled feat in tennis history when he simultaneously held the world No. 1 ranking in both singles and doubles. While other players like Stefan Edberg reached No. 1 in both categories at different times, McEnroe is the only player to have achieved this remarkable distinction at the same time. His illustrious career includes a total of 77 singles titles on the ATP Tour and 78 doubles titles, which still stands as the highest combined total for men in the Open Era. Furthermore, he is the only male player to have won more than 70 titles in both men's singles and men's doubles. Additionally, McEnroe secured an impressive 25 singles titles on the ATP Champions tour. In the realm of Grand Slam events, McEnroe's legacy includes seven Grand Slam singles titles, with four victories at the US Open and three at Wimbledon. He also made a mark in men's doubles with nine Grand Slam titles, including five at Wimbledon and four at the US Open. Additionally, he clinched one Grand Slam mixed doubles title at the French Open. His extraordinary singles match record of 82–3 in 1984 remains the best single-season win rate in the Open Era. McEnroe's dominance extended to year-end tournaments, where he claimed eight singles titles and seven doubles titles, both of which are records. Notably, three of his singles year-end championships were at the Masters Grand Prix (the ATP year-end event), while the other five were at the World Championship Tennis (WCT) Finals, a competition that concluded in 1989. Since 2000, the sole year-end men's singles event has been the ATP Finals, formerly known as the Masters Grand Prix. McEnroe received the prestigious titles of ATP Player of the Year and ITF World Champion three times each, in 1981, 1983, and 1984. Beyond his on-court achievements, McEnroe played a pivotal role in securing five Davis Cup titles for the United States and later served as the team captain. Even in retirement, he remained active, frequently participating in senior events on the ATP Champions Tour. Additionally, he embarked on a successful career as a television commentator, particularly during major tournaments. ... https://www.youtube.com/watch?v=JuSH_5JB3M0

➡️ Read the full article here: https://tinyurl.com/4espzv5v Scientists have recently used X-rays to analyze a small section of the Mona Lisa, revealing a rare chemical compound called plumbonacrite in the painting's base layer. This discovery supports the idea that Leonardo da Vinci experimented with his techniques while creating the iconic artwork. The presence of plumbonacrite suggests that Leonardo used lead oxide powder to thicken and dry the paint layers of the Mona Lisa. This finding highlights Leonardo's penchant for experimentation and the uniqueness of his technical approach in each of his paintings. The tiny speck of paint containing plumbonacrite was nearly invisible to the naked eye and thinner than a strand of hair, making its detection remarkable. Similar chemical compounds have been found in the works of other Old Masters, such as Rembrandt, hinting at the sharing of paint recipes across centuries. Scientists believe that there is still much more to discover in the world of art history, and this finding is just a small contribution to our knowledge. ... https://www.youtube.com/watch?v=oKA5c6yw5iU

Read the full article: http://tinyurl.com/msaj7jam When did your fascination with art first blossom, and when did you commence your voyage as a collector of contemporary art? My connection with the world of art appears to have been intrinsic since my earliest days. Growing up in a family of art enthusiasts, I was fortunate to have my natural appreciation for creativity nurtured. Initially, my collection journey centered on European Baroque art from the 17th century. However, my passion eventually guided me towards the art of Argentina and Latin America, created during my own lifetime. This transition marked a pivotal moment, unveiling an entirely new realm of exploration. What serves as the predominant impetus behind your art collection? My venture into collecting extends beyond mere acquisition and possession. To elaborate, by 1992 and 1993, I had reached a juncture where the act of accumulating artworks felt inadequate. Merely procuring and assembling pieces no longer resonated with me. At that turning point, I immersed myself in the realm of art institutions, igniting a profound interest in museums, cultural policies, and more. This period marked the genesis of Fundación Espigas, a documentation center dedicated to the history of visual arts in Argentina, which I founded. Do you believe that your involvement in the local art scene has transformed you into more than just an art collector? The transformation began to take shape towards the close of the 1980s, particularly in the United States. As a businessman, I comprehended the significance of generating value in the context of production, and I aspired to apply this principle to the cultural and artistic sphere. What constitutes your primary focus when selecting artists to include in your collection? My principal focus revolves around Latin American conceptual art from the 1960s and 1970s, as well as contemporary artists who continue to explore this creative lineage. How do you perceive the landscape for conceptual art in Latin America? Initially, it may not have garnered significant international recognition, but in recent years, it has steadily accrued both symbolic and market value. Prominent public and private art institutions have also started to embrace conceptual art. Can you provide an approximate count of the artworks in your collection? I have amassed a substantial number. Have you ever contemplated sharing your art collection with the public? I have not. For me, being a collector transcends the destination; it's about the journey and the manner in which one engages with the process. For instance, during my youth, I collected coins, and at the age of 28, I had the opportunity to exhibit my collection. However, for me, that chapter in my journey as a coin collector concluded once I put it on display. The same principle applies to my collection of Italian Baroque art. Who within the art world inspires and influences you? I draw inspiration from individuals who possess the capacity to create not only for personal fulfillment but also for the betterment of others. This includes museum owners, proactive collectors, and influential figures who have fostered a sense of community through art. To spotlight just one example among many, there is the remarkable Ruth Benzacar, the founder of a three-generation family gallery located in Buenos Aires. What led to your association with the Henrique Faria Fine Art gallery? My trajectory led me to explore the realm of art market valuation in 2004, following my involvement in museums, institutions, and committees. In a sense, a significant portion of art is viewed through the lens of the art market. The art market is transparent, straightforward, and offers a platform for me to convey clear messages and insights to the public. I am intrigued by the prospect of effecting change from within this narrower margin, and a gallery serves as an active participant in this endeavor. ... https://www.youtube.com/watch?v=96cmOjGQs3A

Read the full interview here: https://tinyurl.com/5cmpt6wy What inspired you to create art and become an artist? (events, feelings, experiences...) I loved painting since I remember myself. As a child, still at school in Germany, I participated in several local painting contests for kids, where I won several small presents (watches, books, pens..). I continued to paint without having in mind to become a professional artist. I knew from the reactions of the people which saw my paintings that my art had that something that makes people react in this very positive way. So I started to upload them. From then on everything happened very fast. I knew that this was what I love to do, to make people happy, to make them explore all these feelings by only looking at something. What is your artistic background, the techniques and subjects you have experimented with so far? As an artist, I am self taught. From the very beginning, with a clear head I achieved to invent a painting technique where depending on light circumstances the artworks completely change appearance. So you may look at one of my artworks where someone can see a Vincent van gogh inspired painting of "The Starry Night" and as soon the lights go off, a completely other painting like the popart interpretation of Vincent van gogh's "Bedroom in Arles" appears, which was invisible before. My artworks also have a third stage where with the use of uv light specific areas glow or more shapes appear. I have named this unique technique "Progressive Multipaint ". What are the 3 aspects that differentiate you from other artists, making your work unique? I think that the 3 aspects that differentiate me from other artist are: first and most important the invention of the "Progressive Multipaint technique ", second the very distinguished painting style which is completely spontaneous colorful and recognizable and last but not least beside my paintings my very unique sculptures which became a great success. ... https://www.youtube.com/watch?v=8WVLrjxDgxk