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00:00 David Gore, software engineer
05:09 Matthew Webler
08:34 Kristina Malimon, vice-chair of Oregon Young Republicans
12:02 Jamie J. Parrish, former vice-chair of the Fulton County GOP
22:13 Garland Favorito, IT professional, co-founder of VoterGA
37:18 Hale Soucie, volunteer recount monitor
43:38 Carolyn Garcia, poll watcher
50:11 Lisa Kaminsky, Fulton County recount monitor
58:12 Caroline Jeffords, GOP monitor
1:07:06 Stefan Bissle, Clayton County resident
1:10:34 Consetta Johnson, retired paralegal
1:13:03 Katherine Floam, Cobb County resident
1:19:01 Robin Hall, Fulton County observer
1:22:16 Vicki Sutton, voter
1:26:36 Alex Cruce
Over 40 witnesses spoke to the media at Cobb Country Republican Party Headquarters in Georgia on Dec 9, 10, 13, and 14. They presented evidence of election irregularities and fraud they had collected during the 2020 election ballot counts and recount. Some of them did not get the chance to give their testimonies in person, but sent their video testimonies or did a video interview online.
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'Evidence is compelling and clear': Dozens of witnesses expose election irregularities—Pt 2 | NTD
#Witness #Georgia #Testimony
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https://www.youtube.com/watch?v=wTVhYQAdktY
NEW YORK—Pictures of men and women playing what looks like steel, flexible violins fill the walls of her living room, a silver carpenter’s saw and a five-foot long charcoal grey two-man saw hang on the wall behind her as she sits in the chair ready to perform. The aroma of aged music paper and oak furniture fill the room.
Natalia Paruz straightened her back and grasped the wooden handle at the top of a musical saw that rests in her lap. As she pulls the bow across the metal, the saw begins to sing a voice likened to a female soprano opera singer. Paruz continues to bend and twist the metal as she plays the Trio section from the Brahms Cello Sonata No. 1.
Paruz, who calls herself the “Saw Lady,” aims to preserve this rare instrument, refine the playing technique, and inform composers about the possibility of composing music for the saw. “I would like to push the art form forward and introduce people to it … [and to] get it to a point where it won't disappear again like it did in its history,” she tells NTD.
The musical saw was mainly featured in vaudeville performances in the United States at the beginning of the 20th century. When this venue faded in the 1930s however, so did this unique instrument.
Before its disappearance, the saw was used as a musical instrument in classical music and in movies. For example, the Russian composer Aram Khachaturian included a musical saw solo in his piano concerto in 1936. In the movie “Swing Your Lady” starring Humphery Bogart in 1938, the Weaver Brothers play a saw duet in the opening 10 minutes.
One of the earliest records of the musical saw being played was in a priest’s obituary from about two centuries ago, according to Paruz. The obituary stated that a reverend in America played the musical saw in the Sunday service.
Nearly 20 years ago, Paruz first performed the saw at the Salvation Army community center in Astoria, New York. She has performed at the Trinity Lutheran Church in Astoria many times for a senior citizens group called the Sewing Ladies.
She has built a good friendship with them and the church’s outreach director, Luisana Santana. “What I like the most about her is how much she cares about the legacy of that instrument, the legacy of the church, the legacy of the community,” Santana tells NTD.
Saw playing is now Paruz's primary source of income, and she has played in the Westchester Philharmonic Orchestra and the Manhattan Chamber Orchestra to name a few.
Paruz wants to open a museum dedicated to this instrument to educate the public about it and to keep the musical saw from disappearing like it did in its history. The museum would house memorabilia like photos, letters, saws, and recordings from saw players of the 20th century.
The musical saw wasn’t always
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https://www.youtube.com/watch?v=7n_S8VCKxYw