Unlocking Energy Innovation: How America Can Build a Low-Cost, Low-Carbon Energy System
Author: Richard K. Lester and David M. Hart Experts outline a plan to overhaul the U.S. energy innovation system for accelerated, large-scale adoption of reliable, low-cost, low-carbon energy technologies.
Author: John D. Pierson
Tokutomi Soho was one of modern Japan's most prolific, most popular, and most influential journalists and social critics. Through a comprehensive and balanced biography of this important public figure, John Pierson examines the interaction of a man and his time.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Anton F. Kolstee
This paper describes the ethnographic context and analyses the structural characteristics of Bella Coola songs. Seventy-three original transcriptions which encompass a broad spectrum of Bella Coola ceremonial and non-ceremonial repertoires are included.
Author: C. A. Patrides
In this work C. A. Patrides examines the Renaissance vision of a comely method and proportion throughout the universe, whether in the vertical arrangement of the created order from the Mushrome to the Angels or the horizontal progress of history along a linear path from the Creation to the Last Judgment.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Glenn Hughes
As more and more people in North America and Europe have distanced themselves from mainstream religious traditions over the past centuries, a crisis of faith has emerged and garnered much attention. But Glenn Hughes, author of A More Beautiful Question: The Spiritual in Poetry and Art, contends that despite the withering popularity of faith-based worldviews, our times do not evince a decline in spirituality. One need only consider the search for alternative religious symbolisms, as well as the growth of groups espousing fundamentalist religious viewpoints, to recognize that spiritual concerns remain a vibrant part of life in Western culture. Hughes offers the idea that the modern crisis of faith is not a matter of vanishing spiritual concerns and energy but rather of their disorientation, even as they remain pervasive forces in human affairs. And because art is the most effective medium for spiritually evocation, it is our most significant touchstone for examining this spiritual disorientation, just as it remains a primary source of inspiration for spiritual experience. A More Beautiful Question is concerned with how art, and especially poetry, functions as a vehicle of spiritual expression in todays modern cultures. The book considers the meeting points of art, poetry, religion, and philosophy, in part through examining the treatments of consciousness, transcendence, and art in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan. A major portion of A More Beautiful Question is devoted to detailed case studies of three influential modern poets: Gerard Manley Hopkins, Emily Dickinson, and T. S. Eliot. In these and its other chapters, the book examines the human need for artistic symbols that evoke the mystery of transcendence, the ways in which poetry and art illuminate the spiritual meanings of freedom, and the benefits of an individuals loving study of great literature and art. A More Beautiful Question has a distinctive aimto clarify the spiritual functions of art and poetry in relation to contemporary confusion about transcendent realityand it meets that goal in a manner accessible by the layperson as well as the scholar. By examining how the best art and poetry address our need for spiritual orientation, this book makes a valuable contribution to the philosophies of art, literature, and religion, and brings deserved attention to the significance of the spiritual in the study of these disciplines.
Author: Angela Lait
Broad ranging, interdisciplinary, this book seeks to understand the corporate conceptions of identity and work, and how they are reflected in our wider culture - through novels, cookery writing, autobiography and the many constructions of narrative.
Author: Edited by Jennifer Gómez Menjívar and Gloria Elizabeth Chacón; Foreword by Arturo Arias
Cultural preservation, linguistic revitalization, intellectual heritage, and environmental sustainability became central to Indigenous movements in Mexico and Central America after 1992. While the emergence of these issues triggered important conversations, none to date have examined the role that new media has played in accomplishing their objectives. Indigenous Interfaces provides the first thorough examination of indigeneity at the interface of cyberspace. Correspondingly, it examines the impact of new media on the struggles for self-determination that Indigenous peoples undergo in Mexico and Central America. The volumes contributors highlight the fresh approaches that Mesoamericas Indigenous peoples have given to new mediafrom YouTubing Maya rock music to hashtagging in Zapotec. Together, they argue that these cyberspatial activities both maintain tradition and ensure its continuity. Without considering the implications of new technologies, Indigenous Interfaces argues, twenty-first-century indigeneity in Mexico and Central America cannot be successfully documented, evaluated, and comprehended. Indigenous Interfaces rejects the myth that indigeneity and information technology are incompatible through its compelling analysis of the relationships between Indigenous peoples and new media. The volume illustrates how Indigenous peoples are selectively and strategically choosing to interface with cybertechnology, highlights Indigenous interpretations of new media, and brings to center Indigenous communities who are resetting modes of communication and redirecting the flow of information. It convincingly argues that interfacing with traditional technologies simultaneously with new media gives Indigenous peoples an edge on the claim to autonomous and sovereign ways of being Indigenous in the twenty-first century. Contributors
Author: Joel Marcus
While the Christian tradition has subordinated John the Baptist to Jesus of Nazareth, John himself would likely have disagreed with that ranking. In this eye-opening new book, John the Baptist in History and Theology, Joel Marcus makes a powerful case that John saw himself, not Jesus, as the proclaimer and initiator of the kingdom of God and his own ministry as the center of Gods saving action in history. Although the Fourth Gospel has the Baptist saying, He must increase, but I must decrease, Marcus contends that this and other biblical and extrabiblical evidence reveal a continuing competition between the two men that early Christians sought to muffle. Like Jesus, John was an apocalyptic prophet who looked forward to the imminent end of the world and the establishment of Gods rule on earth. Originally a member of the Dead Sea Sect, an apocalyptic community within Judaism, John broke with the group over his growing conviction that he himself was Elijah, the end-time prophet who would inaugurate Gods kingdom on earth. Through his ministry of baptism, he ushered all who came to himJews and non-Jews alikeinto this dawning new age. Jesus began his career as a follower of the Baptist, but, like other successor figures in religious history, he parted ways from his predecessor as he became convinced of his own centrality in Gods purposes. Meanwhile Johns mass following and apocalyptic message became political threats to Herod Antipas, who had John executed to abort any revolutionary movement. Based on close critical-historical readings of early textsincluding the accounts of John in the Gospels and in Josephuss Antiquitiesas well as parallels from later religious movements, John the Baptist in History and Theology situates the Baptist within Second Temple Judaism and compares him to other apocalyptic thinkers from ancient and modern times. It concludes with thoughtful reflections on how its revisionist interpretations might be incorporated into the Christian faith.
Author: Thomas J. Brown
This sweeping new assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, Thomas J. Brown explains, and continued to influence commemoration after the Civil War. As large cities and small towns across the North and South installed an astonishing range of statues, memorial halls, and other sculptural and architectural tributes to Civil War heroes, communities debated the relationship of military service to civilian life through fund-raising campaigns, artistic designs, oratory, and ceremonial practices. Brown shows that distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I. Brown provides the most comprehensive overview of the American war memorial as a cultural form and reframes the national debate over Civil War monuments that remain potent presences on the civic landscape.