What If...? – Universal / Legendary / Bazmark (Baz Luhrmann's Kung Fu)
A film adaptation of the popular 1970's television series Kung Fu — which tells the tale of a half-American, half-Chinese orphan who grows up to become a Shaolin priest and martial arts expert — has been in varying stages of development since 2006, with Howard Friedlander and series co-creator Ed Spielman writing the initial draft of the screenplay for Max Makowski, and later brothers Albert and Allen Hughes, to direct for Warner Bros. Pictures and Legendary Pictures. Up-and-coming screenwriter Cory Goodman was subsequently hired to perform a polish on the script. In 2011, it was reported that Bill Paxton would be taking over as director, with further script rewrites by xXx scribe Rich Wilkes and Black Swan scribe John J. McLaughlin. Three years later came the announcement that Universal Pictures would be taking over distribution duties, with Legendary's agreement with Warner Bros. having recently expired, and that gonzo Aussie auteur Baz Luhrmann would be joining the project as director, along with further revising the script. Luhrmann would also produce with his wife and go-to production and costume designer Catherine Martin through their Bazmark Films banner, alongside Legendary's Thomas Tull and Jon Jashni, Scott Mednick, and Vincent Newman. No doubt many of Luhrmann's frequent collaborators would've also joined in, including score composer Elliot Wheeler, film editors Matt Villa and Jonathan Richmond, and cinematographer Mandy Walker. Alas, Luhrmann would eventually move on to instead develop The Get Down for Netflix and direct the long-gestating Elvis. Follow me and ponder the question, "What if...?"
Said by many to be one of the greatest films never made was an epic adaptation of the John Milton poem Paradise Lost, which concerns the biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden, as realized by visionary director Alex Proyas, who also had a hand in the screenwriting process alongside the team of Byron Willinger and Philip de Blasi, Academy Award nominee Lawrence Kasdan, frequent collaborator Stuart Hazeldine, and struggling scribe Ryan J. Condal. The project's initial director, Scott Derrickson, would serve as an executive producer on the project alongside frequent writing partner Paul Harris Boardman, Hazeldine, and Proyas' production partner Topher Dow, while Thomas Tull and Jon Jashni of Legendary Pictures would produce in collaboration with Proyas and Vincent Newman. The film boasted an impressive ensemble cast, including Bradley Cooper, Benjamin Walker, Djimon Hounsou, Rufus Sewell, Casey Affleck, Dominic Purcell, Diego Boneta, Camilla Belle, and Callan McAuliffe. No doubt many of Proyas' frequent collaborators would've also joined in, including score composer Marco Beltrami, costume designer Elizabeth Keogh Palmer, film editor Richard Learoyd, production designer Owen Paterson, and cinematographer Simon Duggan. With a production budget of $120 million, Proyas had very ambitious plans for the film, intending to craft a more action-oriented take on the story that required an enormous amount of visual effects, utilizing 3D and motion-capture technology. Alas, Legendary's budget consciousness would prove to be the film's undoing, attempting to push production back to the summer of 2012 as opposed to the initially planned January of that year as a means of scaling down costs, only to pull the plug in early February. Follow me and ponder the question, "What if...?"
Music: "Main Titles" – Marco Beltrami (The Giver)
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https://www.youtube.com/watch?v=taaKxlSxvNc
One of the most bizarrely fascinating films never made was, of all things, a live-action feature film adaptation of the Hasbro board game Monopoly that was to have been directed by none other than Ridley Scott, who was drawn to the project based on his childhood memories of playing the game with his family. Scott's take on the property was to be a big-budget comedy — essentially John Landis' Trading Places meets Oliver Stone's Wall Street — with a similar futuristic sheen as Scott's own Blade Runner, that would be a satire on the very idea and nature of greed, with the story concerning a Donald Trump-type character doing battle with other wannabe real estate titans in New York. The screenplay was first penned by Corpse Bride scribe Pamela Pettler before being rewritten by Ed Wood scribes Scott Alexander and Larry Karaszewski. Scott and his wife Giannina would also serve as producers through their Scott Free shingle, alongside Hasbro's Brian Goldner and Bennett Schneir. No doubt many of Scott's frequent collaborators would've also joined in, including score composer Harry Gregson-Williams, costume designer Janty Yates, film editor Pietro Scalia, production designer Arthur Max, cinematographer Dariusz Wolski, and executive producers Michael Costigan, Mark Huffam, and Michael Ellenberg. However, Universal Pictures eventually halted development on the project in February of 2012, later opting out of their agreement with Hasbro to develop films based on their properties, with the rights reverting back to them. Other attempts by Hasbro to get a Monopoly film off the ground — including a Goonies-style treasure hunt-based adventure written by Andrew Niccol and a Kevin Hart vehicle directed by Tim Story — have also failed to pan out. Follow me and ponder the question, "What if...?"
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https://www.youtube.com/watch?v=pHeNYXHmLWE
After attempting to produce a follow-up to New Line Cinema's financially successful 2009 reboot of the Friday the 13th franchise didn't pan out, in the summer of 2013, Warner Bros. Pictures relinquished the rights to the series back to the original owner, Paramount Pictures, as part of a deal that would allow Warner Bros. to co-produce Christopher Nolan's Interstellar. If a new entry in the series weren't produced within the next five years, Warner Bros. would get the rights back. Michael Bay's Platinum Dunes would once again be producing. Initially hired to direct the new installment was V/H/S co-director David Bruckner, who would be helming from a screenplay penned by Ian Goldberg and Richard Naing. Their draft utilized the found-footage angle, as mandated by the studio in response to the success of their Paranormal Activity films as well as the growing popularity of the sub-genre. However, this didn't last long, as Nick Antosca was soon brought in to write a more traditional draft that would ditch this approach, with Bruckner envisioning it as a throwback to the old-school slasher and classic coming-of-age films of the 1980's. Alas, Bruckner soon left the project. In the winter of 2015, it was reported that Prisoners scribe Aaron Guzikowski would be writing a new script, which would serve as an origin story for series villain Jason Voorhees. Eight months later, Breck Eisner was hired to direct, fresh off of the fantasy action thriller The Last Witch Hunter, with Paramount setting the release date for October 13, 2017 and aiming to begin production in March. Unfortunately, on February 6, 2017, the project was effectively cancelled by Paramount following the critical and commercial failure of their recently released horror sequel Rings. Thus, the rights to the franchise reverted back to Warner Bros. the following year. Follow me and ponder the question, "What if...?"
Music: "Rules to Survive" – Brian Tyler (Scream)
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https://www.youtube.com/watch?v=-iNZliGOKl8
A re-adaptation of William F. Nolan and George Clayton Johnson's classic sci-fi novel Logan's Run, about a dystopic Malthusianism future society in which both population and the consumption of resources are maintained in equilibrium by requiring the death of everyone reaching a certain age, has been in the works at Warner Bros. Pictures since the mid-1990's, with a variety of writers, producers, and directors coming and going on the project, including the likes of Skip Woods, Bryan Singer, Joel Silver, Akiva Goldsman, Simon Kinberg, Greg Berlanti, Ken Levine, Peter Craig, Ryan J. Condal, Carl Erik Rinsch, Robert Schwentke, Christopher McQuarrie, Michael Dougherty, James McTeigue, and Joseph Kosinski among many, many others. One of the great what-ifs of the development process was a version that was to have been helmed by visionary director Nicolas Winding Refn, from a screenplay adapted by Alex Garland, Andrew Baldwin, and Will Beall, with Ryan Gosling starring as Logan 5 — the Sandman charged with enforcing the rule, as he tracks down and kills citizens who "run" from society's lethal demands, only to end up "running" himself — and Rose Byrne cast in the role of Jessica 6. It was to be Gosling's third collaboration with Refn following their work together on Drive and Only God Forgives. Refn was an obsessive fan of the initial 1976 film adaptation and planned on his version being more faithful to the source novel. However, in the fall of 2013, Refn announced that his tenure on the project had ended, stating that the quality of the original film kept getting in the way and that he didn't want to trade off creative freedom for a big budget. Follow me and ponder the question, "What if...?"
Music: "West Coast's Favorite Bank" – Cliff Martinez (Hotel Artemis)
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https://www.youtube.com/watch?v=ftKQE9bLvV0
In the spring of 2007, it was announced that blockbuster action filmmaker Michael Bay would be producing and directing a feature film adaptation of the Whitley Strieber novel 2012: The War for Souls for Warner Bros. Pictures, whose story follows an academic researcher who opens a portal into a parallel universe and makes contact with his double in order to stop an apocalypse foreseen by the ancient Mayans. Joining Bay as producers would be his Transformers and The Island scribes Roberto Orci and Alex Kurtzman, who were also tasked with penning the film's screenplay. No doubt many of Bay's frequent collaborators would've also joined in, including score composer Steve Jablonsky; costume designer Deborah L. Scott; visual effects supervisor Scott Farrar; film editors Roger Barton, Thomas A. Muldoon and Paul Rubell; production designer Nigel Phelps; and cinematographer Amir Mokri. Alas, with two other similar films in the works around the same time (one of which — a family road comedy from director Tom Dey for Paramount Pictures and Nickelodeon Movies — would ultimately never get made, while the other — from Sony's Columbia Pictures and big-budget disaster film veteran Roland Emmerich — would be released to overwhelmingly successful box office in spite of mixed critical reception), no further news ever came of Bay's take on the 2012 phenomenon and it would forever remain unproduced. Follow me and ponder the question, "What if...?"
Music: "Stay Down" – Steve Jablonsky (Ender's Game)
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https://www.youtube.com/watch?v=rPOuGfQxjjE
A feature film adaptation of the John D. MacDonald novel The Deep Blue Good-by, the first in a twenty-one volume series concerning salvage consultant Travis McGee, had been in development at 20th Century Fox since the early 2000's, with several directors and screenwriters coming and going on the project, including Paul Greengrass, Kario Salem, Robert Schwentke, Dana Stevens, and Oliver Stone. The story sees McGee — a free-living bachelor and reluctant hero, who lives on a houseboat in Florida and makes a living recovering property and money for clients and taking half the fee in return — taking on the job of tracking down a treasure that a soldier escaped with, and subsequently hid, after World War II. In the spring of 2010, it was announced that Leonardo DiCaprio would be starring in the film as McGee, as well as joining as a producer alongside Jennifer Davisson through their Appian Way shingle. Peter Chernin and Jenno Topping would also produce through Chernin Entertainment, with Stone executive producing alongside Amy Robinson. Four years later came reports that James Mangold would be taking over in the director's chair, with Christian Bale replacing DiCaprio in the role of McGee and Dennis Lehane rewriting the screenplay, which Mangold would later further revise along with frequent collaborator Scott Frank. In 2015, news came that Rosamund Pike landed the female lead role in the film and that Peter Dinklage and Nicola Peltz landed supporting roles. No doubt many of Mangold's frequent collaborators would've also joined in, including score composer Marco Beltrami, costume designer Arianne Phillips, film editor Michael McCusker, production designer François Audouy, and cinematographer Phedon Papamichael. However, due to Bale suffering a knee injury later that year, production was shelved, and ultimately, nothing else ever came of the project, with everyone involved moving on to other things. Follow me and ponder the question, "What if...?"
Music: "Main Titles" – Marco Beltrami (Logan)
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https://www.youtube.com/watch?v=g_xjk8VVZrI
Attempting to get a film based on the popular Marvel comic book character Doctor Strange off the ground prior to 2016 was a lengthy and troubling development, with numerous studios, writers, directors, and producers coming and going on the project, such as Alex Cox, David S. Goyer, Bob Gale, Neil Gaiman, Guillermo del Toro, Michael France, Stephen Norrington, and Chuck Russell. One of the great what-ifs of the development process was a version that was to have been written and directed by horror maestro Wes Craven for the short-lived independent film studio Savoy Pictures, in what would've been his second major superhero film after the 1982 live-action feature film adaptation of the DC comic book character Swamp Thing. Aside from the project being announced in 1992 for a planned 1995 release, little is known about what Craven would've done with the master of the mystic arts, though no doubt many of his frequent collaborators would've also joined in, including score composer J. Peter Robinson, film editor Patrick Lussier, production designer Cynthia Kay Charette, and cinematographer Mark Irwin. Alas, Craven's take on the sorcerer supreme would forever remain unproduced, as he would instead direct the likes of New Nightmare, Vampire in Brooklyn, and Scream. Follow me and ponder the question, "What if...?"
Music: "Massacre (The Beginning)" – J. Peter Robinson (Highlander III: The Final Dimension)
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https://www.youtube.com/watch?v=J9i1AVglzCg
Set to begin filming later this spring is the highly anticipated legacyquel, Twisters. Directed by Lee Isaac Chung from a screenplay by Mark L. Smith, the story once again concerns Dr. Jo Harding (Helen Hunt) and will also follow the now-adult daughter — a fellow storm-chaser — that she had with her husband Bill "The Extreme" in-between films. Frank Marshall will produce the film, with Steven Spielberg serving as executive producer. An Amblin Entertainment production, the film will be released in theaters on July 19, 2024 domestically by Universal Pictures and internationally by Warner Bros. Pictures.
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https://www.youtube.com/watch?v=KWkQYahn7Fk
A new film adaptation of the beloved Broadway musical comedy Damn Yankees, in turn based on the Douglass Wallop novel The Year the Yankees Lost the Pennant, has been in varying stages of development since the early 1990's. Nine years after an initial attempt from writer-director John Hughes didn't pan out, producers Craig Zadan and Neil Meron set up a new film version at the now-disgraced Bob and Harvey Weinstein's Miramax Films, with Peter Tolan and Mike Martineau hired to pen the script, which tells the story of Joe Boyd, an aging Washington Senators fan who would sell his soul for his favorite team to beat the New York Yankees and win the pennant. He makes a faustian deal with Applegate, who turns Boyd into powerful young baseball player Joe Hardy in exchange for his soul. As Hardy, Boyd leads the Senators on a winning streak, but when he starts to miss his wife Meg and questions the deal that he made, Applegate sends a temptress named Lola into the mix. After years of stalling, the Weinsteins lost the rights and Zadan and Meron then took the project to Warner Bros. Pictures and New Line Cinema, with veteran comedy scribes Lowell Ganz and Babaloo Mandel tasked with rewriting the script. Furthermore, it was announced that Jim Carrey would be playing Applegate while Jake Gyllenhaal would star as Joe Hardy. In 2010, it was reported that Todd Graff was hired to direct, along with further revising the script, planning to incorporate a modern-day spin about steroid use into the story. It was to be Graff's next film following Joyful Noise; however, after that film flopped, no further news ever came of this project. Follow me and ponder the question, "What if...?"
Music: "Overture" – Richard Adler (Damn Yankees)
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https://www.youtube.com/watch?v=JDjTdIiAH_8