【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Albéniz Suite Española No.1 Op.47 Albeniz Suite Espagnola Spanish No.2 47-2 Cataluña (Courante) 卡塔魯納 庫拉達舞曲 カタルーニャ（コランダ） 阿爾班尼士 西班牙 組曲 第1號 作品47 阿尔班尼士 西班牙 组曲 第1号 作品47 Isaac Albéniz Suite española Op. 47 アルベニス スペイン組曲 作品47第3番 アストゥリアス 伝説 Guitar 吉他 ギター Guitarra Classical music Música clásica クラッシック 古典音樂 古典音乐 #Albeniz #Spanish #Española Isaac Albéniz’s Suite española, Op. 47, is a suite for solo piano. It is mainly composed of works written in 1886 which were grouped together in 1887, in honour of the Queen of Spain. Like many of Albeniz’s works for the piano, these pieces depict different regions and musical styles in Spain. In the works constituting the Suite española, the first title makes reference to the region that each piece represents and the subtitle in brackets indicates the musical form of the dance of the region. Suite española has 8 pieces. 47-1 Granada (Serenade) 格拉納達 小夜曲 グラナダ セレナータ 47-2 Cataluña (Courante) 卡塔魯納 庫拉達舞曲 カタルーニャ（コランダ） 47-3 Sevilla (Sevillanas) 塞維亞 塞維亞納舞曲 セビーリャ（セビリャナス） 47-4 Cádiz (Canción) 卡迪斯 薩埃達舞曲 カディス（カンション） 47-5 Asturias (Leyenda) 阿斯圖拉斯 傳說 アストゥリアス（伝説） 47-6 Aragón (Fantasía) 阿拉貢 幻想曲 アラゴン（ファンタジア） 47-7 Castilla (Seguidilla) 卡斯特拉 塞吉迪里亞舞曲 カスティーリャ（セギディーリャ） 47-8 Cuba (Nocturno) 古巴 夜曲 キューバ（カプリッチョ） Guitar versions It is not possible to transcribe the piece note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the tessitura of the guitar, and the key is not suitable for the guitar. Many have attributed the first transcription for guitar to Francisco Tárrega who put it in its most recognizable key, E minor. According to the guitarist and guitar scholar Stanley Yates, the first guitar transcription of the piece was probably by Severino García Fortea, although Andrés Segovia's transcription is the most famous and most influential. The piece has become one of the most important works of the classical guitar repertoire. Robbie Krieger, guitarist of The Doors, uses a reworking of the melody from this classical piece in The Doors song "Spanish Caravan" from their 1968 album Waiting for the Sun. ... https://www.youtube.com/watch?v=6zBbYCx8l1A

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Elgar 2 Pieces for Violin and Piano Op.13 No.2 13-2 Bizarrerie 艾爾加 2首小品 小提琴 鋼琴 艾尔加 2首小品 小提琴 钢琴 エルガー 2つ の 小品 ピアノ ヴァイオリン Classical music Música clásica クラッシック 古典音樂 古典音乐 #Elgar #Pieces #Amour Elgar 2 Pieces for Violin and Piano Op.13 No.1 13-1 Mot d'amour No.2 13-2 Bizarrerie ... https://www.youtube.com/watch?v=TBnJUU3AbKU

【Kero】 Soundtrack Movie TV Drama Theme Song Underdog Silva Screen FILMCD034 TV's Greatest Hits Vol II Track A12 超狗任務 ウルトラわんちゃん #Underdog #超狗任務 #ウルトラわんちゃん Lyrics: There's no need to fear, Underdog is here. When criminals in this world appear, And break the laws that they should fear, And frighten all who see or hear, The cry goes up both far and near for Underdog, Underdog, Underdog, Underdog. Speed of lightning, roar of thunder, Fighting all who rob or plunder Underdog, Underdog, Underdog. When in this world the headlines read Of those whose hearts are filled with greed And rob and steal from those in need. To right this wrong with blinding speed goes Underdog, Underdog, Underdog, Underdog. Speed of lightning, roar of thunder, Fighting all who rob or plunder Underdog, Underdog, Underdog. Underdog is an American Saturday morning animated television series that ran from October 3, 1964, to March 4, 1967, starting on the NBC network until 1966, with the rest of the run on CBS, under the primary sponsorship of General Mills, for a run of 62 episodes. It is one of the early Saturday morning cartoons. The show continued in syndication until 1973. Underdog, Shoeshine Boy's heroic alter ego, appears whenever love interest Sweet Polly Purebred is being victimized by such villains as Simon Bar Sinister or Riff Raff. Underdog nearly always speaks in rhyming couplets, as in "There's no need to fear, Underdog is here!" His voice was supplied by Wally Cox. ... https://www.youtube.com/watch?v=PLbSZGmfQSw

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Rachmaninoff Etudes-Tableaux study pictures Op.33 No.6 33-6 拉哈曼尼諾夫 拉赫曼尼諾夫 音畫 練習曲 作品33 拉哈曼尼诺夫 拉赫曼尼诺夫 音画 练习曲 作品33 Rajmáninov Études-Tableaux ラフマニノフ 音の絵 作品33 piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Rachmaninoff #Etude #Tableaux The Études-Tableaux ("study pictures"), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too much of his images. Let [the listener] paint for themselves what it most suggests." However, he willingly shared sources for a few of these études with the Italian composer Ottorino Respighi when Respighi orchestrated them in 1930. Rachmaninoff wrote nine études-tableaux at his Ivanovka estate in 1911. Six of them, the original Nos. 1–2 and 6–9, were published that year. The original No. 4 is lost; the piece was revised and published as Op. 39, No. 6. The original Nos. 3 and 5 were published posthumously within Op. 33. Probably best identified by their tempo markings and keys, the 1911 pieces are numbered by the International Music Score Library Project (IMSLP) as follows, leaving aside the piece that is now part of Op. 39. Allegro non troppo in F minor — No. 1 This study has a martial character. Rachmaninov admired the music of Frédéric Chopin, and there are often parallels between the music of the two composers. This study recalls the Étude Op. 25, No. 4 of Chopin. Allegro in C major — No. 2 This study is characterized by a marked lyricism and a very expressive melody. Notice the similarity to Rachmaninoff's Prelude op. 32 no. 12, which was composed the year before, in 1910. Grave in C minor — No. 3 (published posthumously) This study was re-used in the Largo of Rachmaninov's Fourth Concerto, which was completed in 1926. Moderato in D minor — No. 4 (published posthumously, originally No. 5) This study is similar to the Prelude op. 23 No. 3 composed by Rachmaninoff in 1903, both in tone and character. It is a simple march that grows into a thing of striking contrapuntal complexity. Non allegro—Presto in E♭ minor — No. 5 (published as No. 3, originally No. 6) This study ranks among the most difficult of the opus, to play. The right hand runs constantly throughout the whole keyboard with numerous octave leaps and chromatic scales. Note some similarity to the Prelude op. 28 No. 16 and the Op. Study 25 No. 6 by Chopin. In Russia, this piece is nicknamed The Snow Storm. Allegro con fuoco in E♭ major — No. 6 (published as No. 4, originally No. 7) This study has primarily a military aspect. The study concludes with a particularly virtuosic coda. Its joyous, exuberant character earned it the nickname of "The Fair", according to Rachmaninoff in his correspondence with Ottorino Resphigi. Moderato in G minor — No. 7 (published as No. 5, originally No. 8) This study parallels the finale of the First Ballade in G minor by Chopin. Grave in C♯ minor — No. 8 (published as No. 6, originally No. 9) This study is a thundering piece with violent wavering between minor and major, as well as a bravura display at the end featuring harmonic dips and turns, chromatic runs, huge left-hand leaps, and a countermelody that emerges apparently out of nowhere. This study was one of the three in this opus that were recorded in the Melodiya studios by Sviatoslav Richter, the other two being Moderato in D minor and Non allegro—Presto in E♭ minor. ... https://www.youtube.com/watch?v=Fq9xd1r4u48