Ladino Rabbinic Literature and Ottoman Sephardic Culture
Author: Matthias B. Lehmann File Type: pdf In this pathbreaking book, Matthias B. Lehmann explores Ottoman Sephardic culture in an era of change through a close study of popularized rabbinic texts written in Ladino, the vernacular language of the Ottoman Jews. This vernacular literature, standing at the crossroads of rabbinic elite and popular cultures and of Hebrew and Ladino discourses, sheds valuable light on the modernization of Sephardic Jewry in the Eastern Mediterranean in the 19th century. By helping to form a Ladino reading public and imparting shape to its values, the authors of this literature negotiated between perpetuating rabbinic tradition and addressing the challenges of modernity. The book offers close readings of works that examine issues such as social inequality, exile and diaspora, gender, secularization, and the clash between scientific and rabbinic knowledge. Ladino Rabbinic Literature and Ottoman Sephardic Culture will be welcomed by scholars of Sephardic as well as European Jewish history, culture, and religion.
Author: Andy Blunden
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Andy Blunden presents an interdisciplinary review of theories of concepts of interest to cognitive psychology, analytic philosophy, linguistics, and the history of science. Problems within these disciplines establishing reductive theories of the conceptual have led some to abandon concepts altogether in favor of interactionist or narrowly pragmatic approaches. Blunden responds with an account of the development of the theory of concepts from Descartes through Hegelwith special focus on the latters critical appropriation by early critical social scienceculminating in the cultural psychology of Lev Vygotsky. He then proposes an approach to concepts which draws on activity theory, according to which concepts are equally subjective and objective both units of consciousness and of the cultural formation of which ones consciousness is part. This continues the authors earlier work in An Interdisciplinary Theory of Activity (Haymarket, 2011).
Author: Stephen Cushman
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War destroys, but it also inspires, stimulates, and creates. It is, in this way, a muse, and a powerful one at that. The American Civil War was a particularly prolific muse--unleashing with its violent realities a torrent of language, from soldiers intimate letters and diaries to everyday newspaper accounts, great speeches, and enduring literary works. In Belligerent Muse, Stephen Cushman considers the Civil War writings of five of the most significant and best known narrators of the conflict Abraham Lincoln, Walt Whitman, William Tecumseh Sherman, Ambrose Bierce, and Joshua Lawrence Chamberlain. Considering their writings both as literary expressions and as efforts to record the rigors of the war, Cushman analyzes their narratives and the aesthetics underlying them to offer a richer understanding of how Civil War writing chronicled the events of the conflict as they unfolded and then served to frame the memory of the war afterward. Elegantly interweaving military and literary history, Cushman uses some of the wars most famous writers and their works to explore the profound ways in which our nations great conflict not only changed the lives of its combatants and chroniclers but also fundamentally transformed American letters. **Review Offers a new way to understand histories of the war as complex literary expressions in their own right.--Journal of Southern History Recommended.--CHOICE Review Gorgeous and penetrating, Stephen Cushmans Belligerent Muse gives us five exquisite lessons in the anatomy of style. From the lilt of Lincolns language to the barbs of Bierce and the pageantry of Chamberlain, Belligerent Muse takes readers into the complicated literary history of how the war was spun and how a national bloodletting transformed the writing of history and the history of writing in the United States.--Stephen Berry, University of Georgia Belligerent Muse is a beautifully written, rich, and engaging work that convincingly argues we should pay attention to the aesthetics of war writing, including military history. Offering fresh insight on every page, this is not only a great pleasure to read but also a major addition to the literature of the Civil War.--Alice Fahs, University of California, Irvine Stephen Cushman presents an excellent and thoroughly researched overview of a timely topic--the relation of the Civil War to the writings of men whose engagement both with fighting the war and with writing the war resonate with nineteenth century American culture.--Shirley Samuels, Cornell University
Author: Ann Heilmann
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In recent years, historical fiction, particularly that by women authors, has been at the cutting edge of postmodern reconceptualizations of the past and of contemporary worlds. This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, and the UK. Blurring the dichotomies of the popular and the literary, the fictional and the factual, and covering those narratives that defy categorization, the essays assembled here offer new approaches to reading contemporary women fiction writers reconfigurations of history.
Author: Lynda Zwinger
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Telling in Henry James argues that Jamess contribution to narrative and narrative theories is a lifelong exploration of how to tell, but not, as Douglas has it in The Turn of the Screw in any literal, vulgar way. Jamess fiction offers multiple, and often contradictory, reading (in)directions. Zwingers overarching contention is that the telling detail is that which cannot be accounted for with any single critical or theoretical lens-that reading James is in some real sense a reading of the disquietingly inassimilable fictional machinery. The analyses offered by each of the six chapters are grounded in close reading and focused on oddments-textual equivalents to the particles James describes as caught in a silken spider web, in a famous analogy used in The Art of Fiction to describe the kind of consciousness James wants his fiction to present to the reader. Telling in Henry James attends to the sheer fun of Jamess wit and verbal dexterity, to the cognitive tune-up offered by the complexities and nuances of his precise and rhythmic syntax, and to the complex and contradictory contrapuntal impact of the language on the page, tongue, and ear. **Review Zwingers provocative ... prose underscores her insistence that reading James (as opposed to code-cracking) is messy, layered, distracted, peripatetic, and her own ransacking analysis uncovers much to admire and be grateful for. Times Literary Supplement Offering a compellingly rich analysis of Jamess theory of the novel, Zwinger reads the writers acts of telling in the sharply focused style that James devoted to jokes, perverse claims, and dirt in general. By this last term especially, Zwinger demonstrates how Jamess language implies something unconscious or unspoken, even as he insists on the authorial ability to tell them. A remarkable read! Dale Bauer, Professor of English, University of Illinois, USA In a series of skillfully rendered, implacably unruly readings, Lynda Zwinger reads Henry James as the reader James hoped for a field of awareness as finely spun as a spiderweb suspended without any purpose other than a full openness to the pervasive presence of what might otherwise be lost beyond telling. Donald E. Pease, Ted and Helen Geisel Third Century Professor in the Humanities and Professor of English and Comparative Literature, Dartmouth College, USA About the Author Lynda Zwinger is Professor of English at the University of Arizona, USA, and Editor of Arizona Quarterly. She is editor, with Patrick ODonnell, of Approaches to Teaching Faulkners As I Lay Dying and author of Daughters, Fathers, and the Novel The Sentimental Romance of Heterosexuality.
Author: Anna Strhan
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This is the first book to explore how religious movements and actors shape and are shaped by aspects of global city dynamics. Theoretically grounded and empirically informed, Religion and the Global City advances discussions in the field of urban religion, and establishes future research directions. David Garbin and Anna Strhan bring together a wealth of ethnographically rich and vivid case studies in a diversity of urban settings, in both Global North and Global South contexts. These case studies are drawn from both classical global cities such as London and Paris, and also from large cosmopolitan metropolises - such as Bangalore, Rio de Janeiro, Lagos, Singapore and Hong Kong which all constitute, in their own terms, powerful sites within the informational, cultural and moral networked economies of contemporary globalization. The chapters explore some of the most pressing issues of our times globalization and the role of global neo-liberal regimes urban change and in particular the dramatic urbanization of Global South countries and religious politics and religious revivalism associated, for instance, with transnational Islam or global PentecostalCharismatic Christianity. **Review This volume opens up the world of urban religions, showing how they connect globalization and urbanization through everyday acts of place-making, co-operation and conviviality. Impressive in its geographical purview and inter-disciplinary ambition, this is an important collection and one that deserves to be read by all those interested in the state of our cities. * Phil Hubbard, Professor of Urban Studies, Kings College London, UK * By taking on what makes a city truly religiously `global and what makes a global religion truly urban outside the west, on a variety of scales and in a variety of places, Garbin and Strhans edited volume successfully reframes our understanding of the urban religion-globalization nexus. * Peggy Levitt, Luella LaMer Slaner Professor in Latin American Studies and Professor of Sociology, Wellesley College, USA and author of God Needs No Passport Immigrants and the Changing American Religious Landscape (2007) * About the Author David Garbin is Senior Lecturer in Sociology in the School of Social Policy, Sociology and Social Research at the University of Kent, UK. His research focuses on the interplay of migration, ethnicity, diaspora, space and religion, in a diversity of ethnographic contexts in Europe, North America, South Asia and Central Africa. Anna Strhan is Lecturer in Religious Studies at the University of Kent, UK. Her research explores the interrelations between space, religion, ethics, and values. She is the author of Aliens and Strangers? The Struggle for Coherence in the Everyday Lives of Evangelicals (2015).
Author: Carlo Rotella
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This eloquent, streetwise book is a paean to Americas Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores womens boxing in Erie, Pennsylvania Buddy Guy and the blues scene in Chicago police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism. A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the citys soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be good with their hands to one that depends on the intellectual and social skills fostered by formal education and service work. Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotellas journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls truth and beauty in the Rust Belt.**
Author: James Horn
File Type: epub
An extraordinary year in which American democracy and American slavery emerged hand in handAlong the banks of the James River, Virginia, during an oppressively hot spell in the middle of summer 1619, two events occurred within a few weeks of each other that would profoundly shape the course of history. In the newly built church at Jamestown, the General Assembly--the first gathering of a representative governing body in America--came together. A few weeks later, a battered privateer entered the Chesapeake Bay carrying the first African slaves to land on mainland English America.In 1619, historian James Horn sheds new light on the year that gave birth to the great paradox of our nation slavery in the midst of freedom. This portentous year marked both the origin of the most important political development in American history, the rise of democracy, and the emergence of what would in time become one of the nations greatest challenges the corrosive legacy of racial inequality that has afflicted America since its beginning.**ReviewAvailable October 16, 2018 About the Author James Horn is the president of the Jamestown Rediscovery Foundation. He is author and editor of five books on colonial American history, including A Land As God Made It Jamestown and the Birth of America and A Kingdom Strange The Brief and Tragic History of the Lost Colony of Roanoke. He lives in Richmond, Virginia.
Author: Nicholas Mirzoeff
File Type: pdf
In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or the right to look, he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three complexes of visualityplantation slavery, imperialism, and the present-day military-industrial complexand explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been counteredby the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anticolonialism in the South Pacific, antifascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach. **