Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age
Author: Lara Putnam In the generations after emancipation, hundreds of thousands of African-descended working-class men and women left their homes in the British Caribbean to seek opportunity abroad. But in the 1920s and 1930s, racist nativism and a brutal cascade of antiblack immigration laws swept the hemisphere. Facing borders and barriers as never before, Afro-Caribbean migrants rethought allegiances of race, class, and empire. In Radical Moves, Lara Putnam takes readers from tin-roof tropical dancehalls to the elegant black-owned ballrooms of Jazz Age Harlem to trace the roots of the black internationalist and anticolonial movements that would remake the twentieth century.
Author: Allan Bérubé
Bringing together the best of the late Allan Berube's published and unpublished work, this collection explores the growth of gay and lesbian history from its grassroots beginnings in the 1970s. D'Emilio and Freedman, who were friends of the author's, compiled the essays and have written a substantial introduction that provides a biographical portrait of a life of (largely self-taught)scholarship and of committed activism in the peace and gay liberation movements and later involvement with queer activism and class conscious, anti-racist scholarship.
Author: Michael J. Makley
In the spring of 2014, rancher Cliven Bundy and his armed supporters engaged in a standoff with Bureau of Land Management agents, and once again, the federal management of public lands was in the national spotlight. The conflict arose because Bundy had not paid required grazing fees and a federal judge ordered the confiscation of his cattle. The ensuing media coverage highlighted information that may have surprised those outside the rural West: the federal government manages 640 million acres of public land, with over 90 percent of it in the West.In Open Spaces, Open Rebellions, Michael J. Makley offers a succinct and compelling history of the federal government's management of public lands. As Makley reveals, beginning in the nineteenth century and continuing to the present day, debates over how best to balance the use of these lands by the general public, fee-paying ranchers, and resource developers have always been complex and contentious. Indeed, these debates have often been met with demands for privatization or state control, best exemplified by the Sagebrush Rebellion of the 1980s and the 2016 occupation of Oregon's Malheur National Wildlife Refuge.
Author: John Burt Foster Jr.
Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in .The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Jack Glazier
This book is a unique study of race and racism across two centuries in the hinterland of the upper South. Its implications are at once depressingly familiar and distinctly fresh. W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 18801930From the earliest days when slaves were brought to western Kentucky, the descendants of both slaves and slave owners in Hopkinsville, Kentucky, have continued to inhabit the same social and historic space. Part ethnography and part historical narrative, Been Coming through Some Hard Times offers a penetrating look at this southern town and the surrounding counties, delving particularly into the ways in which its inhabitants have remembered and publicly represented race relations in their community. Neither Deep South nor Appalachian, this western Kentucky borderland presented unique opportunities for African American communities and also deep, lasting tensions with powerful whites. Glazier conducted fieldwork in Hopkinsville for some ten months, examining historical evidence, oral histories, and the racialized hierarchy found in the final resting places of black and white citizens. His analysis shows how structural inequality continues to prevail in Hopkinsville. The books ethnographic vignettes of worship services, school policy disputes, segregated cemeteries, a dressing like our ancestors day at an elementary school, and black family reunions poignantly illustrate the ongoing debate over the public control of memory. Ultimately, the book critiques the lethargy of white Americans who still fail to recognize the persistence of white privilege and therefore stunt the development of a truly multicultural society. Glaziers personal investment in this subject is clear. Been Coming through Some Hard Times began as an exploration of the life of James Bass, an African American who settled in Hopkinsville in 1890 and whose daughter, Idella Bass, cared for Glazier as a child. Her remarkable life profoundly influenced Glazier and led him to investigate her familys roots in the town. This personal dimension makes Glaziers ethnohistorical account especially nuanced and moving. Here is a uniquely revealing look at how the racial injustices of the past impinge quietly but insidiously upon the present in a distinctive, understudied region.JACK GLAZIER is a professor of anthropology at Oberlin College. He is the author of Dispersing the Ghetto: The Relocation of Jewish Immigrants across America and Land and the Uses of Tradition among the Mbeere of Kenya.
Author: M. B. McLatchey
Winner of 2013 May Swenson Poetry AwardIn The Lame God, author M. B. McLatchey reminds us of the inevitable bond between art and empathy. With a controlled language that finds its echo chamber in the immortal themes and characters of classical literature, this courageous work accompanies the author on her journey through a parents anguish in the face of a horrific crime. Using the art of poetry she gives voice to a sufferingand a lovethat might otherwise go unheard.The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.
Author: Yannis Ritsos
Perhaps Greece's most important poet, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. The three volumes of Ritsos's poetry translated hereParentheses, 1946-47, Parentheses, 1950-61, and The Distant, 1975represent a thirty year poetic journey and a developing sensibility that link the poet's subtler perceptions at different moments of his maturity. In his introduction to the poems, and as an explanation of the book's title, Edmund Keeley writes: The two signs of the parenthesis are like cupped hands facing each other across a distance, hands that are straining to come together, to achieve a meeting that would serve to reaffirm human contact between isolated presences; but though there are obvious gestures toward closing the gap between the hands, the gestures seem inevitably to fail, and the meeting never quite occurs. In terms of the development of Ritsos's poetic vision, the distance within the parenthesis is shorter in each of the two earlier volumes than in the most recent volume. There the space has become almost infinite, yet Ritsos's powerfully evocative if stark landscape reveals a stylistic purity that is the latest mark of his greatness.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Chris Salter
In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art -- the stuff of the world -- behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works -- all three deeply embroiled in and enabled by science and technology -- allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages -- assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing.Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid semi-living machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' ways of sensing. Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?
Author: David R. Shumway foreword by Anthony DeCurtis
All stars are celebrities, but not all celebrities are stars, states David Shumway in the introduction to Rock Star, an informal history of rock stardom. This deceptively simple statement belies the complex definition and meaning of stardom and more specifically of rock icons. Shumway looks at the careers and cultural legacies of seven rock stars in the context of popular music and cultureElvis Presley, James Brown, Bob Dylan, the Rolling Stones, the Grateful Dead, Joni Mitchell, and Bruce Springsteen. Granted, there are many more names that fall into the rock icon category and that might rightfully appear on this list. Partly, that is the point: rock star is a familiar and desired category but also a contested one. Shumway investigates the rock star as a particular kind of cultural construction, different from mere celebrity. After the golden age of moviemaking, media exposure allowed rock stars more political sway than Hollywood's studio stars, and rock stars gradually replaced movie stars as key cultural heroes. Because of changes in American society and the media industries, rock stars have become much more explicitly political figures than were the stars of Hollywoods studio era. Rock stars, moreover, are icons of change, though not always progressive, whose public personas read like texts produced collaboratively by the performers themselves, their managers, and record companies. These stars thrive in a variety of media, including recorded music, concert performance, dress, staging, cover art, films, television, video, print, and others. Filled with memorable photographs, Rock Star will appeal to anyone interested in modern American popular culture or music history.