Last [Friday’s shootings in Christchurch](https://www.oye.news/news/shootings/breaking-man-opens-fire-on-a-tram-in-the-dutch-city-of-utrecht/), New Zealand which ended with 50 dead and just as many injured have rung the global bell on a call for tougher media censorship.
Yesterday an open letter from Assistant Commissioner Neil Basu, who is the head of Counter-Terrorism Policing in the UK was published on the counter-terrorism website.
Basu’s letter is a plea for the UK Government to recognise the threat that the free flow of information can have on a nation and to do something about it.
Basu points out the ironic fact that *“the same media companies who have lambasted social media platforms for not acting fast enough to remove extremist content are simultaneously publishing uncensored Daesh propaganda on their websites, or make the rambling ‘manifestos’ of crazed killers available for download.”*
He said extremist propaganda that might reach tens of thousands of people through their own channels or networks has the potential to reach tens of millions if a national newspaper published it.
He goes onto say in summary that:
> ‘Society needs to look carefully at itself. We cannot simply hide behind the mantra of freedom of speech. That freedom is not an absolute right, it is not the freedom to cause harm – that is why our hate speech legislation exists.’ [source](https://www.counterterrorism.police.uk/acso-neil-basu-issues-open-letter-about-reporting-of-terrorism/)
Basu continually refers to this dangerous information that the UK’s media is publishing as Terrorist propaganda, which he claims inspires other potential terrorists into action, he bases this assessment from the statements of terrorists his team have interviewed over the years.
I think it is undeniable that information can be dangerous, it can reinforce beliefs and prejudices, it can raise one’s emotions causing anger and fear. This is true whether the information is accurate or not. Information which has been designed to produce a specific public emotional response, propaganda, is even more dangerous – But, it’s not the root of the problem, it merely accelerates an exceptionally small minority of people to do what they were inevitably going to do anyway.
Censoring our media is a far more dangerous path to take, with dire consequences. A government which controls its media and dictates the flow of information is a Government who has a self-perpetuating power and thus unbreakable control over its people.
While we have been condemning dictatorships across the World for decades with the oppression they place upon their people through censorship and their own propaganda we are voluntarily begging for it ourselves, a little bit at a time.
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The World initially fell to their knee’s in relief as the first press release on Moderna’s Covid-19 Vaccine clinical trials was released earlier this week.
But as usual, not all is as it seems!
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In yet another attempt to socially engineer geopolitical public sentiment and behavior, Facebook, Instagram’s parent company have announced they will be removing all posts which support the recently assassinated Iranian commander Qassem Soleimani.
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The Boston Marathon bombing occurred just a few months after the Sandy Hook Shooting on April 15th, 2013 when two pressure cooker bombs exploded about 12 seconds apart killing 3 civilians and injuring hundreds of others, well that's the official line at least.
We won't go into to much detail about the Boston Bombing event here as the Documentary covers everything you need to know in regards to the many unanswered questions and outright lies surrounding the event.
Due to the controversial nature of the video it has been removed from just about the entire web accept BitTorrent and some darker areas of the net, well until now at least.
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For more documentaries visit our archive over at [OYE NEWS](https://www.oye.news/documentaries/)
The European Parliament has just voted in favour to pass the new EU Copyright Directive, Article 13.
The new directive will bring in sweeping reforms to how copyrighted content posted online is governed. Some say this directive is the end of the Internet as we know it as just about anything you share could be in breach of the new EU law.
YouTube has been actively calling attention to this new law over the past few months to try and have the proposal shutdown, but unfortunately their efforts failed.
**SO WHAT EXACTLY IS ARTICLE 13?**
Under the law, internet platforms will be liable for content that users upload, a burden that will fall heavily on some of the most popular online services.
“YouTube, Facebook and Google News are some of the internet household names that will be most directly affected by this legislation,” the European Parliament said in a statement.
The argument for the new EU Copyright Directive is to protect content creators hard work from being unfairly copied and shared, however in reality what we will see is a lot of filtered content all across the internet.
It will create mass confusion on what exactly comes under this new legislation and what doesn’t causing many to just play safe and avoid sharing potentially important information.
**MEME KILLER**
This could be the end of meme sharing across social media since just about all memes are created using someone else’s content.
If your wondering how this type of legislation will be policed think blanket banning all content with any potential copyright infringement, plus all content which is shared by that user from there after. Because companies like YouTube, Twitter, Facebook and Instagram will be liable for Copyright infringement they will take no chances and simply have to be ruthless to survive.
Say goodbye to parody, say goodbye to independent journalists referring to current news events using video, imagery, or audio. This will create one hell of a mess for just about everyone who uses the internet.
This is why nations like the United Kingdom voted to leave this authoritarian regime, this stepping stone to a one world order.
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Please check out the full article over on our website at [OYE NEWS](https://www.oye.news/news/government/the-eu-passes-article-13-its-about-to-get-messy/)
Owned & Operated is a mosaic of the world through the lens of the internet. Showing our lives as consumers, under the thumbs of privileged individuals and their methods of control.
But the world is awakening, and the experience is something outside the normal rules of social interaction, causing excitement in those who are not served by the current system… and fear in those who are pampered by it.
This documentary attempts to present these events using the video, audio and written content uploaded to the internet by the collective human consciousness comprised of every individual participant.
Oh yes, change is coming… and it will be more dramatic than anybody can imagine.
Max Igan breaks down the events that unravelled on footage filmed by Brenton Tarrant in the tragic shootings that occurred on 15th March 2019 at a Mosque in Christchurch, New Zealand.
The following text is taken from Max Igan’s video description on Youtube.
There are still many markers I did not include in this dialogue, but I have only been getting around 4 hours of sleep per night since this event happened and was very tired when I recorded this broadcast. Thus I either forgot to mention them, or had not yet noticed them.
However, if everyone can get away from the fake/real debate with the Christchurch Shooters video, not want to believe either side, and really look, at what is happening in your peripheral vision with this video, this shooting in NZ has MK Ultra and Tavistock written all over it.
It may sound weird but, look at his car – color markers, turquoise compliance label in that car… they come in all colors but why was his turquoise (right eye)? then the yellow air freshener (left eye) – He is switched on.
He drives out, then, red car – red car, click, click – he’s primed – on standby… then, all at once, a trailer with a red flag + yellow building on the right + yellow car on the left (same bright yellow – what are the chances?) + yellow air freshener + turquoise label. The color combo. Click. He’s switched on. Go! Turns on music – the program is running.
This shooter was programmed to react to colours and sounds. Look at the drive there. And I would even be willing to bet that he thought he was just going to a training exercise as part of the drill that was running in Christchurch, and he was recording it to show off to his mates on 4 chan. How the fuck did he know he had been programmed? And I’m certain his handlers had no idea he intended to stream the drill to his mates. People don’t realize what this video is showing them.
This was a Tavistock MK ultra hit with real bullets, real victims and a mind-controlled patsy – and for the first time ever. We have the patsy’s view of it. And I’m not saying that – the video is saying that…. And for the first time ever. We can see the triggers and see exactly how they do it. The victims would have likely been brought there to be killed, that’s why there were no shoes.
The controllers were likely getting them into the corners, but they were killed too – no loose ends… The video shows a very real possibility that this guy thought he was simply on a training exercise in one of the drills, and he probably streamed it live to show off to his mates. Remember in the car, he was saying how “I couldn’t top my time because I had no ease of access, but if you have ease of access, you will top you time”.
If we factor the possibility that he was chatting away to his mates so calmly happily that way after just slaughtering 41 people because he thought he had just run them through the training drill with him, his dialogue even starts to make sense.
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Richard O'Barry was the man who captured and trained the dolphins for the television show Flipper (1964).
O'Barry's view of cetaceans in captivity changed from that experience when as the last straw he saw that one of the dolphins playing Flipper - her name being Kathy - basically committed suicide in his arms because of the stress of being in captivity.
Since that time, he has become one of the leading advocates against cetaceans in captivity and for the preservation of cetaceans in the wild. O'Barry and filmmaker 'Louie Psihoyos (I)' go about trying to expose one of what they see as the cruellest acts against wild dolphins in the world in Taiji, Japan, where dolphins are routinely corralled, either to be sold alive to aquariums and marine parks or slaughtered for meat.
The primary secluded cove where this activity is taking place is heavily guarded. O'Barry and Psihoyos are well known as enemies by the authorities in Taiji, the authorities who will use whatever tactic to expel the two from Japan forever. O'Barry, Psihoyos and their team covertly try to film as a document of conclusive evidence this cruel behaviour.
They employ among others Hollywood cameramen and deep sea free divers. They also highlight what is considered the dangerous consumption of dolphin meat (due to its high concentration of mercury) which is often sold not as dolphin meat, and the Japanese government's methodical buying off of poorer third world nations for their support of Japan's whaling industry, that support most specifically at the International Whaling Commission.
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