1 Destruction 2 中性子爆弾 3 消毒液 天国注射の昼（てんごくちゅうしゃのひる）は、かつて東京都新宿区歌舞伎町1丁目の新宿ゴールデン街にあったバー「HAVANA MOON」と自販機雑誌『HEAVEN』が共催した日比谷野外音楽堂のコンサート。 「天国注射の昼」は高杉弾が創刊した自販機雑誌『HEAVEN』の創刊記念イベントとして1980年6月6日に新宿ACB会館で開催された「天国注射の夜」がコンサートとしてシリーズ化したもの。夜昼合わせて計5回開催された。とくに成功を収めたのが1983年8月21日の4回目で、舞踏家の宇野萬は4週間前から歩行者天国で宣伝のために金粉ショーの路上パフォーマンスを行い、道路交通法違反で検挙されるという事件もあった 。 ... https://www.youtube.com/watch?v=_b2f4HWDt0o

「湘南…おまえはどこのワカメじゃ!? 」 1993 殺害塩化ビニール ... https://www.youtube.com/watch?v=g_4F6kWlZUQ

... https://www.youtube.com/watch?v=tLmstNW3-3g

buy: https://laurenbousfieldanyev3r.bandcamp.com/album/tetsuo-the-iron-man-revisted 1.Hammer Smashed 2.Megatran 3.Chaser 4.Heteroglossolalia 5.Chorus of Forgotten Voices 6.Grip 7.Up the Walls 8.An Ironic Dream 9.Necropolitics 10.Flesh Metal 11.Tighter 12.Dirge 13.Automythography 14.Megatran Reprisal 15.Chaser Reprisal 16.Final Transformation 17.Game Over; Our Love Can Destroy This Whole Fucking World In the spring of 2018, a friend mentioned that she had begun helping curate programming for a queer arts festival in Los Angeles called Dirty Looks - On Location, which was organizing events all over Los Angeles for the entire month of July. She asked me what was going on with Naomi and I, music wise and I told her that we had been wanting to do a rescoring of a film, specifically “Tetsuo: The Iron Man”, which was a movie that we bonded over almost immediately after meeting each other. The themes of transformation, the merging of pleasure and pain, the seething anxiety and terror, the fear and joy in the promise of a fucked up and failing future, the ultimately helpless power fantasies, and most of all the hope of it all appealed to us. She said “That sounds perfect for the festival”, and shortly after the venue was booked. We performed this in its entirety, live at Akbar in Silverlake on July 25th, 2018. Akbar is over 20 years old and caters itself not as a gay bar specifically, but as a gay run bar for misfits from traditional gay spaces. It was perfect for us. Tetsuo: The Iron Man was a monumentally important film to both of us growing up. The primary sense of horror in the film is directed from the main character’s own body. We related to that feeling, like living in our bodies was a waking, palpable nightmare. Terror mixed with hope. Shinya Tsukamoto used a variety of mixed media to illustrate the main narrative of the film: collage, paper mache, stop-motion technique, as well as pixelating the film itself. It feels desperate and haphazard. We saw a huge amount of queerness in it. While working on this, we reread Donna Haraway’s Cyborg Manifesto, which connected a lot of dots that we needed help connecting within ourselves and echoes a lot of the themes of the film as well. We took some of the titles of the songs from her manifesto. We love that that it’s an alienating movie that speaks to alienated people. We are alienated. Where others may see nihilism in this film, we see a very delicate, desperately collaged together kind of hope. We hope we’ve done justice to Chu Ishikawa’s original score. Thank you for listening. In hope, anger and love, In-House Pharmacy️ (Lauren Bousfield and Naomi Mitchell) credits released October 14, 2018 Lauren Bousfield and Naomi Mitchell ... https://www.youtube.com/watch?v=9Q-FZzwW6BU