I. (0:00) II. (1:14) Harpsichord: Scott Ross ... https://www.youtube.com/watch?v=SMtiXVRwAQQ

I. Allegro (0:00) II. Andante (2:15) III. Presto (4:56) Piano: Glenn Gould Mvt 1: Allegro (0:00) Primary Theme (P1), stated twice. The dotted figure is M1. (0:16) Transition Section. Heavy octaves ascend to the dominant. (0:23) Secondary Theme (S1) in C major, based on a syncopated scale. The second time, it gets faster. (0:31) Counter-Theme 1 (S2). A dissonant and distorted version of S1 appears twice. (0:43) After some material from the Transition comes back, S1 returns. (0:51) Codetta. DEVELOPMENT (0:54) Episode 1: a timid version of P1 in the dominant. (1:04) Episode 2: already in tonic preparation (notice the dominant pedal point), S1's descending scale is recalled. (1:11) Transition. RECAPITULATION (1:15) P1. There's an unexpected shift to A minor, then C major. (1:29) Transition. (1:36) S1+S2 in the tonic. (2:06) Coda. Mvt 2: Andante EXPOSITION (2:15) Primary Theme (P1), twice. The ascending fifth is M1. (2:31) Transition Section. (2:45) Secondary Theme (S1) in G major. Notice the return of M1. DEVELOPMENT (3:06)Episode 1: after some scales in Gm, (3:13) Episode 2: P1 comes back in Dm, but slides back to C. (3:25) Episode 3: The theme is stated by LH in the relative minor, and we see inverted M1 in RH. (3:35) The scales from the beginning of Development come back, reinforcing E major (as if preparing for Am). A chromatic line brings us to RECAPITULATION (3:45) P1. (4:01) Modified Transition. (4:17) S1. (4:42) Coda using P1 in a nice progression: D7, G7, C. Mvt 3: Presto EXPOSITION (4:56) Primary Theme (P1). (5:01) Counter-Theme 1 (P2). (5:09) Transition, using a reduction of P1. (5:17) Secondary Theme (S1) in D major. (5:26) Fragments of S1 are developed in an imitative way. (5:29) Counter-Theme 2 (S2). (5:34) Counter-Theme 3 (S3), recalling S1. After the hands switch, S2 comes back. (5:45) Codetta. DEVELOPMENT (5:50) Episode 1: Developmental theme (D1), passing through Dm, Am, Em and reinforcing some dim7 tonalities. (6:01) Episode 2: chromatic P2; hands swicht. Then appears S2, still bringing dim7 chords. (6:09) Episode 3: modulatory treatment of the Cadential material, then S1. A chromatic line ascends to the dominant. RECAPITULATION (6:29) P1+P2. (6:51) S1+S2+S3 in the tonic. (7:20) Coda. ... https://www.youtube.com/watch?v=4YvLIdHI9PY