Author: Karyn Sharp Denesuline hunters range from deep in the Boreal Forest far into the tundra of northern Canada. Henry S. Sharp, a social anthropologist and ethnographer, spent several decades participating in fieldwork and observing hunts by this extended kin group. His daughter, Karyn Sharp, who is an archaeologist specializing in First Nations Studies and is Denesuline, also observed countless hunts. Over the years the father and daughter realized that not only their personal backgrounds but also their disciplinary specializations significantly affected how each perceived and understood their experiences with the Denesuline.In Hunting Caribou, Henry and Karyn Sharp attempt to understand and interpret their decades-long observations of Denesuline hunts through the multiple disciplinary lenses of anthropology, archaeology, and ethnology. Although questions and methodologies differ between disciplines, the Sharps ethnography, by connecting these components, provides unique insights into the ecology and motivations of hunting societies.Themes of gender, womens labor, insects, wolf and caribou behavior, scale, mobility and transportation, and land use are linked through the authors personal voice and experiences. This participant ethnography makes an important contribution to multiple fields in academe while simultaneously revealing broad implications for research, public policy, and First Nations politics.

Author: Anne Carson The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose economies of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the negative design of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility.