Producers are clever and always trying to save a buck. Don't let a 3 letter word drop the rates in your area by 22%. You think I'm joking? Perhaps I'm being over dramatic. In this video I'll show you the math and explain why this is an accurate statement especially in the world of reality TV, ENG and commercials.
Sound is not an easy department to work in and as productions get more and more demanding, our workload increases. For some reason this isn't acknowledged and there's a constant pushback that sound professionals experience. It wasn't long ago that sound mixers on reality TV jobs created a mix directly to camera and only managed a few channels of wireless but today production is often wanting the world and wants to pay less than they were 10 years ago despite the skillset being much higher than back then.
I encourage my fellow brothers and sisters in the sound community, and other crafts, to spend 7 minutes and watch this entire video. The goal of this videos is to explain some things you might not know or have considered and if you found this video helpful, I encourage you to share it.
Gear Commonly Used In My Videos:
Panasonic Lumix FZ-80:
http://geni.us/SoundSpeedsLumixFZ80Panasonic Lumix DMC-G7:
http://geni.us/SoundSpeedsLumixDMCG7Aputure Amaran AL-MX LED Video Light:
https://geni.us/AputureLightTascam DR-40:
http://geni.us/TascamDR40Sound Devices MixPre-6:
https://geni.us/SoundDevicesMP6Please note that some of the links above are affiliate links and if you purchase something using one of these links, you'll pay the same price that you'd find on Amazon if you looked it up yourself but Amazon will pay me a small referral fee for sending you there to make a purchase.
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https://www.youtube.com/watch?v=k4qPxOxqUnQ