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Ride - Decay
06. Ride - Decay
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STERE
01.-Stereolab---Tone-Burst
***"Stereolab"*** are an English-French avant-pop band formed in London in 1990.
Led by the songwriting team of ***[Tim Gane](https://cutt.ly/BmFnRwl)*** (guitar and keyboards) and ***[Lætitia Sadie](https://cutt.ly/dmFnYuG)r***(vocals, keyboards and guitar), the group's music combines influences from *krautrock*, *lounge* and *1960s pop music*, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French.
Their lyrics have political and philosophical themes influenced by the ***[Surrealist](https://cutt.ly/imFnOlx)*** and ***[Situationist](https://cutt.ly/ymFnAt5)*** movements.
Although ***"Stereolab"*** found success in the underground music scene and were influential enough to spark a renewed interest in older analogue instruments, they have never had a significant commercial impact. Meaby the key is lost in the interview where ***Gane*** and ***Sadier*** have discussed their musical philosophy - *"to be unique for us was more important than to be good"*.
The band’s second album, ***"Transient Random-Noise Bursts with Announcements"*** is one of the most eclectic and experimental releases in ***Stereolab*** early career, emphasizing the group's elongated Krautrock jams, instrumentals, and harsh, noisy moments.
But the album also features quietly experimental pieces such as ***"[Pause](https://cutt.ly/4m4VaOt)"***, a slightly spooky song that uses distorted whispers as a rhythm track and places fluttery keyboards and ***Sadier*** and ***[Mary Hansen's](https://cutt.ly/KmFXv43)*** sweet, slightly alien harmonies atop it.
If ***”[Switched On](https://cutt.ly/3m9ifx0)”*** and ***”[Peng!](https://cutt.ly/Qm9iuZM)”*** defined the band's essential sound, ****”Transient Random-Noise Bursts with Announcements”*** expanded it, reaffirming ***”Stereolab”*** place as one of the most innovative and evolving groups of the '90s.
***”Tone Burst”*** is the fifth song on the band’s second album ***”[Transient Random-Noise Bursts With Announcements](https://cutt.ly/Em9ib6b)”***, released on 24 August 1993 and was issued by ***"[Duophonic Records](https://cutt.ly/nmFZnnE)"*** and ***"[Elektra Records](https://cutt.ly/AmFZWIh)"***.
***
***"Stereolab"*** info:
**[Official](https://cutt.ly/8mQOGE4)** **/** **[Wikipedia](https://cutt.ly/VmQOIoI)** **/** **[Unofficial](https://cutt.ly/tmQSJuL)** **/** **[Allmusic](https://cutt.ly/jmQPueG)** **/** **[Pitchfork](https://cutt.ly/omQPKqT)** **/** **[Last.fm](https://cutt.ly/JmQPVA8)** **/** **[Rateyourmusic](https://cutt.ly/emQAw1X)** **/** **[Discogs](https://cutt.ly/8mQPpky)** **/** **[Bandcamp](https://cutt.ly/YmQAuvN)** **/** **[YouTube](https://cutt.ly/cmQPhgK)** **/** **[Facebook](https://cutt.ly/mmQOB4B)** **/** **[Spotify](https://cutt.ly/WmQPONT)** **/** **[Instagram](https://cutt.ly/TmQO1ZR)** **/** **[Twitter](https://cutt.ly/7mQOMKr)** **/** **[Lyrics](https://cutt.ly/FmQS9fK)** **/** **[Photos](https://cutt.ly/rmQDumG)**
***
More ***"Stereolab"*** **Organism Star** candy:
**"Stereolab"** / ***[Peng!](https://cutt.ly/Qm9iuZM)***
**"Stereolab"** / ***[Switched On](https://cutt.ly/3m9ifx0)***
**"Stereolab"** / ***[The Groop Played Space Age Batchelor Pad Music](https://cutt.ly/Jm9ilaA)***
**"Stereolab"** / ***[Mars Audiac Quintet](https://cutt.ly/xm9iRfJ)***
**"Stereolab"** / ***[Refried Ectoplasm (Switched On Volume 2)](https://cutt.ly/Zm31L2T)***
**"Stereolab"** / ***[Emperor Tomato Ketchup](https://cutt.ly/um9iOXY)***
**"Stereolab"** / ***[Dots And Loops](https://cutt.ly/Mm9iHCw)***
**"Stereolab"** / ***[Aluminum Tunes](https://cutt.ly/am9iV6c)***
**"Stereolab"** / ***[Cobra And Phases Group Play Voltage In The Milky Night](https://cutt.ly/bm9i2Wp)***
**"Stereolab"** / ***[The First Of The Microbe Hunters](https://cutt.ly/Zm9i4DW)***
**"Stereolab"** / ***[Sound-Dust](https://cutt.ly/Bm9oray)***
**"Stereolab"** / ***[Margerine Eclipse](https://cutt.ly/7m9op14)***
**"Stereolab"** / ***[Oscillons From The Anti-Sun](https://cutt.ly/om9ofEs)***
**"Stereolab"** / ***[Fab Four Suture](https://cutt.ly/Ym9olIL)***
**"Stereolab"** / ***[Chemical Chords](https://cutt.ly/Lm9obcI)***
**"Stereolab"** / ***[Not Music ](https://cutt.ly/hm9oT4m)***
**"Stereolab"** / ***[Electrically Possessed (Switched On Volume 4) ](https://cutt.ly/Xm305mY)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
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12.-Fillmore-Jive
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***Pavement Biography***
***Pavement*** is an American indie rock band that formed in *[Stockton, California](https://cutt.ly/kAcQ2T5)*, in 1989. For most of their career, the group consisted of ***[Stephen Malkmus](https://cutt.ly/wAcWVDV)*** (vocals and guitar), ***[Scott Kannberg](https://cutt.ly/NAcW1zU)*** (guitar and vocals), ***[Mark Ibold](https://cutt.ly/RAcW0al)*** (bass), ***[Steve West](https://cutt.ly/rAcW2Jk)*** (drums), and ***[Bob Nastanovich](https://cutt.ly/bAcW3NZ)*** (percussion and vocals).
With their fractured songs, unexpected blasts of feedback, laconic vocals, cryptic literate lyrics, and defiant low-fidelity, ***Pavement***, along with ***[Sebadoh](https://cutt.ly/bAcW7TL)***, were the leaders of the *lo-fi* movement that dominated the U.S. *indie rock* in the early '90s.
> The band’s second studio album, ***“Crooked Rain Crooked Rain”***, saw the band move on towards a more accessible rock sound than that of their more *lo-fi* debut ***[“Slanted and Enchanted“](https://cutt.ly/LATP5yG)*** and achieve moderate success with the single ***[“Cut Your Hair“](https://cutt.ly/OAYp8oV)***.
>
> It's an enigmatic masterpiece that strips away the hiss and fog of ***“S&E”***, removing some of ***Pavement's*** mystery yet retaining their fractured sound and spirit.
> The album is filled with loose ends and ragged transitions, but compared to the fuzzy, dense previous album, ***“Crooked Rain”*** is direct and immediately engaging - it puts the band's casual melodicism, sprawling squalls of feedback, disheveled country-rock, and ***Malkmus*** deft wordplay in sharp relief.
# ***The Song Info***
***“Fillmore Jive”*** is the twelfth and the last song on the ***Pavement’s*** second album, ***[“Crooked Rain Crooked Rain“](https://cutt.ly/OATSYfe)***, released on February 14, 1994, by ***[Matador Records](https://cutt.ly/YAcRSAy)***.
# ***Pavement info***
**[Wikipedia](https://cutt.ly/SPSdg5v)** **/** **[Official](https://cutt.ly/pPSdW7l)** **/** **[Stephen Malkmus](https://cutt.ly/pPSgcqz)** **/** **[Bob Nastanovich](https://cutt.ly/bPSgFOW)** **/** **[Discogs](https://cutt.ly/WPSfXps)** **/** **[AllMusic](https://cutt.ly/xPSfS8t)** **/** **[Pitchfork](https://cutt.ly/OPSfU9W)** **/** **[Bandcamp](https://cutt.ly/iPSfvHF)** **/** **[YouTube](https://cutt.ly/OPSd7Rq)** **/** **[Facebook](https://cutt.ly/ePSdHVK)** **/** **[Instagram](https://cutt.ly/TPSdVPa)** **/** **[Twitter](https://cutt.ly/kPSd1RR)** **/** **[Spotify](https://cutt.ly/5PSfeJ4)** **/** **[Lyrics](https://cutt.ly/mPSfjAU)** **/** **[Merchandise](https://cutt.ly/MPSgybn)**
# ***More Pavement Organism Star candy***
- **Pavement** / ***["Slanted And Enchanted"](https://cutt.ly/LATP5yG)***
- **Pavement** / ***["Westing (by Musket And Sextant)"](https://cutt.ly/rATDPnr)***
- **Pavement** / ***["Wowee Zowee"](https://cutt.ly/qATDLx5)***
- **Pavement** / ***["Brighten The Corners"](https://cutt.ly/RATFCe2)***
- **Pavement** / ***["Terror Twilight"](https://cutt.ly/3ATG4vX)***
# ***Organizam Star Recommendations***
- **The Breeders** / ***["Last Splash"](https://cutt.ly/fmhulVy)***
- **Madder Rose** / ***["Panic On"](https://cutt.ly/ymzF2i9)***
- **Supergrass** / ***["I Should Coco"](https://cutt.ly/PcFPpAk)***
- **New Order** / ***["Movement"](https://cutt.ly/jnelmeX)***
- **Republica** / ***["Speed Ballads"](https://cutt.ly/1b1P1PG)***
- **Working Men's Club** / ***["Working Men's Club"](https://cutt.ly/PQGbqBq)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
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11.-CocoRosie---Here-I-Come
11. CocoRosie - Here I Come
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NEW O
09.-New-Order---Guilt-Is-A-Useless-Emotion
"***New Order***"are an English rock band formed in 1980 by vocalist and guitarist ***[Bernard Sumner](https://cutt.ly/9b9XrVA)***, bassist ***[Peter Hook](https://cutt.ly/9b9XrVA)*** and drummer ***[Stephen Morris](https://cutt.ly/eb9XiCi)***. The band formed after the demise of post-punk band ***"[Joy Division](https://cutt.ly/eb9XiCi)"***, following the suicide of lead singer ***Ian Curtis***; they were joined by ***[Gillian Gilbert](https://cutt.ly/mb9XsDe)*** on keyboards later that year.
***”New Order's”*** integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s.
Embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.
The band’s eighth studio album, ***"Waiting for the Sirens' Call"***, initially appears more confident than its predecessor, which tactfully skirted around ***"New Order's"*** status as dance pioneers on the grounds that "we don't go to clubs any more".
If ***"New Order's"*** ambition was only to reinforce themselves in their fans' imaginations as members of a working band, then the album is a success. Unfortunately, however, the adjectives that need to be attached to this record - workmanlike, customary, unembarrassing - aren't going to make music fans flood the record stores seeking copies.
At this point, the non-believers exit, assured in their opinion. Meanwhile, the rest of us pull the harnesses back down, wait for the ride to start again, and let the joy of a fresh ***”New Order”*** album washed over us.
***”Guilt Is A Useless Emotion”*** is the ninth song on the band’s eighth studio album ***"[Waiting for the Sirens' Call](https://cutt.ly/Inevxpz)"***released on 28 March 2005 in the United Kingdom by ***"London Records"*** and 25 April 2005 in the United States by ***"Warner Bros. Records"***.
***
***"New Order"*** info:
**[Official](http://www.neworder.com/)** **/** **[Wikipedia](https://cutt.ly/8bHaxRI)** **/** **[AllMusic](https://cutt.ly/ybHsJ5H)** **/** **[Discogs](https://cutt.ly/EbHslwV)** **/** **[Spotify](https://cutt.ly/KbHaSjy)** **/** **[Facebook](https://cutt.ly/6bHaRFQ)** **/** **[YouTube](https://cutt.ly/2bHaUSA)** **/** **[Instagram](https://cutt.ly/mbHaOqd)** **/** **[Twitter](https://cutt.ly/7bHaPp2)** **/** **[Forum](https://cutt.ly/1bHssOQ)** **/** **[Lyrics](https://cutt.ly/ubHsVh8)**
***
More ***"New Order"*** **Organism Star** candy:
**"New Order"** / ***[Movement](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Power Corruption Lies](https://cutt.ly/Lnecm8K)***
**"New Order"** / ***[Low Life](https://cutt.ly/Jnevex1)***
**"New Order"** / ***[Brotherhood](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Technique](https://cutt.ly/enevoJj)***
**"New Order"** / ***[Republic](https://cutt.ly/enevoJj)***
**"New Order"** / ***[Get Ready](https://cutt.ly/6nevj06)***
**"New Order"** / ***[Lost Sirens ](https://cutt.ly/Vnevnc3)***
***
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14.-The-Jesus-And-Mary-Chain---Man-On-The-Moon
14. The Jesus And Mary Chain - Man On The Moon
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AIRIE
Airiel---Stratosphere
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Music, Books'n'Mzines Archive!***
***
# ***"Airiel" Biography***
***“Airiel”*** is an American shoegaze band formed as ***“Airiel Project One”*** in 1997, in ***[Bloomington](https://cutt.ly/4QLvozb)***, ***Indiana***, by guitarist and vocalist ***[Jeremy Wrenn](https://cutt.ly/yQLxNkZ)*** and former bandmate ***Shawn Delaney***.
Eventually relocating to ***[Chicago](https://cutt.ly/bQLnFfg)***, the group sporadically appeared on compilations and gave away a limited CD-R EP titled ***“Christmas Colors”*** in 2002, but no proper ***“Airiel”*** releases surfaced until 2003, when they initiated a series of ***“Winks & Kisses”*** EPs, each of which included one epic approaching (or exceeding) the ten-minute mark. After being individually released by ***“[Clairecords](https://cutt.ly/xQLvQ0B)”*** between July 2003 and June 2004., all four were issued as a limited CD box set at the end of the year, also titled ***“Winks and Kisses”***.
> The original idea for ***"W&K"*** in EP format came from ***Dan Solstrom*** at ***“Clairecords”***, 'cose they have a bit of a seasonal theme to them and more releases meant more exposure. "Seemed like a good plan and it was just a fun project from all the art aspects". (***Jeremy Wrenn***, ***"[Somewherecold](https://cutt.ly/TQLxqmX)***")
>
Y Gaining them many fans and consistently being top sellers at ***“Clairecords”***, ***“Winks and Kisses”*** marked ***“Airiel's”*** official arrival to the world of modern shoegaze; by then, everyone knew who ***“Airiel”*** was.
# ***"The Song Info***
***“Stratosphere”*** is the fifth song from the box-set ***“[Winks & Kisses](https://cutt.ly/vQZwvC2)”***, released as a four separate EP’s under the ***“[Clairecords](https://cutt.ly/xQLvQ0B)”*** between July 2003 and June 2004., and eleven years later under the ***“Clairecords”*** and ***“[Shelflife Records](https://cutt.ly/7QLDhre)”***, as a compilation.
# ***"Airiel" Info***
**[Official](https://cutt.ly/nQLzgvQ)** **/** **[Wikipedia](https://cutt.ly/CQLzjvt)** **/** **[Allmusic](https://cutt.ly/JQLl3AZ)** **/** **[Last.fm](https://cutt.ly/MQLzi17)** **/** **[Rateyourmusic](https://cutt.ly/nQLz3ai)** **/** **[Discogs](https://cutt.ly/4QLzJK5)** **/** **[Pitchfork](https://cutt.ly/tQLzwcg)** **/** **[Bandcamp](https://cutt.ly/QQLzl7y)** **/** **[YouTube](https://bit.ly/3ioWxsA)** **/** **[Facebook](https://cutt.ly/pQLzvrl)** **/** **[Spotify](https://cutt.ly/gQLzsgh)** **/** **[Instagram](https://cutt.ly/TQLzYnx)** **/** **[Twitter](https://cutt.ly/mQLzWof)** **/** **[Lyrics](https://cutt.ly/eQLxy8b)** **/** **[Interview](https://cutt.ly/TQLxqmX)**
# ***More "Airiel" Organizam Star Candy***
- ***Airiel - [The Battle Of Sealand](https://cutt.ly/EQZtq3o)***
- ***Airiel - [Molten Young Lovers](https://cutt.ly/kQZttVr)***
# ***"Organizam Star" Recommendations***
- ***"Stone Roses" - ["Stone Roses"](https://cutt.ly/PQZiIWQ)***
- ***"The Charlatans" - ["Between 10th and 11th"](https://cutt.ly/NQZiPZP)***
- ***"Elastica" - ["Elastica"](https://cutt.ly/FQZiDvI)***
- ***"Lush" - ["Split"](https://cutt.ly/nQZiXAq)***
- ***"Working Men's Club" - ["Working Men's Club"](https://cutt.ly/PQGbqBq)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Music, Books'n'Mzines Archive!***
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06.-Butter-08---It's-The-Rage
06. Butter 08 - It's The Rage
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07.-Can---Last-Night-Sleep
07. Can - Last Night Sleep
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LADYT
Ladytron---Paper-highways
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Ladytron" Biography***
***“Ladytron”*** are an English electronic music band from ***[Liverpool, England](https://cutt.ly/mWpsUji)***. Formed in 1999, the group consists of ***[Helen Marnie](https://cutt.ly/sWpsKhG)*** (*lead vocals*, *synthesizers*), ***[Mira Aroyo](https://cutt.ly/jWpsBZA)*** (*vocals*, *synthesizers*), ***[Daniel Hunt](https://cutt.ly/3Wps2XU)*** (*synthesizers*, *guitar*, *vocals*) and ***[Reuben Wu](https://cutt.ly/mWps5im)*** (*synthesizers*).
The band formed in 1999 when producers/DJs ***Hunt*** and ***Wu*** - a pair of friends who met in the mid-'90s - settled in ***Liverpool*** after traveling and spinning records in ***Japan***.
Taking their name from the ***“[Roxy Music](https://cutt.ly/DWpndZf)”*** song, they recorded their first single, ***"[He Took Her to a Movie](https://cutt.ly/iWo1LZf)"*** and soon after, they met vocalists/keyboardists ***Marnie*** and ***Aroyo***. Originally from *Scotland*, ***Marnie*** was working towards her ***Bachelor of Arts***in pop music at the *University of Liverpool*; ***Aroyo*** was a Bulgarian postgraduate research geneticist at the *University of Oxford's Department of Biochemistry*.
***“Ladytron”*** combined crystalline melodies enveloped in icy textures and rippling arpeggios - with touches of *indie pop*, *shoegaze*, *disco*, and *industrial music*. They described their sound as *electronic pop*, while music journalists have also described their artwork as *synth-pop*, *electronic rock*, *post-punk* and *electroclash*.
While they never deviated much from this sound, they still conjured distinctly different moods on each album.
> Their sixth self-titled studio album ***“Ladytron”*** was released on 1 February 2019 through ***“[PledgeMusic](https://cutt.ly/1WlAtuE)”*** as well as their ***Ladytron*** Music imprint via ***“[!K7](https://cutt.ly/dWlAwT0)”***.
>
> A dystopian band for dystopian times, ***“Ladytron”*** returned eight years after ***“[Gravity The Seducer](https://cutt.ly/HWoM2YA)”*** with an angry, pitiless, evil-sounding record whose nihilism presents them as sirens of the apocalypse.
>
> Discussed with thought-provoking lyrics that are both surreal and down-to-earth, their idiosyncratic style remains intact.
> Indeed, the band proves that their skill at crafting glamorous, *dystopian pop* is as sharp as ever, and maybe even more meaningful in the late 2010s than before.
# ***The Song Info***
***“Paper highways”*** is the fifth song on ***“Ladytron”*** sixth self-named album, ***“[Laditron](https://cutt.ly/aWoM5Kf)”***, released on 1 February 2019 through ***“[PledgeMusic](https://cutt.ly/1WlAtuE)”*** as well as their *Ladytron Music imprint* via ***“[!K7](https://cutt.ly/dWlAwT0)”***.
# ***"Ladytron" Info***
**[Official](https://cutt.ly/SWo3gS9)** **/** **[Wikipedia](https://cutt.ly/BWo3j9C)** **/** **[Blog](https://cutt.ly/jWo3PsK)** **/** **[Ladytron Daily](https://cutt.ly/9Wo80s5)** **/** **[Bandcamp](https://cutt.ly/fWo3zSP)** **/** **[Discog](https://cutt.ly/XWo3QnB)** **/** **[AllMusic](https://cutt.ly/6Wo3FOv)** **/** **[Pitchfork](https://cutt.ly/PWo3ZFz)** **/** **[Rateyourmusic](https://cutt.ly/qWo8jTr)** **/** **[Last.fm](https://cutt.ly/WWo8DWT)** **/** **[Setlist.fm](https://cutt.ly/GWo8Wt2)** **/** **[Facebook](https://cutt.ly/wWo3EBK)** **/** **[Spotify](https://cutt.ly/WWo33b0)** **/** **[YouTube](https://cutt.ly/6Wo3TCb)** **/** **[Instagram](https://cutt.ly/4Wo3UMu)** **/** **[Lyrics](https://cutt.ly/6Wo3NCn)**
# ***More "Ladytron" Organizam Star Candy***
- *** Ladytron - ["604"](https://cutt.ly/UWoMuuv)***
- *** Ladytron - ["Light & Magic"](https://cutt.ly/hWoMx50)***
- *** Ladytron - ["Witching Hour"](https://cutt.ly/hWoMTaQ)***
- *** Ladytron - ["Velocifero"](https://cutt.ly/zWoMZXX)***
- *** Ladytron - ["Ladytron"](https://cutt.ly/aWoM5Kf)***
# ***"Organizam Star" Recommendations***
- *** Working Men's Club - ["Working Men's Club"](https://cutt.ly/PQGbqBq)***
- *** Sneaker Pimps - ["Becoming X"](https://cutt.ly/YWlHPFR)***
- *** Kelli Ali - ["Tigermouth]"(https://cutt.ly/EWlHUmt)***
- *** Electronic - ["Twisted Tenderness"](https://cutt.ly/1nfWMLx)***
- *** Bad Lieutenant - ["Never Cry Another Tear"](https://cutt.ly/3nevYNi)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
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