A necessary reminder of Conrad Schnitzler’s alien brilliance, reissuing the almost tropical swagger of his one-off with legendary german drummer Wolfgang Seidel. ‘Consequenz II’ depicts hugely influential synth pioneer Schnitzler jamming with drummer Wolfgang Seidel, some decade after their recordings as Eruption, which would later be issued under the Kluster mantle. Recorded in 1983/84, and pressed to record in 1986 by Discos Esplendor Geometrico, the nine tracks sound like they had a top craic[Irish term for news, gossip, fun, entertainment, and enjoyable conversation] making them, with Seidel’s funky strikes synched to sticky electronics and guitars in party-ready permutations that variously touch on boogie disco, warped digi-dancehall prototypes, and mental electro, that both parallels styles of that era, and also sounds like nothing else from it. Kicking off with what sounds like Mad Mike’s mushied brother from another mother on ‘Von Hand’, it takes in the pendulous electro dancehall jaw-droppers ‘Zack Zack’ and ‘Fiesta’ beside what could be a stray experiment from the original Såada Bonaire sessions in ‘Erotik’, plus proper nose-drip synth tang on ‘Windmill’ and the dippiest synth business in ‘Alhambra’. Their shared sense of humour surely coms thru in the collaged of wheezing Spaniards in ‘España’, before pushing right out into hall of mirrors synth psychedelia in the B-side’s 19 min long ‘Kastilien’, and leaving us in no doubt to their combined, wild genius.
As an added bonus, I have restored the reissue's six bonus tracks. -KCB
1. Von Hand 00:00 2. Zack Zack 02:33 3. Fiesta 05:37 4. Hommage á Gaudi 08:05 5. Erotik 10:38 6. Windmill 13:18 7. Alhambra 15:59 8. España 18:40 9-16. Kastilien 20:16 17-22. Untitled 39:49
"In January of '96, we closed Sundance Film Festival. We wore 20's style prison suits and dished out classic DEVO songs to an unsuspecting audience of Hollywood elite," Devo's Jerry Casale tells us of this raw concert.
Butch Devo And The Sundance Gig:
1. Too Much Paranoias
2. Praying Hands
3. Satisfaction
4. Uncontrollable Urge
5. Mongoloid
6. Jocko Homo (acoustic)
7. Going Under
8. Blockhead
9. That's Good
10. Jerkin' Back 'N' Forth
11. Girl U Want
12. Whip It
13. Smart Patrol
14. Mr. DNA
15. Beautiful World
Episode aired Nov 15, 1975
Sutekh forces the Doctor to transport Scarman and a mummy to Mars, where the Doctor and Sarah try to stop them destroying the Eye of Horus.
Foxy Brown is a 1974 American blaxploitation film written and directed by Jack Hill. It stars Pam Grier as the title character, described by one character as "a whole lot of woman", who showcases unrelenting sexiness while battling the film's villains. The film was released by American International Pictures as a double feature with Truck Turner. The film uses Afrocentric references in clothing and hair. Grier starred in six blaxploitation films for American International Pictures.
While not prosecuted for obscenity, the film was seized and confiscated in the United Kingdom under section 3 of the Obscene Publications Act 1959 during the video nasty panic.
"It's a Mistake" is a song by the Australian band Men at Work. The song was written by the lead singer and guitarist Colin Hay and the recording was produced by Peter McIan. It was released in June 1983, as the third single from their album Cargo and peaked at #34 in Australia. In the US, it entered the charts at #42 on July 2, 1983, and peaked at #6 on the Billboard Hot 100 in August 1983 becoming the band's fourth and final top 10 hit. It was performed live on Saturday Night Live on 22 October 1983.
Episode aired May 10, 1975
The Doctor, Harry and Lester try to destroy the Cybermen's relay device, while the Vogans prepare to destroy Nerva even though Sarah is still on board.
Creatures of the Night is the 10th studio album by American rock band Kiss, released in 1982. It was the band's last for Casablanca Records, the only label for which Kiss had recorded up to that point. The album was dedicated to the memory of Casablanca founder and early Kiss supporter Neil Bogart, who had died of cancer during the recording sessions. It is also the band's last album recorded with Ace Frehley credited as an official member and their first album with Vinnie Vincent as the initially-uncredited lead guitarist (Vincent would later be credited but not featured on the cover of the 1985 reissue of the album). It was also Kiss' last album to feature the band with their trademark makeup until the 1998 release, Psycho Circus.