Stewart Lee! The 'If You Prefer a Milder Comedian Please Ask for One' EP
Author: Stewart Lee File Type: mobi Following his hugely acclaimed TV come-back Comedy Vehicle, Lee finds himself in search of ideas for a new Edinburgh show. On a long walk across London, he endures a coffee shop humiliation involving a loyalty card which suggests itself as a framing device. Later that month, thanks to Jeremy Clarksons casual slur against Gordon Brown and the appearance of a well-meaning young comedian in an advert, a show is born. Featuring a transcript of the show fully annotated with footnotes, the If You Prefer A Milder Comedian EP confirms Stewart Lee as the most original, daring and brilliant comedian of his generation. **About the Author Stewart Lee began stand-up in 1988 at the age of 20, and won the Hackney Empire new act of the year award in 1990. In 2001 he was invited toco-write the libretto for Richard Thomass Jerry Springer The Opera, which went on to win four Olivier awards. His most recent stand-up shows have been Stand Up Comedian (2004), 90s Comedian (2005), 41st Best Stand-up Comedian (2007) and If You Prefer a Milder Comedian, Please Ask for One (2009). A second series of Stewart Lees Comedy Vehicle aired on BBC2 in spring 2011 to great acclaim.
Author: Robert W. Sweeny
File Type: pdf
When using digital technologies, many types of dysfunction can occur, ranging from hardware malfunctions to software errors and human ineptitude. Many new media artworks employ various strategies of dysfunctionality in order to explore issues of power within societies and culture. Dysfunction and Decentralization in New Media Art and Education examines how digital artists have embraced the concept of the error or glitch as a form for freedom, where imperfection or dysfunction can be an integral element of the project. Robert W. Sweeny offers practical models and ideas for how artists and educators can incorporate digital technologies and integrate discussions of decentralized models of artistic production.
Author: William A. Allen
File Type: pdf
The Bank of England and the Government Debtrecounts the surprising history of the Bank of Englands activities in the government securities market in the mid-twentieth century. The Banks governor, Montagu Norman, had a decisive influence on government debt management policy until he retired in 1944, and established an auxiliary market in government securities outside the Stock Exchange during the Second World War. From the early 1950s, the Bank, concerned about inadequate market liquidity, became an increasingly active market-maker in government securities, rescuing the commercial market-makers in the Stock Exchange several times. The Banks market-making activities often conflicted with its monetary policy objectives, and in 1971, it curtailed them substantially, while avoiding the damaging effects on liquidity in the government securities market that it had feared. Drawing heavily on archival research, William A. Allen sheds light on little-known aspects of central-banking and monetary policy. **
Author: Ulrich Plass
File Type: pdf
Language and History in Theodor W. Adornos Notes to Literatureexplores Adornos essays on literature as an independent contribution to his aesthetics with an emphasis on his theory and practice of literary interpretation. Essential to Adornos essays is his unorthodox treatment of language and history and his elaboration of the links between the two. One of Adornos major but often-neglected claims is that truth is relative to its historical medium, language. Adorno persistently and creatively tries to narrow the gulf between truth and expression, philosophy and rhetoric, and his essays on literature are practical examples of his effort to critically rescue the rhetorical dimension of philosophy. Rather than relying exclusively on aesthetic concepts inherited from his predecessors in the Western tradition (Kant, Hegel, Nietzsche, Kierkegaard), Adornos essays seek to transgress and transcend the conceptual limitations of aesthetic discourse by appropriating a non-conceptual, metaphorical vocabulary borrowed from the literary texts he investigates. Thus, Adornos interpretations of literature mobilize an alternative subterranean, primarily essayistic and fragmentary discourse on language and history that eludes the categories that tend to predominate his thinking in his major work, Aesthetic Theory. This book puts forth the claim that Adornos essays on literature are of central relevance for an understanding of his aesthetics because they challenge the conceptual limitations of philosophical discourse. **
Author: Linda K. Jacobs
File Type: epub
Strangers in the West is the never-before-told story of the Arab immigrants who settled in New York City, beginning in 1880. They came primarily from what was then known as Greater Syria, and settled in tenements on the lower west side of Manhattan, founding an Arabic-speaking enclave just south of the future site of the World Trade Center. Arriving in the New World with little more than their resourcefulness and business acumen, these immigrants quickly built a thriving colony that was the cultural and economic center of the Syrian diaspora in America. Dr. Jacobs paints a vivid portrait of life in this early immigrant community, and the people who founded it. They were peddlers and merchants, midwives and doctors, priests and journalists, performers and impresarios. They capitalized on the orientalist craze sweeping the United States by opening Turkish smoking parlors, presenting belly dancers on vaudeville stages, and performing across the country in native costume. They learned English, built businesses, and became an important thread in the rich tapestry of the immigrant culture of 19th century New York. This is their story. Strangers In the West is the first and only comprehensive study of Americas most important Syrian colony. Through exhaustive archival and demographic research, Dr. Jacobs has captured the identities of virtually every member of this 19th century community. In doing so, she has created an invaluable resource for historians, scholars, and others interested in the history of Arabs in America. **
Author: Bettina R. Lerner
File Type: pdf
Inventing the Popular Working-Class Literature and Culture in Nineteenth-Century France explores texts written, published and disseminated by a politically and socially active group of working-class writers during the first half of the nineteenth century. Through a network of exchanges featuring newspapers, poems and prose fiction, these writers embraced a vision of popular culture that represented a clear departure from more traditional oral and printed forms of popular expression at the same time, their writing strategically resisted nascent forms of mass culture, including the daily press and the serial novel. Coming into writing at a time when Romanticism had expanded beyond the borders of the lyric je, these poets explored the social dimensions of connectivity and social relation finding interlocutors and supporters in the likes of Pierre-Jean de Beranger, Alphonse de Lamartine, George Sand and Eugene Sue. The relationships they developed among themselves and the major figures of an increasingly socially-oriented Romanticism were as rich with emancipatory promise as well as with reactionary temptation. They constitute an extensive archive of everyday life and utopian anticipation that reframe social romanticism as a revelatory if problematic model of engaged writing. **About the Author Bettina R. Lerner is Assistant Professor of French in the Department of Foreign Languages and Literatures at The City College, CUNY, USA
Author: Chen Guying
File Type: pdf
span orphans 2 widows 2Inspanspan box-sizing inherit orphans 2 widows 2The Humanist Spirit of Daoismspanspan orphans 2 widows 2, Chen Guying presents a concise overview of his understanding of the meaning and significance of Daoist philosophy. Chen is a leading contemporary Chinese thinker and spokesperson for a new Daoist approach to existential and socio-political issues. He was born in mainland China in 1935, but after having resettled to Taiwan, he received his education there and was a student activist in the 1960s. He became famous in the Chinese-speaking world with his writings on Nietzsche, Laozi and Zhuangzi. At present he is a Professor at Peking University. This volume collects representative essays from the past 25 years which not only outline Chens interpretation of Daoism as a deeply humanist way of thinking and living, but also show how he employs this philosophy in a critique of totalitarianism and neo-imperialism.span
Author: Kristen Wright
File Type: pdf
span orphans 2 widows 2Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanitys desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture.span
Author: Chimamanda Ngozi Adichie
File Type: epub
From Publishers WeeklyAdichie (Half of a Yellow Sun) stays on familiar turf in her deflated first story collection. The tension between Nigerians and Nigerian-Americans, and the question of what it means to be middle-class in each country, feeds most of these dozen stories. Best known are Cell One, and The Headstrong Historian, which have both appeared in the New Yorker and are the collections finest works. Cell One, in particular, about the appropriation of American ghetto culture by Nigerian university students, is both emotionally and intellectually fulfilling. Most of the other stories in this collection, while brimming with pathos and rich in character, are limited. The expansive canvas of the novel suits Adichies work best here, she fixates mostly on romantic relationships. Each storys observations illuminate once read in succession, they take on a repetitive slice-of-life quality, where assimilation and gender roles become ready stand-ins for what could be more probing work. (June) Reed Business Information, a division of Reed Elsevier Inc. From Bookmarks MagazineA country famously known to the West for its e-mail scams, Nigeria is indebted to Adichie for these graceful and evocative stories that portray it as the rich and diverse nation it truly is. They also demonstrate her keen insight into the rough terrain of human nature beset by external demands and pressures. Adichie, compared to a hostess (San Francisco Chronicle) who invites her achingly believable characters fully formed into her stories, treats her protagonists -- mostly women -- with respect and compassion. A few minor complaints included less-convincing American characters and some awkward endings, but all critics recognized Adichie as an accomplished storyteller whose careful study of her native land illuminates its foreignness as well as the similarities between us all.