99323
Author: E. M. Cioran
File Type: pdf
Born of a terrible insomniaa dizzying lucidity which would turn evenparadise into hellthis book presents the youthful Cioran, a self-described Nietzsche still complete with his Zarathustra, his poses, his mystical clowns tricks, a whole circus of the heights. On the Heights of Despair shows Ciorans first grappling with themes he would return to in his mature works despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the lyrical virtues that alone lead to a metaphysical revelation. No modern writer twists the knife with Ciorans dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion.Bill Marx, *Boston Phoenix The dark, existential despair of Romanian philosopher Ciorans short meditations is paradoxically bracing and life-affirming. . . . Puts him in the company of Nietzsche and Kierkegaard.Publishers Weekly,* starred review This is self-pity as epigram, the sort of dyspeptic pronouncement that gets most people kicked out of bed but that has kept Mr. Cioran going for the rest of his life.Judith Shulevitz, New York Times Book Review **Amazon.com Review Imagine walking across a tightrope suspended high in the summer air above a bay flooded in the mauve glow of sunset, the music of Beethovens Ode to Joy surrounding you. Now imagine the tightrope is actually razor-wire, and gusts of wind challenge every tortuous step into sublime infinity. This is the paradox of emotions one feels when reading On the Heights of Despair, the paradigmatic cry of the tortured artist whose explosive intensity of passion is equaled only by the profundity of his despair. In this hauntingly lyrical meditation on darkness, stemming from a sustained insomniac hyper-lucidity, E. M. Cioran cries out a devastating nihilism that is in the end betrayed by his own intransigent lust for being. Compels reading and rereading. From Publishers Weekly The dark, existential despair of Romanian philosopher Ciorans short meditations is paradoxically bracing and life-affirming. Written in 1934, when he was 22 and desperately insomniac, this feverishly lyrical, at times slyly humorous confessional outpouring reveals Cioran as an angry young man in morally decaying Europe--a far cry from the elegant, curt stylist of his later books. Here Cioran rails at lifes irrationality and absurdities embraces solitude, melancholy and the awareness of death and breathes organic vitality into the great philosophical themes of truth, eternity, beauty, suffering and good and evil. After one separates mature wheat from adolescent chaff, Ciorans early philosophical prose, like his later works, puts him in the company of Nietzsche and Kierkegaard. In the enriching introduction, Zarifopol-Johnston, who met the thinker in his modest Paris flat, described this book as a substitute for suicide and . . . its cure. 1992 Reed Business Information, Inc. This book saved my life. So recalls the Romanian philosopher E. M. Cioran about a book that meditates on madness and death, the absurdity of existence, and the agony of consciousness. Cioran finds in our darkest fears not only reasons to continue living but also the comic, absurd humor in doing so. This early work by Cioran, whom Susan Sontag calls the most distinguished figure in the tradition of Kierkegaard, Nietzsche, and Wittgenstein, and Marc Fumaroli recently described as a legend...a master of French prose, portrays the philosophical mind in the crisis of its self-consuming fever. Born out of a terrible insomnia which Cioran characterizes as a dizzying lucidity which would turn even paradise into hell, On the Heights of Despair was written in Romania in 1934 at the age of twenty-two. It presents us with the youthful Cioran, who described himself as a Nietzsche still complete with his Zarathustra, his poses, his mystical clowns tricks, a whole circus of the heights. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair. For Cioran, writing and philosophy are closely related to physical suffering both share the lyrical virtues that alone lead to metaphysical revelation. The result is a book that becomes a substitute for as well as an antidote to suicide. By enacting the struggle of the Romantic soul against God, the universe, and itself, Cioran releases a saving burst of lyrical energy that carries him safely out of his desperation. On the Heights of Despair shows the philosophers first grappling with themes he would return to in his mature works despair and decay, absurdity and alienation, futility and the irrationality of existence. Yetthe bracing verve of Ciorans writing and his earthy good humor point toward the elegant stylist of later works. An exorcism of despair, On the Heights of Despair offers insight into the ironic anguish of this philosophical mind. It also gives readers a fascinating look at Ciorans early development, opening new perspectives on his evolution as a writer and thinker.
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