➡️ Read the full article here: http://tinyurl.com/y8upn277 The Bardo National Museum in Tunisia, renowned for its historical and cultural treasures, has reopened after overcoming challenges such as political upheaval, a terrorist attack, and the COVID-19 pandemic. This reopening marks a significant revival of Tunisian heritage, symbolizing resilience and hope in the face of adversity. ... https://www.youtube.com/watch?v=maRpbb0ZqBI

Read the full article here: https://tinyurl.com/3zeemtw2 How did the birth of Impressionism come about? Just like any creative movement, it had its origins in a simple yet groundbreaking idea. The visionary artists behind it chose to depict the world around them in a refreshingly uncomplicated manner, departing from the intricate and well-worn paths of historical and mythological subjects that had often been linked to the relentless pursuit of visual perfection. The birth of this artistic movement in France around 1860 marked a shift in focus towards capturing the "impression" of a scene, whether it was a landscape, an object, or a person, as it appeared to the eye in a specific moment. To achieve this goal, a radical change in the application of color to the canvas was necessary. Brushstrokes became lighter and more spontaneous, while colors took on a subdued quality, inspired by the direct observation of nature, executed exclusively en plein air. The observation of outdoor scenes revealed a fascinating truth: what the eye perceived differed from what the brain comprehended. By capturing the fleeting optical effects of the moment, Impressionism distanced itself definitively from idealized forms and perfect symmetry, instead giving voice to the world as it was actually seen through our eyes. As a consequence, the conventional three-dimensional perspective was discarded, a technical departure that allowed Impressionism to blur the distinction between the most and least significant elements within a composition. These distinctive features drew criticism from the academic tradition of the era. However, they proved incapable of halting the onward march of modern art and the entire philosophical movement associated with the avant-garde. ... https://www.youtube.com/watch?v=2B77ZdhV2FQ

Read the full article here: https://tinyurl.com/3wd6hvp5 In the realm of religious art, portrayals of Ibrahim and Isma'il often encapsulate the poignant moment of sacrifice, portraying Ibrahim's poised readiness to carry out the act alongside Isma'il's humble submission to his father's decree. These artistic representations evoke a spectrum of emotions, ranging from Ibrahim's unwavering resolve to Isma'il's serene acceptance of his fate, ultimately underscoring the profound spiritual and moral teachings woven into the narrative. Artists employ a diverse array of techniques and styles to depict Ibrahim and Isma'il, ranging from intricate calligraphy and illuminated manuscripts to traditional paintings, sculptures, and even modern digital art forms. Regardless of the chosen medium, depictions of Ibrahim and Isma'il are infused with symbolic significance and reverence, serving as poignant reminders of the virtues of faith, obedience, and reliance on Allah. Moreover, these artistic renditions often transcend the narrative of sacrifice to explore broader themes such as familial love, divine intervention, and the ultimate rewards of unwavering faith. Through their creative interpretations, artists endeavor to communicate timeless messages of hope, resilience, and spiritual devotion that resonate across generations of believers. In essence, depictions of Ibrahim and Isma'il in religious art serve as powerful conduits for conveying the core values and teachings of Islam, inspiring believers to emulate their exemplars of faith, obedience, and submission to the divine will. Through these artworks, the timeless tale of Ibrahim and Isma'il continues to inspire and uplift individuals, fostering a deeper connection to their faith and cultural heritage. ... https://www.youtube.com/watch?v=-D6ffpKjDgY

Read the full interview here: https://bit.ly/3KZXnvK What made you turn to art and become an artist? (events, feelings, experiences...) The need to leave a mark on history. My introduction to art was not in my childhood, it was around the age of 18 that I started to get interested in painting and attended an art school, but a year later I realized that brushes were not my tool. My childhood was in high school (physics and mathematics), from which I entered three universities in the technical field. That's why I am an economist by first degree, but my soul has long been ignorant of any other instrument but art. What is your creative path, the techniques and subjects you've experimented with so far? I came to photography with the theme of social issues in the world around me, it seemed to me that through pain and suffering, through events and problems, one could reach people and change their perspective on life. It didn't take long before it became too difficult and painful for me, so I set out to discover new worlds, traveling and meeting different peoples, tribes and cultures around the world I traveled around Asia and Africa dreaming that National Geographic would one day notice me and a year later had my first solo photo exhibition where I showed women from a tribe in northern Thailand, their way of life, their children and parents and their stories. At that point in my career, I happened to meet a ballerina. She opened up to me a new, unique, elitist world of ballet, and I instantly felt that this was my creative language and my theme that I had been searching for for so long. What are the 3 aspects that set you apart from other artists that make your work unique? I don't want to compare myself to anyone, much less insist that there are three traits that make me different, we all intersect on some axis in the art world, with past incarnations and future ones... But I can say that there are three things that I am particularly proud of. First, I have an academic art degree, + a year-long program in teaching contemporary art, meaning I'm a certified photographic artist with an art history degree. Secondly I am proud of the fact that without being a ballet dancer I managed to stand behind the scenes of the world's top theaters and work with the top international artists and projects. And finally, each of my photographs is my personal story and the story of amazing ballerinas, co-written by us in order to be seen by as many viewers as possible. ... https://www.youtube.com/watch?v=wNRJ-6zgX80