Karneval C4D (2004), Musicvideo by Mike Weston (DvS).
This is my first self-made Musicvideo. (Legacy archive) As I got my first professional filmediting program I tried out a lot of features to learn about it. My aim was to create a film, where music and rhythm is sync to the scenes. The music during the video is from a collegue, who is also a musician (see credits). The 3-D shorts I´ve chosen are from a C4D-community by kind permission (see credits). Additionally I´ve rendered my self-made 3-D animations, which I have former created with Cinema 4D.
(Das ist mein erstes Musikvideo. (Achivmaterial) Als ich mein erstes professionelles Filmschnittprogramm erwarb, probierte ich sämtliche Features aus, damit ich das Progamm kennenlernen kann (learning by doing). Meine selbstgestellte Aufgabe war, einen Film so zu erstellen, dass Musik und Rhythmus zu den Szenen synchron sind. Die Musik während des Film stammt von einem Musikerkollegen (siehe Abspann). Als Material verwendete ich aus der C4D-Community die zur Verfügung gestellten 3-D Kurzfilme (Danksagung siehe Abspann). Zusätzlich habe ich eigene erstellte Animationen eingebunden, die ich damals mit Cinema 4D gemacht habe.)
I've been making electronic synthesizer music for a long time.
In 2002 I designed a frontpanel in Flash for my homepage at that time.
Now I used this for my music presentation and extended it with SHOTCUT:
- Powerbutton lights.
- LCD matrix display with backlight.
- Booting animation.
- Loading animation shown with the peak display.
- Info text of the music track.
- Waveform and peak display.
If you look closely you can also notice a slight display inertia, which is common with old synthesizers.
I sampled the on/off sound from my Hi-Fi amplifier, which has a relay click and I synchronized it with the display of the virtual synth shown here.
My composition is called "Vollkorn bitte", which was created in 1998.
I re-arranged the original Track in 2000 of the industrial-ballad 'She Left' which is from the album 'CUT' of the 'Cyber-Tec-Project'.
Singer is Jean-Luc De Meyer a member of FRONT 242.
I made this Video with animations from the 'Winamp-AVS'-visualisations.
COVER: BEETHOVEN - EURYTHMICS (Only made with QY-700), Audiovisualisation test with SHOTCUT.
This is an audio test visualization.
I dug out my old music sequencer, where the MIDI files from the music track "Eurythmics - Beethoven (I love to ...)" are still on disk.
I recorded the pure instrumental piece of music on my mixer and imported it into SC as a wav file.
At the same time I filmed the sequencer. Because the display in the first shot is too overexposed, I had to take a second close-up of the display and put it over the display of the first film.
I synchronized the whole thing in the timeline.
I made two video tracks from the Wav file so that I could use the filters to assign the audio visuals.
On the left you see a colored 'Audio Spectrum Visualization' rotated by 90 degrees, which rotates once by 360 degrees.
I took two visualization filters in the second WAV video track which you can see on the right.
A colored 'Audio Waveform Visualization' and below that a colored 'Audio Light Visualization' for more dynamic coloring.
Have fun listening to this 'Beethoven' year!
In dem Spiel GOTHIC II gibt es jede Menge Samples, die sich hervorrgend für Rhythmus und melodische Elemente eignen.
In meiner DAW zeige ich die Vorbereitungen und Einstellungen dazu.
Kraftwerk "Die Roboter" habe ich in allen Details dekonstruiert und wieder rekonstruiert und dabei mit einem neuen zeitgemäßen deutschen Text versehen.
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Kraftwerk "The Robots" has been deconstructed and reconstructed in all its details and provided with a new contemporary German text by myself.
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Wir ziehen uns're Masken auf
Denn Corona nimmt seinen Lauf
Wir sind die...
Gehorsam sind wir programmiert
Was Merkel sagt wird ausgeführt
Wir sind die...
Destabilisierung, - Demoralisierung, - Krise!
Angst fressen Seele auf! - Angst verhindert Leben!
Das Grundgesetz wird ignoriert
Und neue Order generiert
Wir sind die...
1+1 ist nicht gleich 3
Doch das ist uns ganz Einerlei
Wir sind die...
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