Dance, Somatics and Spiritualities: Contemporary Sacred Narratives
Author: Amanda Williamson File Type: pdf Dance, Somatics and Spiritualities brings together prominent authors and practitioners in order to elucidate how a wide range of sacred narrativesspiritualities are informing pedagogy, educational and therapeutic practice. As well as providing new insights and promoting creativeartistic awareness, this seminal text de-mystifies the spiritualsacred and brings clarity and academic visibility to this largely uncharted and often misrepresented subject. Our authors and contents Don Hanlon Johnson Introduction xxiii Amanda Williamson, Glenna Batson and Sarah Whatley Part I Moving Spiritualities 1 Amanda Williamson Chapter 1 Embodiment of Spirit From Embryology to Authentic Movement as Embodied Relational Spiritual Practice 9 Linda Hartley Chapter 2 The Alchemy of Authentic Movement Awakening Spirit in the Body 35 Tina Stromstead Chapter 3 Dancing in the Spirit of Sophia 61 Jill Hayes Chapter 4 Body Ensouled, Enacted and Entranced MovementDance as Transformative Art 87 Daria Halprin Chapter 5 Dancing on the Breath of Limbs Embodied Inquiry as a Place of Opening 115 Celeste Snowber Chapter 6 Can They Dance? Towards a Philosophy of Bodily Becoming 131 Kimerer L. LaMothe, Part II Reflections on the Intersections of Spiritualities and Pedagogy 151 Sarah Whatley Chapter 7 Reflections on the Spiritual Dimensions of Somatic Movement Dance Education 159 Martha Eddy, Amanda Williamson and Rebecca Weber Chapter 8 Postmodern Spirituality? A Personal Narrative 195 Jill Green Chapter 9 Working Like a Farmer Towards an Embodied Spirituality 209 Helen Poynor Chapter 10 Intimate to Ultimate The Meta-Kinesthetic Flow of Embodied Engagement 221 Glenna Batson Chapter 11 Permission and the Making of Consciousness 239 Sondra Fraleigh Chapter 12 Conversations about the Somatic Basis of Spiritual Experiences 261 Sylvie Fortin, Ninoska Gomez, Yvan Joly, Linda Rabin, Odile Rouquet and Lawrence Smith, Chapter 13 Inner DanceSpirituality and Somatic Practice in Dance Technique, Choreography and Performance 283 Kathleen Debenham and Pat Debenham Chapter 14 This Indivisible Moment A Meditation on Language, Spirit, Magic and Somatic Practice 305 Ray Schwartz Chapter 15 Global Somatics Process A Contemporary Shamanic Approach 327 Suzanne River, interviewed by Kathleen Melin Part III Cultural Immersions and Performance Excursions 349 Glenna Batson Chapter 16 Dancing Nom 357 Hillary Keeney and Bradford Keeney Chapter 17 Dancing with the Divine Dance Education and the Embodiment of Spirit, from Bali to America 373 Susan Bauer Chapter 18 The Sacrum and the Sacred Mutual Transformation of Performer and Site through Ecological Movement in a Sacred Site 417 Sandra Reeve Chapter 19 Dancing and Flourishing Mindful Meditation in Dance-Making and Performing 437 Sarah Whatley and Naomi Lefebvre Sell Chapter 20 What You Cannot Imagine Spirituality in Akram Khans Vertical Road 459 Jayne Stevens **
Author: Joe Gioia
File Type: pdf
The American guitar, that lightweight wooden box with a long neck, hourglass figure, and six metal strings, has evolved over five hundred years of social turmoil to become a nearly magical object--the most popular musical instrument in the world. In The Guitar and the New World, Joe Gioia offers a many-limbed social history that is as entertaining as it is informative. After uncovering the immigrant experience of his guitar-making Sicilian great uncle, Gioias investigation stretches from the ancient world to the fateful events of the 1901 Buffalo Pan American Exposition, across Sioux Ghost Dancers and circus Indians, to the lives and works of such celebrated American musicians as Jimmy Rodgers, Charlie Patton, Eddie Lang, and the Carter Family. At the heart of the books portrait of wanderings and legacies is the proposition that Americas idiomatic harmonic forms--mountain music and the blues--share a single root, and that the source of the sad and lonesome sounds central to both is neither Celtic nor African, but truly indigenous--Native American. The case is presented through a wide examination of cultural histories, academic works, and government documents, as well as a close appreciation of recordings made by key rural musicians, black and white, in the 1920s and 30s. The guitar in its many forms has cheered humanity through centuries of upheaval, and The Guitar and the New World offers a new account of this old friend, as well as a transformative look at a hidden chapter of American history. More at theguitarandthenewworld.com **
Author: William S. Stob
File Type: epub
In his Memoirs Edward Gibbon (1737-94) wrote, It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and full of the city first started to my mind. But my original plan was circumscribed to the decay of the city rather than of the empire and though my reading and reflections began to point towards that object, some years elapsed, and several avocations intervened, before I was seriously engaged in the execution of that laborious work.[6] Twelve years later, less than five months prior to the time the 13 American colonies issued their Declaration of Independence from Great Britain, Edward Gibbons first volume of the Decline and Fall was published in London.
Author: Kristen E. Cheney
File Type: pdf
The HIVAIDS epidemic in Africa has defined the childhoods of an entire generation. Over the past twenty years, international NGOs and charities have devoted immense attention to the millions of African children orphaned by the disease. But in Crying for Our Elders, anthropologist Kristen E. Cheney argues that these humanitarian groups have misread the orphan crisis. She explains how the global humanitarian focus on orphanhood often elides the social and political circumstances that actually present the greatest adversity to vulnerable childrenin effect deepening the crisis and thereby affecting childrens lives as irrevocably as HIVAIDS itself. Through ethnographic fieldwork and collaborative research with children in Uganda, Cheney traces how the best interest principle that governs childrens rights can stigmatize orphans and leave children in the post-antiretroviral era even more vulnerable to exploitation. She details the dramatic effects this has on traditional family support and child protection and stresses child empowerment over pity. Crying for Our Eldersadvances current discussions on humanitarianism, childrens studies, orphanhood, and kinship. By exploring the unique experience of AIDS orphanhood through the eyes of children, caregivers, and policymakers, Cheney shows that despite the extreme challenges of growing up in the era of HIVAIDS, the post-ARV generation still holds out hope for the future. **
Author: Susan McClary
File Type: pdf
Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimedand often controversialversions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bachs passions with the Berlin Philharmonic. Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellarss goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellarss productions of Mozarts Le nozze di Figaro, Don Giovanni, and Cosi fan tutte Handels Theodora Messiaens Saint Francois dAssise John C. Adamss Nixon in China, The Death of Klinghoffer, El Nino, and Doctor Atomic Kaija Saariahos Lamour de loin, La Passion de Simone, and Only the Sound Remains Purcells The Indian Queen and Bachs passions of Saint Matthew and Saint John. Approaching Sellarss theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera. **About the Author Susan McClary is Professor of Music at Case Western Reserve University.
Author: Brian J. Grim
File Type: pdf
The Price of Freedom Denied shows that, contrary to popular opinion, ensuring religious freedom for all reduces violent religious persecution and conflict. Others have suggested that restrictions on religion are necessary to maintain order or preserve a peaceful religious homogeneity. Brian J. Grim and Roger Finke show that restricting religious freedoms is associated with higher levels of violent persecution. Relying on a new source of coded data for nearly 200 countries and case studies of six countries, the book offers a global profile of religious freedom and religious persecution. Grim and Finke report that persecution is evident in all regions and is standard fare for many. They also find that religious freedoms are routinely denied and that government and the society at large serve to restrict these freedoms. They conclude that the price of freedom denied is high indeed. **
Author: Bandi
File Type: epub
In 1989, a North Korean dissident writer, known to us only by the pseudonym Bandi, began to write a series of stories about life under Kim Il-sungs totalitarian regime. Smuggled out of North Korea and set for publication around the world in 2017, The Accusation provides a unique and shocking window on this most secretive of countries. Bandis profound, deeply moving, vividly characterised stories tell of ordinary men and women facing the terrible absurdity of daily life in North Korea a factory supervisor caught between loyalty to an old friend and loyalty to the Party a woman struggling to feed her husband through the great famine the staunch Party man whose actor son reveals to him the absurd theatre of their reality the mother raising her child in a world where the all-pervasive propaganda is the very stuff of childhood nightmare. The Accusation is a heartbreaking portrayal of the realities of life in North Korea. It is also a reminder that humanity can sustain hope even in the most desperate of circumstances - and that the courage of free thought has a power far beyond those seek to suppress it.
Author: Alexandra Urdea
File Type: pdf
Departing from an ethnographic collection in London, From Storeroom to Stage traces the journey of its artefacts back to the Romanian villages where they were made 70 years ago, and to other places where similar objects are still in use. The book explores the role that material culture plays in the production of value and meaning by examining how folk objects are mobilized in national ideologies, transmissions of personal and family memory, museological discourses, and artistic acts. ** About the Author Alexandra Urdea is a Research Fellow at the University of Sussex. Her research interests include material culture, heritage and museum studies, and mobility studies.