Author: Gregor Malantschuk Kierkegaard's pseudonymous authorship has baffled readers, his apparent capriciousness making it difficult to determine his position at a given point and to understand his work as an organic whole. Gregor Malantschuk's study, based on careful reading of Kierkegaard's journals, papers, and texts, cuts through the authorship problem to clarify the philosopher's key ideas, see the comprehensive plan of his work, and make intelligible the dialectical coherence of his thought. Discussing Kierkegaard's dialectical method and his use of it from Either/Or to the final Two Discourses, Professor Malantschuk shows how coherently Kierkegaard set the individual works in place, so that even the conflict between the principal pseudonyms, Climacus and Anti-Climacus, serves to elucidate his major philosophical ideas. Contents: 1. Anthropological Contemplation. II. Kierkegaard's Dialectical Method. III. The Dialectic Employed in the Authorship. Index.Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Raphael Sealey This book traces continuity in the development of the Athenian constitution, whereas previous studies have usually looked for catastrophic changes. Sealey selects three features of Athenian law which are important for the structure of society and the location of authority: (1) the legal status, and to a lesser extent the socioeconomic condition, of the different kinds of inhabitants of Attica; (2) the distinction, recognized in the fourth century, between laws and decrees, analyzing what the Athians understood by law; and (3) the development of the Athenian courts.At an early stage the Athenians conceived the ideal of the rule of law and adhered to it continuously. They did so by means of a static concept of law and maintenance of an independent judiciary.The book is designed to be of importance not only for specialists in classical studies but for general historians, political scientists, and those concerned with the history of law. The book is within the reach of an advanced undergraduate and graduate audience.

Author: Joseph F. Spillane Should prisons attempt reform and uplift inmates or, by means of principled punishment, deter them from further wrongdoing? This debate has raged in Western Europe and in the United States at least since the late eighteenth century. Joseph F. Spillane examines the failure of progressive reform in New York State by focusing on Coxsackie, a New Deal reformatory built for young male offenders. Opened in 1935 to serve adolescents adrift, Coxsackie instead became an unstable and brutalizing prison. From the start, the liberal impulse underpinning the prisons mission was overwhelmed by challenges it was unequipped or unwilling to facedrugs, gangs, and racial conflict. Spillane draws on detailed prison records to reconstruct a life behind bars in which ungovernable young men posed constant challenges to racial and cultural order. The New Deal order of the prison was unstable from the start; the politics of punishment quickly became the politics of race and social exclusion, and efforts to save liberal reform in postwar New York only deepened its failures. In 1977, inmates took hostages to focus attention on their grievances. The result was stricter discipline and an end to any pretense that Coxsackie was a reform institution. Why did the prison fail? For answers, Spillane immerses readers in the changing culture and racial makeup of the U.S. prison system and borrows from studies of colonial prisons, which emblemized efforts by an exploitative regime to impose cultural and racial restraint on others. In todays era of mass incarceration, prisons have become conflict-ridden warehouses and powerful symbols of racism and inequality. This account challenges the conventional wisdom that Americas prison crisis is of comparatively recent vintage, showing instead how a racial and punitive system of control emerged from the ashes of a progressive ideal.

Author: Glenn Hughes As more and more people in North America and Europe have distanced themselves from mainstream religious traditions over the past centuries, a crisis of faith has emerged and garnered much attention. But Glenn Hughes, author of A More Beautiful Question: The Spiritual in Poetry and Art, contends that despite the withering popularity of faith-based worldviews, our times do not evince a decline in spirituality. One need only consider the search for alternative religious symbolisms, as well as the growth of groups espousing fundamentalist religious viewpoints, to recognize that spiritual concerns remain a vibrant part of life in Western culture. Hughes offers the idea that the modern crisis of faith is not a matter of vanishing spiritual concerns and energy but rather of their disorientation, even as they remain pervasive forces in human affairs. And because art is the most effective medium for spiritually evocation, it is our most significant touchstone for examining this spiritual disorientation, just as it remains a primary source of inspiration for spiritual experience. A More Beautiful Question is concerned with how art, and especially poetry, functions as a vehicle of spiritual expression in todays modern cultures. The book considers the meeting points of art, poetry, religion, and philosophy, in part through examining the treatments of consciousness, transcendence, and art in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan. A major portion of A More Beautiful Question is devoted to detailed case studies of three influential modern poets: Gerard Manley Hopkins, Emily Dickinson, and T. S. Eliot. In these and its other chapters, the book examines the human need for artistic symbols that evoke the mystery of transcendence, the ways in which poetry and art illuminate the spiritual meanings of freedom, and the benefits of an individuals loving study of great literature and art. A More Beautiful Question has a distinctive aimto clarify the spiritual functions of art and poetry in relation to contemporary confusion about transcendent realityand it meets that goal in a manner accessible by the layperson as well as the scholar. By examining how the best art and poetry address our need for spiritual orientation, this book makes a valuable contribution to the philosophies of art, literature, and religion, and brings deserved attention to the significance of the spiritual in the study of these disciplines.