***"Stereolab"*** are an English-French avant-pop band formed in London in 1990.
Led by the songwriting team of ***[Tim Gane](https://cutt.ly/BmFnRwl)*** (guitar and keyboards) and ***[Lætitia Sadie](https://cutt.ly/dmFnYuG)r***(vocals, keyboards and guitar), the group's music combines influences from *krautrock*, *lounge* and *1960s pop music*, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French.
Their lyrics have political and philosophical themes influenced by the ***[Surrealist](https://cutt.ly/imFnOlx)*** and ***[Situationist](https://cutt.ly/ymFnAt5)*** movements.
Although ***"Stereolab"*** found success in the underground music scene and were influential enough to spark a renewed interest in older analogue instruments, they have never had a significant commercial impact. Meaby the key is lost in the interview where ***Gane*** and ***Sadier*** have discussed their musical philosophy - *"to be unique for us was more important than to be good"*.
The ***"Electrically Possessed"*** collection's nine-year span covers nearly half of the band's career - by contrast, the original ***”[Switched On](https://cutt.ly/3m9ifx0)”*** gathered just six months' worth of music - but like the other volumes in the series, it captures the flavor of its era just as completely as ***”Stereolab”*** full-lengths.
Much of the rest of ***”Switched On, Vol. 4”*** consists of limited-edition tour singles that the band recorded at ***Gane*** and ***Laetitia*** computer-based home studio, which they built after they fell in love with digital recording while making 1997's ***”[Dots and Loops](https://cutt.ly/Mm9iHCw)”***.
While there might not be quite as many essential tracks here as on the other ***”Switched On”*** volumes, ***”Electrically Possessed”*** is a reminder that the band were releasing so much good music that it was easy to take it for granted at the time, and it's well worth a listen for fans who may have missed or glossed over these songs when they were first released.
***”B.U.A”*** is the sixteenth song on the band's compilation album, ***”[Electrically Possessed (Switched On Volume 4](https://cutt.ly/rm9oDIH))”***, released on 26 February 2021 under ***"[Duophonic Records](https://cutt.ly/ym2ckxS)"*** and ***"[Warp Records](https://cutt.ly/fm2I5Tp)"***.
It collects the band's rarities spanning from 1999. to 2008., and is the fourth of their ***"Switched-On"*** compilation series.
***
***"Stereolab"*** info:
**[Official](https://cutt.ly/8mQOGE4)** **/** **[Wikipedia](https://cutt.ly/VmQOIoI)** **/** **[Unofficial](https://cutt.ly/tmQSJuL)** **/** **[Allmusic](https://cutt.ly/jmQPueG)** **/** **[Pitchfork](https://cutt.ly/omQPKqT)** **/** **[Last.fm](https://cutt.ly/JmQPVA8)** **/** **[Rateyourmusic](https://cutt.ly/emQAw1X)** **/** **[Discogs](https://cutt.ly/8mQPpky)** **/** **[Bandcamp](https://cutt.ly/YmQAuvN)** **/** **[YouTube](https://cutt.ly/cmQPhgK)** **/** **[Facebook](https://cutt.ly/mmQOB4B)** **/** **[Spotify](https://cutt.ly/WmQPONT)** **/** **[Instagram](https://cutt.ly/TmQO1ZR)** **/** **[Twitter](https://cutt.ly/7mQOMKr)** **/** **[Lyrics](https://cutt.ly/FmQS9fK)** **/** **[Photos](https://cutt.ly/rmQDumG)**
***
More ***"Stereolab"*** **Organism Star** candy:
***[Peng!](https://cutt.ly/Qm9iuZM)*** **/** ***[Switched On](https://cutt.ly/3m9ifx0)*** **/** ***[The Groop Played Space Age Batchelor Pad Music](https://cutt.ly/Jm9ilaA)*** **/** ***[Transient Random-Noise Bursts with Announcements](https://cutt.ly/Em9ib6b)***
**/** ***[Mars Audiac Quintet](https://cutt.ly/xm9iRfJ)*** **/** ***[Refried Ectoplasm (Switched On Volume 2)](https://cutt.ly/Zm31L2T)*** **/** ***[Emperor Tomato Ketchup](https://cutt.ly/um9iOXY)*** **/** ***[Dots And Loops](https://cutt.ly/Mm9iHCw)*** **/** ***[Aluminum Tunes](https://cutt.ly/am9iV6c)*** **/** ***[Cobra And Phases Group Play Voltage In The Milky Night](https://cutt.ly/bm9i2Wp)*** **/** ***[The First Of The Microbe Hunters](https://cutt.ly/Zm9i4DW)*** **/** ***[Sound-Dust](https://cutt.ly/Bm9oray)*** **/** ***[Margerine Eclipse](https://cutt.ly/7m9op14)*** **/** ***[Oscillons From The Anti-Sun](https://cutt.ly/om9ofEs)*** **/** ***[Fab Four Suture](https://cutt.ly/Ym9olIL)*** **/** ***[Chemical Chords](https://cutt.ly/Lm9obcI)*** **/** ***[Not Music](https://cutt.ly/hm9oT4m)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***The Blur Biography***
***Blur*** are an English rock band, formed in *[London](https://cutt.ly/lIPfkyL)* in 1988. The group consists of singer ***[Damon Albarn](https://cutt.ly/kIOpffK)***, guitarist ***[Graham Coxon](https://cutt.ly/MIOpgnF)***, bassist ***[Alex James](https://cutt.ly/oIOpkoU)*** and drummer ***[Dave Rowntree](https://cutt.ly/2IOpxaQ)***.
Following an image makeover in the mid-'90s, the group emerged as the most popular band in the U.K., establishing itself as heir to the English guitar pop tradition of ***[The Kinks](https://cutt.ly/fIPfT16)***, ***[The Small Faces](https://cutt.ly/KIPfOYh)***, ***[The Who](https://cutt.ly/FIPfJK5)***, ***[The Jam](https://cutt.ly/XIPglkh)***, ***[Madness](https://cutt.ly/CIPgCC3)***, and ***[The Smiths](https://cutt.ly/GIPg0k0)***. In the process, the group broke down the doors for a new generation of guitar bands that became labelled as *[britpop](https://cutt.ly/dIPg7M8)*.
Through some reinvention, ***Blur*** reclaimed their position as an art pop band in the late '90s by incorporating *indie rock* and *lo-fi* influences, which finally gave them their elusive American success in 1997.
But the band's legacy remained in Britain, where they helped revitalise *guitar pop* by skillfully updating the country's pop traditions.
> On the second studio album, ***"Modern Life Is Rubbish"***, the band incorporated influences from traditional British *guitar-pop* groups, and the resulting sound was melodic and lushly produced, featuring brass, woodwind and backing vocalists.
The album's songs explore a number of styles—punk rock ***["Advert"](https://cutt.ly/DIOxD4j)***, neo-psychedelia ***["Chemical World"](https://cutt.ly/MIOcx1b)***, and vaudeville music-hall ***["Sunday Sunday"](https://cutt.ly/MIOcx1b)***.
Blur uses British guitar pop from the ***[”Beatles”](https://cutt.ly/2IPJISB)*** to ***[”My Bloody Valentine”](https://cutt.ly/yIPJFYj)*** as a foundation, spinning off tales of contemporary despair. The reason ***“MLIR”*** is such a dynamic record is that nearly every song is carefully constructed and boasts a killer melody, even with its flaws, it's a record of considerable vision and excitement.
# ***The song info***
***"Young And Lovely"*** was the fifteenth song on ***Blur’s*** second album ***[“Modern Life Is Rubbish”](https://cutt.ly/qIOodLM)***, released in May 1993. under the **[Food](https://cutt.ly/BIPEU3V)**.
# ***The Blur info***
**[Official](https://cutt.ly/bIOpYtc)** **/** **[Fansite](https://cutt.ly/jIOpUMK)** **/** **[Wikipedia](https://cutt.ly/gIOpOne)** **/** **[Damon Albarn](https://cutt.ly/nIOsWAK)** **/** **[Discogs](https://cutt.ly/FIOpPX0)** **/** **[AllMusic](https://cutt.ly/GIOpSNk)** **/** **[Last.fm](https://cutt.ly/IIOaTgm)** **/** **[Pitchfork](https://cutt.ly/xIOaSRi)** **/** **[IMDb](https://cutt.ly/oIOpG7Y)** **/** **[YouTube](https://cutt.ly/xIOpJWr)** **/** **[Facebook](https://cutt.ly/hIOpLeE)** **/** **[Twitter](https://cutt.ly/BIOpMDw)** **/** **[Spotify](https://cutt.ly/sIOaZgw)** **/** **[Instagram](https://cutt.ly/LIOp9qj)** **/** **[Interview](https://cutt.ly/QIOsr4U)** **/** **[Lyrics](https://cutt.ly/uIOsaA7)**
# ***More Blur Organism Star candy***
- **Blur** / ***["Leisure"](https://cutt.ly/VIOoaxD)***
- **Blur** / ***["The Great Escape"](https://cutt.ly/OIOoxeQ)***
- **Blur** / ***["Parklife"](https://cutt.ly/0IOoh1P)***
- **Blur** / ***["Blur"](https://cutt.ly/VIOovxW)***
- **Blur** / ***["13"](https://cutt.ly/iIOonPt)***
- **Blur** / ***["Think Tank"](https://cutt.ly/hIOoEe3)***
- **Blur** / ***["The Magic Whip"](https://cutt.ly/0IOoYWQ)***
# ***Organizam Star Recommendations***
- **The Stone Roses** / ***["The Stone Roses"](https://cutt.ly/PQZiIWQ)***
- **Supergass** / ***["Life On the Other Planets"](https://cutt.ly/jcFOdKD)***
- **Elastica** / ***["Elastica"](https://cutt.ly/FQZiDvI)***
- **Republica** / ***["Speed Ballads"](https://cutt.ly/1b1P1PG)***
- **Happy Mondays** / ***["Bummed"](https://cutt.ly/RRzu11P)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***"R.E.M."*** was an American rock band from ***[Athens, Georgia](https://cutt.ly/NmRkghQ)***, formed in 1980 by drummer ***[Bill Berry](https://cutt.ly/AmRklXQ)***, guitarist ***[Peter Buck](https://cutt.ly/ymRkcq5)***, bassist ***[Mike Mills](https://cutt.ly/CmRknrO)***, and lead vocalist ***[Michael Stipe](https://cutt.ly/lmRkQn5)***, who were students at the University of Georgia.
Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern.
While there were a number of hardcore and punk bands in the U.S. during the early '80s, ***"R.E.M."*** brought guitar pop back into the underground lexicon. The band marked the point when post-punk turned into alternative rock, and inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.
Aided by string arrangements from ***[John Paul Jones](https://cutt.ly/AmOXPYS)***, the band’s eighth album***”Automatic for the People”*** features ruminations on mortality, loss, mourning and nostalgia.
At its core, it’s a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards.
The album captures the group at a crossroads, as they moved from cult heroes to elder statesmen, and the album is a graceful transition into their new status.
***”R.E.M.”*** have never been as emotionally direct as they are on this album, nor have they ever created music quite as rich and timeless, and while the record is not an easy listen, it is the most rewarding record in their oeuvre.
***”Sweetness Follows”*** is the sixth song on the band’s eighth studio album ***"[Automatic for the People](https://cutt.ly/rmPPfhq)"***, released on October 5, 1992, by ***”Warner Bros. Records”***.
***
***"R.E.M."*** info:
**[Wikipedia](https://cutt.ly/UmEN4em)** **/** **[Official](https://remhq.com/)** **/** **[Allmusic](https://cutt.ly/VmEMxKC)** **/** **[Discogs](https://cutt.ly/dmEMlJa)** **/** **[Spotify](https://cutt.ly/UmEMgFG)** **/** **[Last.fm](https://cutt.ly/imEMPrb)** **/** **[Facebook](https://cutt.ly/TmEMqjC)** **/** **[YouTube](https://cutt.ly/tmEMfuH)** **/** **[Twitter](https://cutt.ly/hmEMrAR)** **/** **[Instagram](https://cutt.ly/AmEMuMS)** **/** **[Lyrics](https://cutt.ly/NmEMbsG)** **/**
***
More ***"R.E.M."*** **Organism Star** candy:
**"R.E.M."** **/** ***[Murmur](https://cutt.ly/6mPIH1l)***
**"R.E.M."** **/** ***[Reckoning](https://cutt.ly/KmPIKSM)***
**"R.E.M."** **/** ***[Fables Of The Reconstruction](https://cutt.ly/OmPIZq5)***
**"R.E.M."** **/** ***[Lifes Rich Pagiant](https://cutt.ly/WmPIXWX)***
**"R.E.M."** **/** ***[Document](https://cutt.ly/zmPICOI)***
**"R.E.M."** **/** ***[Green](https://cutt.ly/lmPI0Oo)***
**"R.E.M."** **/** ***[Out Of Time](https://cutt.ly/pmPOH0J)***
**"R.E.M."** **/** ***[Monster](https://cutt.ly/hmPAlbd)***
**"R.E.M."** **/** ***[New Adventures In Hi-Fi](https://cutt.ly/lmPAJ4v)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***Sonic Youth Biography***
***Sonic Youth*** was an American rock band based in *New York City*, formed in 1981.
Founding members ***[Thurston Moore](https://cutt.ly/AOmudDl)*** (guitar, vocals), ***[Kim Gordon](https://cutt.ly/LOmujx4)*** (bass, vocals, guitar) and ***[Lee Ranaldo](https://cutt.ly/GOmuz5Y)*** (guitar, vocals) remained together for the entire history of the band, while ***[Steve Shelley](https://cutt.ly/OOmubhc)*** (drums) followed a series of short-term drummers in 1985, rounding out the core line-up.
***[Jim O'Rourke](https://cutt.ly/eOmuRjF)*** (bass, keyboards, guitar) was also a member of the band from 1999 to 2005, and ***[Mark Ibold](https://cutt.ly/bOmuPsq)*** (guitar, bass) was a member from 2006 to 2011.
***Sonic Youth*** emerged from the experimental *no wave* art and music scene in New York before evolving into a more conventional rock band.
Their inventive use of alternate tunings, dissonance, and feedback, which they combined with the intensity of *hardcore punk* and the performance art aesthetic of New York's *avant-garde*, created a new sonic landscape with an impact that lasted for decades.
> Unlike its predecessor ***[“Dirty”](https://cutt.ly/MO2KWsP)***, the band’s eighth studio album ***“Experimental Jet Set, Trash and No Star”*** features a more low-key approach and references the band's earlier work on the independent record label ***[SST Records](https://cutt.ly/3OJBA2A)***.
> The album contains quieter and more relaxed songs that deal with personal and political topics.
>
> The group retained its quirky twist on pop/rock song structures, moving even closer to a consistent use of the verse-chorus-verse template. Of course, the disregard for mosh-friendly guitar riffs, lack of crowd-surfing intensity, and increasing traces of normalcy killed a large part of the group's momentous surge in popular acceptance, damning them once again to the status of often misunderstood artists.
# ***The Song***
***“Doctor's Orders”*** is the eleventh song on ***Sonic Youth*** eighth studio album ***[“Experimental Jet Set, Trash and No Star”](https://cutt.ly/4O2Ldy7)***, released on May 10, 1994 by ***[DGC Records](https://cutt.ly/bOGhjh7)***.
It was produced by ***[Butch Vig](https://cutt.ly/KOGk7s2)*** and recorded at ***Sear Sound*** studio in *New York City*, the same studio where the band's 1987 album ***[“Sister”](https://cutt.ly/kO2JfRg)*** was recorded.
# ***Sonic Youth info***
**[Wikipedia](https://cutt.ly/KOkm80z)** **/** **[Official](https://cutt.ly/4OkTMbR)** **/** **[Discogs](https://cutt.ly/bO9mHgw)** **/** **[Thurston Moore](https://cutt.ly/2OkEJJs)** **/** **[Kim Gordon](https://cutt.ly/POkEm6E)** **/** **[AllMusic](https://cutt.ly/LOkYe4H)** **/** **[Pitchfork](https://cutt.ly/TOkYdX7)** **/** **[Bandcamp](https://cutt.ly/HOkQkAT)** **/** **[YouTube](https://cutt.ly/ZOkY58b)** **/** **[Facebook](https://cutt.ly/LOkROQs)** **/** **[Instagram](https://cutt.ly/LOkROQs)** **/** **[Twitter](https://cutt.ly/mOkUll4)** **/** **[Spotify](https://cutt.ly/KOkWslb)** **/** **[Lyrics](https://cutt.ly/9OkRZAI)** **/** **[Merchandise](https://cutt.ly/YOkRE2c)** **/** **[Equipment](https://cutt.ly/tOkIO2o)**
# ***More Sonic Youth Organizam Star candy***
- **Sonic Youth** / ***["Confusion Is Sex + Kill Yr. Idols"](https://cutt.ly/dO2HfDO)***
- **Sonic Youth** / ***["Bad Moon Rising"](https://cutt.ly/NO2HHxP)***
- **Sonic Youth** / ***["Evol"](https://cutt.ly/yO2H94O)***
- **Sonic Youth** / ***["Sister"](https://cutt.ly/kO2JfRg)***
- **Sonic Youth** / ***["Daydream Nation"](https://cutt.ly/bO2JQVZ)***
- **Ciccone Youth** / ***["The Whitey Album"](https://cutt.ly/cO2JMKR)***
- **Sonic Youth** / ***["Goo"](https://cutt.ly/rO2KteQ)***
- **Sonic Youth** / ***["Dirty"](https://cutt.ly/MO2KWsP)***
- **Sonic Youth** / ***["Washing Machine"](https://cutt.ly/PO2Lvxm)***
- **Sonic Youth** / ***["A Thousand Leaves"](https://cutt.ly/BO2LR4Y)***
- **Sonic Youth** / ***["NYC Ghosts & Flowers"](https://cutt.ly/MO2LH1P)***
- **Sonic Youth** / ***["Murray Street"](https://cutt.ly/oO2LMrj)***
- **Sonic Youth** / ***["Sonic Nurse"](https://cutt.ly/qO2L82k)***
- **Sonic Youth** / ***["Rather Ripped"](https://cutt.ly/XO2ZtJF)***
- **Sonic Youth** / ***["The Eternal"](https://cutt.ly/DO2Zh5Q)***
# ***Organizam Star Recommendations***
- **Pixies** / ***["Bossanova"](https://cutt.ly/3nkm13V)***
- **Vivian Girls** / ***["Vivian Girls"](https://cutt.ly/znxohwm)***
- **Tricot** / ***["3"](https://cutt.ly/0QJHCp0)***
- **David Browne** / ***["Goodbye 20th Century: A Biography of Sonic Youth"](https://cutt.ly/gO1nyiM)***
- **DGC Records** / ***["Sonic Youth Corporate Ghost (The Videos: 1990-2002)"](https://cutt.ly/iIhVPg9)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***“Electronic”*** were an English alternative dance supergroup formed by ***”[New Order](https://cutt.ly/dnd6Xb2)”*** singer and guitarist ***[Bernard Sumner](https://cutt.ly/dnd6Hip)*** and ex-***”[Smiths](https://cutt.ly/znd6JB2)”*** guitarist ***[Johnny Marr](https://cutt.ly/ond6KSI)***.
Inspired by contemporary dance music like Italo house and acts such as ***"[Technotronic](https://cutt.ly/2nfwO67)"***, their initial concept was to release white label records on ***”Factory”*** and remain an anonymous entity, in contrast to their considerable reputations with The Smiths and New Order. The fruits of this union became ***"Getting Away with It"***, Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies.
After this success, Sumner and Marr took a more commercial direction, blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock.
After the band's released self-titled debut studio album critic's said that there we had a pretty 1990s sort of a record, where each song crammed with elaborate Europop details and merits a treatise - simply a 100% pure distillation of Marr and Sumner's respective talents.
By the time the full combination of gentle keyboards, crisp rhythms, and the gentle, reflective chorus comes to bear, though, everything feels just great. Perhaps understandably ***”Electronic”*** leans much more toward ***”New Order”*** than the ***”Smiths”*** - Marr had already proven his desire to work in dance-crossover since his previous band's breakup, while Sumner's immediately recognizable, melancholic vocals call to mind New Order's rich history.
The two essential songwriters of the previous decade laying down the gauntlet and proving that their union could not only match eighteen months of anticipation from critics and listeners alike, but surpass it with every nuanced, deadly note.
***”Soviet”*** is the sixth song on band’s self-titled album, “[Electronic](https://cutt.ly/LnfWIe1)”, released in May 1991 on the ***"[Factory](https://cutt.ly/OnfwVcp)"*** label.
***
***"Electronic"*** info:
**[Official](https://cutt.ly/dndwdY4)** **/** **[Unofficial 1](https://cutt.ly/Fnfe5S4)** **/** **[Unofficial 2](https://cutt.ly/BnfruHZ)** **/** **[Wikipedia](https://cutt.ly/nndwy7E)** **/** **[AllMusic](https://cutt.ly/3ndwb2I)** **/** **[Discogs](https://cutt.ly/ZndwiMc)** **/** **[Spotify]( https://cutt.ly/Vndwlor)** **/** **[Facebook](https://cutt.ly/2ndwp9I)** **/** **[YouTube](https://cutt.ly/HndwjY3)** **/** **[Twitter](https://cutt.ly/BndwssL)** **/** **[Lyrics]( https://cutt.ly/GndwWtt)**
***
More ***"Electronic"*** **Organism Star** candy:
**"Electronic"** / ***[Raise the Pressure](https://cutt.ly/YnfWCDI)***
**"Electronic"** / ***[Twisted Tenderness](https://cutt.ly/1nfWMLx)***
More ***"Electronic"-like*** **Organism Star** candy:
**"New Order"** / ***[Movement](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Power Corruption Lies](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Low Life](https://cutt.ly/Jnevex1)***
**"New Order"** / ***[Brotherhood](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Technique](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Republic](https://cutt.ly/VnevfAY)***
**"New Order"** / ***[Get Ready](https://cutt.ly/6nevj06)***
**"New Order"** / ***[Waiting For The Sirens Call](https://cutt.ly/Inevxpz)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!