El poder de la palabra (Miguel de Unamuno) - Takanakuy/Danza de los Sikus (Raúl Mercado). Única grabación de la voz de don Miguel de Unamuno - (1931) https://www.youtube.com/watch?v=nflKqPLxeL8y RAUL MERCADO y su grupo en vivo En vivo 1981 https://www.youtube.com/watch?v=ntkeeIFaCLE Madrigal de Ausencia “Es lo que siempre les digo a mis alumnos: que estudien, aunque quieran tocar el timbre. Yo les doy los consejos que puede dar alguien que vivió muchas cosas. La técnica es importante, pero yo les hablo de la música, de lo que es la vida y de ser ético. Hacerles comprender que además de ser muy buenos músicos tienen que ser muy buenas personas”. Marcos Madrigal http://marcosmadrigal.blogspot.com/search/label/Tremenda%20nota%20de%20Mat%C3%ADas%20Gonz%C3%A1les%20para%20don%20Marcos ... https://www.youtube.com/watch?v=C7biCbJoyeo

Trunca norte, mensajera, Hombre y tierra, devoción, Cielo y copla, floración De la vieja chacarera. Trunca norte, compañera, Madre y niño, arrorró, Cielo y greda, comunión, Esperanza milagrera. Trunca norte, montaraz, Plegaria de libertad, Pulso y golpe, parche del amor, Enamorada del viento, Tu río de sentimiento En un grito de canción, Lleva la magia del sol Y la fuerza de mi pueblo. Brasa, luz, estivalera, Hacha y hombre, quemazón, Hombre y pena, socavón, Caja y sangre vidalera. Luna, flor carnavalera, Alivio del rudo peón, De su sueño velador, De su lucha compañera. Trunca norte, montaraz, Plegaria de libertad, Pulso y golpe, parche del amor, Enamorada del viento, Tu río de sentimiento En un grito de canción, Lleva la magia del sol Y la fuerza de mi pueblo Raúl Mercado - Guitarra y Voz Leonardo Sánchez - Guitarra (Maison de l´Amerique Latine. Paris) + Raúl Mercado - SINFONIA COYA https://www.youtube.com/watch?v=Q3AG1pw9fzo ... https://www.youtube.com/watch?v=BMQKjkdCOns

Charlie Parker 100th Anniversary Celebrating with: Bill Evans, piano (from 'The Solo Sessions, Vol.2'), recorded January 10, 1963. Recording cited for educational purposes only. https://www.youtube.com/watch?v=iF8-LrkLKjQ Many thanks to Dr. William Hughes for his channel and all his accurate transcriptions: http://drwilliamhughes.blogspot.com.au​ (quote) The Charlie Parker/Benny Harris tune 'Ornithology' is a slight oddity in the Bill Evans catalogue. As far as I'm aware, there was only one other instance of his involvement with this tune, as a sideman on the technologically 'experimental' Benny Golson album 'Pop + Jazz = Swing', where it plays simultaneously with a version of 'How High The Moon' by a completely different 'pop' ensemble, and where both songs are split between the right and left channels respectively. The results from this session were re-issued on CD a few years ago as 'The Complete Triple Play Stereo Sessions'. Needless to say, the rigid nature of the whole project makes the music swing as much as a high school trumpet student does playing along to a clicktracked backing CD, as I've experienced first-hand more than enough during my teaching tenure at these very schools...but perhaps I'm being a little harsh. Evans' solo version is a little more successful and a little more interesting, but is still a product of its time from this transitional period in Evans' career. The opening texture, featuring an extended unison line at the octave, while naturally befitting its bop origins is also facturally uncommon in Evans, although this texture reappears on a much smaller scale at the end of 'April in Paris', recorded during the same session. At the very opening of 'Ornithology', Evans alters the five-note rising scale of the tune from diatonic to whole-tone, and it's almost as if the purpose of the introduction is then to explore the various ramifications resulting from this change. Although I described the line as a 'unison' , in reality it isn't - in both this and the 'April in Paris' sections, there are slight discrepancies between both hands, occasionally through sloppy playing, occasionally through mannerism, which either way make the line just that little bit more three-dimensional, and which I've tried to capture in my transcription as much as reasonably possible. The square brackets again indicate straight playing in a swung context, although Evans oscillates between the two so often (and moves through all the shadings in between - a universal rhythmic mannerism of his style), that they can only function as a broad indication. ... https://www.youtube.com/watch?v=BJsGPu6alRI

La Beba (Osvaldo Pugliese) / 5:17 Patotero Sentimental (Manuel Jovés - Manuel Romero / 8:17 La Noche Que Te Fuiste (Osmar Maderna) ORQUESTA DE LEOPOLDO FEDERICO BANDONEONES Leopoldo Federico Héctor Lettera Carlos Corrales Matías González VIOLINES Damian Bolotín Brigitta Danko Mauricio Svidosky José Mancuso CELLO Diego Sánchez PIANO Nicolás Ledesma CONTRABAJO Horacio Cabarcos CANTOR Carlos Gari Locutor: Nolo Correa Música en la Ciudad SDDRA (5.11.2009) ... https://www.youtube.com/watch?v=mIYp6Oor1Gc