Explorers of the Nile: The Triumph and Tragedy of a Great Victorian Adventure
Author: Tim Jeal File Type: epub Nothing obsessed explorers of the mid-nineteenth century more than the quest to discover the source of the White Nile. It was the planets most elusive secret, the prize coveted above all others. Between 1856 and 1876, six larger-than-life men and one extraordinary woman accepted the challenge. Showing extreme courage and resilience, Richard Burton, John Hanning Speke, James Augustus Grant, Samuel Baker, Florence von Sass, David Livingstone, and Henry Morton Stanley risked their lives and reputations in the fierce competition. Award-winning author Tim Jeal deploys fascinating new research to provide a vivid tableau of the unmapped Dark Continent, its jungle deprivations, and the courageas well as malicious tacticsof the explorers.On multiple forays launched into east and central Africa, the travelers passed through almost impenetrable terrain and suffered the ravages of flesh-eating ulcers, paralysis, malaria, deep spear wounds, and even death. They discovered Lakes Tanganyika and Victoria and became the first white people to encounter the kingdoms of Buganda and Bunyoro. Jeal weaves the story with authentic new detail and examines the tragic unintended legacy of the Nile search that still casts a long shadow over the people of Uganda and Sudan.
Author: Clive Svendsen
File Type: pdf
Provides an understanding of the basic concepts in stem cell biology and addresses the politics, ethics, and challenges currently facing the field--From publisher description.
Author: Ronald D. Spencer
File Type: pdf
The authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it real or original is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity a connoisseurs evaluation, historical documentation or provenance, and scientific testing. A connoisseur is an expert who evaluates the rightness of a work based on much careful scrutiny of many works by an artist and familiarity with that artists usual manner of working with materials. In determining provenance, a researcher traces the physical object from the artist through a chain of ownership to the present owner--simple enough in concept, though it assumes that the documentation is not faked or inaccurate. The goal is to ensure that the object is the same one that left the artists hand. Scientific testing, although sometimes useful, is often longer on promise than result. Dating paint or wood samples, for instance, can show that a painting was made in Rembrandts lifetime, but it cannot prove that it is by Rembrandts hand. If expert opinion is divided, and large sums of money are involved, a dispute over authenticity may end up in a court of law, where evaluation of expert opinion evidence can be problematic. The essays in this book clarify the nature of the methods outlined above and explain, based on case law, the present status of authentication issues in court. Contributors include experts from Christies, London Sothebys, New York and the former director of the Frick Collection as well as leading art historians and art dealers an art conservator a forensic graphologist a philanthropist and collector and a specialist in French art law. Their collective knowledge on issues of authenticity will be invaluable for anyone interested in the world of visual art. **
Author: PAD/D
File Type: pdf
The mission of the artists collective PADD or Political Art Documentation and Distribution (1980-1986) was, according to its first newsletter, to provide artists with an organized relationship to society, to demonstrate the political effectiveness of image making, and to provide a framework within which progressive artists can discuss and develop alternatives to the mainstream art system. During its short existence the group published a newsletter, organized monthly public programs, networked with other political activists and artists groups, created art for demonstrations, and developed an archive of social and political art that is now located at the Museum of Modern Art in NYC. See Greg Scholettes essay a href=httpgregorysholette.comwritingswritingpdfs14_collectography.pdf target=_blankA Collectography of PADDa in writings and see a href=httpwww.moma.orgresearchlibrary target=_blankwww.moma.orgresearchlibrarya. For a complete archive of PADD newsletters click a href=httpwww.darkmatterarchives.net?page_id=72 target=_blankherea
Author: Wesley Phillips
File Type: pdf
Metaphysics and Music in Adorno and Heidegger seeks to show how two notoriously opposed German philosophers share a rethinking of the contemporary possibility of metaphysics via notions of music and waiting. Interweaving discourses of philosophy, critical theory, cultural studies and aesthetics, the book puts forward the idea of an expression of waiting in vain as constituting an alternative comportment of promise, in a situation where the promise of metaphysics is questionable. These findings are connected to the broader, historical materialist promise of social change. Throughout the book, the Italian composer Luigi Nono is taken to exemplify the temporal and spatial character of this expression. Metaphysics and Music in Adorno and Heidegger includes new interpretations of both Adorno and Heidegger, and will be of interest to students and scholars of both critical aesthetics and radical thought. **
Author: Donald MacKenzie
File Type: mobi
Financial markets, processes, and instruments are often difficult to fathom the credit crisis highlights both their importance and their fragility. Donald MacKenzie is one of the most perceptive analysts of the workings of the financial world. In this book, he argues that economic agents and markets need to be analyzed in their full materiality their physicality, their corporeality, their technicality. Markets are populated not by disembodied, abstract agents, butby embodied human beings and technical systems. Concepts and systematic ways of thinking that simplify market processes and make them mentally tractable are essential to how markets function. In putting forward this material sociology of markets, the book synthesizes and contributes to the new field of social studies of finance the application to financial markets not just of economics but of wider social-science disciplines, in particular science and technology studies. The topics covered include the development of financial derivatives exchanges (non-existent in 1970, but now trading products equivalent to $13,000 for every human being on earth) arbitrage how corporate profitfigures are constructed the crucial new markets in carbon emissions and a case-study of a hedge fund (based, unusually, on direct observation of its trading). The book will appeal to research students and academics across the social sciences, and the general reader will enjoy the books explanations and analyses of some of the most important phenomena of todays turbulent markets.About the AuthorDonald MacKenzie is Professor of Sociology (Personal Chair) at the University of Edinburgh. He was winner of the 2005 John Desmond Bernal Prize, awarded jointly by the Society for Social Studies of Science and the Institute for Scientific Information, for career contributions to the field of science studies. His books include Inventing Accuracy (MIT Press, 1990), Knowing Machines (MIT Press, 1996), Mechanizing Proof (MIT Press, 2001), and An Engine, Not a Camera How Financial Models Shape Markets (MIT Press, 2006).
Author: Donald Rutherford
File Type: pdf
The Routledge Dictionary of Economics, now in its third edition, provides the clearest, most authoritative definition of economic and financial terms available. The book is perfect for students and professionals interested in a broad range of disciplines including Business, Economics, Finance, and Accountancy and all additional subjects where a knowledge of these fields of essential.The dictionary has been updated to reflect the economic changes of the new Millennium including the emergence of experimental and behavioural economics, new political economy, the importance of institutions, globalization, environmental economics, financial crises and the economic emergence of China and India.Its an international dictionary that includes succinctly explained A to Z entries and definitive explanations of the key terms, accompanied by a short bibliography and comprising supplementary online definitions. In a world where the reader is met with a barrage of conflicting and competing information, this book continues to provide a definitive guide to economics.ReviewAs impressive a collection of pithy summaries and explanations as can be found, an admirably comprehensive book. -- The Business EconomistIt furthers Rutherfords hopes that the dictionary is `a solace for the perplexed, a guide for the scholar and a map of a new terrain for the general reader. Recommended for all libraries serving readers of international economic news. -- ChoiceThe terms are concisely and accurately defined, or rather described and elucidated, with an unhesitating use of formulae and diagrams when appropriate . . . invaluable for the general reader of financial and economic journalism. the 5,000-odd entries are very well cross-referenced and meticulously alphabetised. A special word of praise is due for the biographical entries. The work is up-to-date, without neglecting the relevant history of the subject. . . . The author is to be congratulated. -- Library Association RecordAbout the AuthorDonald Rutherford is Lecturer in Economics and Director of Studies at the University of Edinburgh.
Author: James R. Lewis
File Type: pdf
There has been a significant but little-noticed aspect of the interface between science and religion, namely the widespread tendency of religions to appeal to science in support of their truth claims. Though the appeal to science is most evident in more recent religions like Christian Science and Scientology, no major faith tradition is exempt from this pattern. Members of almost every religion desire to see their truths supported by the authority of science especially in the midst of the present historical period, when all of the comforting old certainties seem problematic and threatened. The present collection examines this pattern in a wide variety of different religions and spiritual movements, and demonstrates the many different ways in which religions appeal to the authority of science. The result is a wide-ranging and uniquely compelling study of how religions adapt their message to one of the major challenges presented by the contemporary world. **
Author: Christian Kerslake
File Type: pdf
One of the terminological constants in the philosophical work of Gilles Deleuze is the work immanence. His philosophy of immanence is fundamentally characterized by its opposition to all philosophies of transcendence, and on that basis, Deleuzes project has been premised as a return to a materialist metaphysics. Christian Kerslake argues against this misconception, reassessing Deleuzes relationship to Kantian epistemology and post-Kantian philosophy. He not only translates Deleuzes philosophy to students working within the tradition, but he also reconstructs our idea of the post-Kantian tradition, isolating the influences of Schelling and Wronski and the subsequent advances made by Bergson, Warrain, and Deleuze.About the AuthorChristian Kerslake is a research fellow in modern European philosophy at Middlesex University.
Author: Helen Park Bigelow
File Type: pdf
A half century after his death, David Park (1911-1960) is recognized as one of Americas most important twentieth-century painters. He was the first of the brilliant post-World War II generation of artists to break with Abstract Expressionisms hegemony and return to painting recognizable subjects, most powerfully the human figure. Parks original cohorts of Bay Area Figurative painters were his close friends Richard Diebenkorn, Elmer Bischoff, and Hassel Smith. All outlived himSmith by nearly fifty yearsand enjoyed recognition and fame during their lifetimes. Parks reputation is just now fully coming into its own. In David Park, Painter, Parks younger daughter, writer Helen Park Bigelow, paints a mesmerizing, deeply moving portrait of her fathers life and early, difficult death. Park left high school in New England without graduating and came west in order to paint. He married Lydia (Deedie) Newell when he was nineteen and was the father of two by the time he was twenty-two. We are brought into a family rich with moral conviction, ingenuity, smart and gifted friends, music, and art four complex people guided and inspired by values of integrity. Those same values guided and inspired David Parks painting. Yet this is much more than an artist biography. David Park, Painter is a skillful blend of memoir and observations about life in the Bay Area just before and just after World War II, when some of Americas most original, even radical, artists and writers gathered there. This close-up portrayal is unlike other accounts of artists. It is the story of a family built on the love and dedication of one man who held nothing back from his art, and of the spirit of the wife and daughters who supported him. Richard Armstrong, in reflecting on Parks generation of artists in his foreword to this beautiful book, observes that David Park, Painter is especially valuable as we persist in seeking to make real and human the commanding artistic figures. **Review Praise for *David Park, Painter* This clearly is a fresh, new take on painting from an author who knows Parks work from the beginning. I warn you once you start reading, you wont put this book down, absorbed by the intermixing trance of memory, of her intimate understanding of the art process, and her close stories that illuminateher fathersstrong character. Original deep insights enliven the readers experience of what it is to create honest beauty in this world. The text is juxtaposed with exquisite visual samples of David Parks work. I assign this book to my students. I want to assign it to the whole country.Natalie Goldberg, author of Writing Down the Bones and The Great Spring As if the colors took my gaze for a ride is how Helen Park Bigelow recalls her instinctive response to the paintings of her father David Parks brief abstract phase, while seeing, in likewise perfect accuracy, his better-known figurative works as heavy with being. The ride taken in Ms. Bigelows family memoir is fueled steadily by eloquence and wide sympathy, as well as just plain good storytelling. Thus is an intimate account of this important artist fleshed out with warm attentiveness to not just the development of the central character and his works but an entire milieu.Bill Berkson, author of Expect Delays and Homage to Frank OHara About the Author Helen Park Bigelow is the daughter of David Park, as well as a writer and potter. She and husband Edward B. Bigelow live in Hawaii, where she writes and teaches.