***“Electronic”*** were an English alternative dance supergroup formed by ***”[New Order](https://cutt.ly/dnd6Xb2)”*** singer and guitarist ***[Bernard Sumner](https://cutt.ly/dnd6Hip)*** and ex-***”[Smiths](https://cutt.ly/znd6JB2)”*** guitarist ***[Johnny Marr](https://cutt.ly/ond6KSI)***.
Inspired by contemporary dance music like Italo house and acts such as ***"[Technotronic](https://cutt.ly/2nfwO67)"***, their initial concept was to release white label records on ***”Factory”*** and remain an anonymous entity, in contrast to their considerable reputations with The Smiths and New Order. The fruits of this union became ***"Getting Away with It"***, Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies.
After this success, Sumner and Marr took a more commercial direction, blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock.
The intriguing surprise came on their second album ***"Raise the Pressure"***, courtesy of an additional keyboardist, ***”Kraftwerk”*** veteran ***”[Karl Bartos](https://en.wikipedia.org/wiki/Karl_Bartos)”***, who also co-wrote nearly half the release with Sumner and Marr. If the debut was a little more ***”New Order”***, many times on ***”Raise the Pressure”*** things are a touch more ***”Smiths”***, or meaby it's more accurate to say it's a bit more ***”[Lightning Seeds](https://cutt.ly/jnfy4oE)”***: frankly - polite, chiming, keyboard-touched but not much more.
**Bernard**: *“If you take electro, that music originally came from Europe, from german electronics, and the beats came from Kraftwerk. that interested me because it’s european culture and it’s the culture I grew up with."* **Johnny**: *“We were trying to get a balance of guitar and technology, but to keep it sounding contemporary. When I listen to it now, it sounds a bit dense, but give it time and I think everyone will see it as a really strong pop album, which is pretty much what we were trying to do.”*
***”Visit Me”*** is the eleventh song on band’s second album, ***“[Raise the Pressure](https://cutt.ly/YnfWCDI)”***, released in July 1996 under the ***"Parlophone"***, ***"Virgin"*** and ***"Warner Bros."***.
***
***"Electronic"*** info:
**[Official](https://cutt.ly/dndwdY4)** **/** **[Unofficial 1](https://cutt.ly/Fnfe5S4)** **/** **[Unofficial 2](https://cutt.ly/BnfruHZ)** **/** **[Wikipedia](https://cutt.ly/nndwy7E)** **/** **[AllMusic](https://cutt.ly/3ndwb2I)** **/** **[Discogs](https://cutt.ly/ZndwiMc)** **/** **[Spotify]( https://cutt.ly/Vndwlor)** **/** **[Facebook](https://cutt.ly/2ndwp9I)** **/** **[YouTube](https://cutt.ly/HndwjY3)** **/** **[Twitter](https://cutt.ly/BndwssL)** **/** **[Lyrics]( https://cutt.ly/GndwWtt)**
***
More ***"Electronic"*** **Organism Star** candy:
**"Electronic"** / ***[Electronic](https://cutt.ly/LnfWIe1)***
**"Electronic"** / ***[Twisted Tenderness](https://cutt.ly/1nfWMLx)***
More ***"Electronic"-like*** **Organism Star** candy:
**"New Order"** / ***[Movement](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Power Corruption Lies](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Low Life](https://cutt.ly/Jnevex1)***
**"New Order"** / ***[Brotherhood](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Technique](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Republic](https://cutt.ly/VnevfAY)***
**"New Order"** / ***[Get Ready](https://cutt.ly/6nevj06)***
**"New Order"** / ***[Waiting For The Sirens Call](https://cutt.ly/Inevxpz)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
***”Supergrass”*** are an English rock band formed in 1993 in Oxford. The band consists of brothers ***[Gaz](https://cutt.ly/hcFGyBY)*** (guitar and lead vocals) and ***[Rob Coombes](https://cutt.ly/pcFGa6t)*** (keyboards), ***[Mick Quinn](https://cutt.ly/DcFGjfa)*** (bass and backing vocals) and ***[Danny Goffey](https://cutt.ly/ScFGcf3)*** (drums and backing vocals).
Like many other British bands of the '90s, Supergrass' musical roots lie in the infectiously catchy punk-pop of the **”[Buzzcocks](https://cutt.ly/vcFGmGK)”** and the **”[Jam](https://cutt.ly/gcFGUPP)”**, as well as the post-punk pop of **”[Madness](https://en.wikipedia.org/wiki/Madness_(band))”** and the traditional Brit-pop of the **”[Kinks](https://cutt.ly/ecFGAbb)”** and **”[Small Faces](https://cutt.ly/JcFGGSI)”**.
With an exuberant, youthful enthusiasm, Supergrass tied all of their influences together in surprising new ways, where a Buzzcocks riff could slam into three-part harmonies out of *"Crocodile Rock,"* or have a galloping music hall rhythm stutter like the best moments of **”[The Who](https://cutt.ly/ccFGZmo)”**.
***”I Should Coco”*** is the band debut studio album, released on 15 May 1995 by **“[Parlophone](https://cutt.ly/6cFGBLu)”**. The album was recorded in Cornwall and produced by **[Sam Williams](https://cutt.ly/acFG2lg)**, who had been impressed by the band while scouting in Oxford.
**”I Should Coco”** is the sound of adolescence, but performed with a surprising musical versatility that makes the record's exuberant energy all the more infectious. (***[Stephen Thomas Erlewine](https://cutt.ly/icFG7oZ)***, **[AllMusic](https://www.allmusic.com/)**)
***”We're Not Supposed To”*** is the tenth song on **”Supergrass”** debut album **[I Should Coco](https://cutt.ly/0cFFUxc)**
***
***"Supergrass"*** info:
**[Official](https://www.supergrass.com/)** ***/*** **[(Un)official](http://www.strangeones.com/)** ***/*** **[Wikipedia](https://cutt.ly/mcFHuZG)** ***/*** ***[Discogs](https://cutt.ly/ecFHaXc)*** ***/*** **[Allmusic](https://cutt.ly/CcFHgG3)** ***/*** **[YouTube](https://cutt.ly/rcFHlk7)** **[Facebook](https://cutt.ly/hcFHcKd)** ***/*** **[Instagram](https://bit.ly/3p3MmeH)** ***/*** **[Twitter](https://twitter.com/supergrasshq)**
***
More ***"Supergrass"*** **Organism Star** candy:
**Supergrass** ***/*** ***"[In It for the Money](https://cutt.ly/kcFI9an)"***
**Supergrass** ***/*** ***"[Supergrass](https://cutt.ly/WcFOedf)"***
**Supergrass** ***/*** ***"[Life On Other Planets](https://cutt.ly/jcFOdKD)"***
**Supergrass** ***/*** ***"[Road to Rouen](https://cutt.ly/icFOcee)"***
**Supergrass** ***/*** ***"[Diamond Hoo Ha](https://cutt.ly/1cFOOaT)"***
***
**[Organism Star Official](https://organismstar.wordpress.com/)** / Complete ***Organism Star*** Archive
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Music, Books'n'Mzines Archive!***
***
# ***"Airiel" Biography***
***“Airiel”*** is an American shoegaze band formed as ***“Airiel Project One”*** in 1997, in ***[Bloomington](https://cutt.ly/4QLvozb)***, ***Indiana***, by guitarist and vocalist ***[Jeremy Wrenn](https://cutt.ly/yQLxNkZ)*** and former bandmate ***Shawn Delaney***.
Eventually relocating to ***[Chicago](https://cutt.ly/bQLnFfg)***, the group sporadically appeared on compilations and gave away a limited CD-R EP titled ***“Christmas Colors”*** in 2002, but no proper ***“Airiel”*** releases surfaced until 2003, when they initiated a series of ***“Winks & Kisses”*** EPs, each of which included one epic approaching (or exceeding) the ten-minute mark. After being individually released by ***“[Clairecords](https://cutt.ly/xQLvQ0B)”*** between July 2003 and June 2004., all four were issued as a limited CD box set at the end of the year, also titled ***“[Winks and Kisses](https://cutt.ly/vQZwvC2)”***.
> In honor of their contribution to the culture of the ***[Principality of Sealand](https://cutt.ly/QQZwp8a)***, a micronation, all the members of the band were named official lords of ***Sealand***, and were invited to be the first rock band to play a concert in the nation, to be broadcast live over the internet. However, this concert did not take place.
>
> On each song, ***"Airiel"*** fills the speakers with echoing, shimmering sound, so much so that it is the sheer sound that dominates the experience of listening to the album.
> The CD booklet contains a lyric sheet detailing the words of group members ***Jeremy Wrenn*** and ***Cory Osborne***; without it, the listener wouldn't have a clue what they're singing, since the vocals are buried so far down in the mix that they can barely be perceived and come off as just another sound within the cyclonic musical effects.
>
> On their own, they are sometimes despairing, sometimes descriptive, and, in ***"[Stay](https://cutt.ly/xQZetUs)"*** romantic, but there's no way to tell that by merely listening to the album. Rather, the musical intention clearly is to create a sense of aural majesty that sometimes devolves down to industrial noise.
# ***"The Song Info***
***“Introduction”*** is the first song first song from the band's debut studio album “[The Battle Of Sealand](https://cutt.ly/EQZtq3o)”, released on “[Highwheel Records](https://cutt.ly/EQZtq3o)” on August 21, 2007.
# ***"Airiel" Info***
**[Official](https://cutt.ly/nQLzgvQ)** **/** **[Wikipedia](https://cutt.ly/CQLzjvt)** **/** **[Allmusic](https://cutt.ly/JQLl3AZ)** **/** **[Last.fm](https://cutt.ly/MQLzi17)** **/** **[Rateyourmusic](https://cutt.ly/nQLz3ai)** **/** **[Discogs](https://cutt.ly/4QLzJK5)** **/** **[Pitchfork](https://cutt.ly/tQLzwcg)** **/** **[Bandcamp](https://cutt.ly/QQLzl7y)** **/** **[YouTube](https://bit.ly/3ioWxsA)** **/** **[Facebook](https://cutt.ly/pQLzvrl)** **/** **[Spotify](https://cutt.ly/gQLzsgh)** **/** **[Instagram](https://cutt.ly/TQLzYnx)** **/** **[Twitter](https://cutt.ly/mQLzWof)** **/** **[Lyrics](https://cutt.ly/eQLxy8b)** **/** **[Interview](https://cutt.ly/TQLxqmX)**
# ***More "Airiel" Organizam Star Candy***
- ***Airiel - [Winks & Kisses](https://cutt.ly/vQZwvC2)***
- ***Airiel - [Molten Young Lovers](https://cutt.ly/kQZttVr)***
# ***"Organizam Star" Recommendations***
- ***"Stone Roses" - "[Stone Roses"](https://cutt.ly/PQZiIWQ)***
- ***"The Charlatans" - "[Between 10th and 11th"](https://cutt.ly/NQZiPZP)***
- ***"Elastica" - "[Elastica"](https://cutt.ly/FQZiDvI)***
- ***"Lush" - "[Split"](https://cutt.ly/nQZiXAq)***
- ***"Working Men's Club" - "[Working Men's Club"](https://cutt.ly/PQGbqBq)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Music, Books'n'Mzines Archive!***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Autumn's Grey Solace" Biography***
***“Autumn's Grey Solace”*** is an American ethereal wave and *dream pop* duo from ***[St. Augustin, Florida](https://cutt.ly/ZQ2Mryv)***. It consists of soprano vocalist ***Erin Welton*** and multi-instrumentalist ***Scott Ferrell***. His musicianship along with her crystal clear vocals, blend together to create a hybrid of shoegazing melodies textured with ethereal soundscapes.
Exploring the music of ***AGS*** is like awakening yourself to beauties you never knew slumbered inside you. At the center of this galaxy is a gathering of light by which is obliterated your darkest fears. It’s a visceral, celestial body that thrives on language, melody, and the generative force of which we all partake in being born.
> On their seventh full-length album the duo use common instruments of guitar, bass, drums, and female voice to construct very uncommon soundscapes, mainly building atmosphere with etherial guitars and dense vocal harmonies.
> The truth is that ***Welton’n’Ferrel*** has rarely sounded so natural as on ***"Divinian"***.
> This sense of floating out in the ether, or at least somewhere between the *Earth* and the *Moon*, lends the album a distinct quality that plays out throughout the album, not least due to some excellent sequencing.
>
> Exploring the music of ***AGS*** is like awakening yourself to beauties you never knew slumbered inside you. It’s a visceral, celestial body that thrives on language, melody, and the generative force of which we all partake in being born.
>
> ***“Autumn’s Grey Solace”*** continues to cultivate the things that make their sound distinctive: her sweet and diverse voice, and his otherworldly and exotically tuned guitars, deep and fulfilling divin(e)ian bass lines and emotively ambient drums.
# ***The Song Info***
***“Shadow, Light, Echo”*** is the first song on the band’s seventh release, ***“[Divinian](https://cutt.ly/hQ23YOw)”***, released in 2012. Under the ***“[Projekt Records](https://cutt.ly/MQ5Gx5i)”***.
# ***"Autumn's Grey Solace" Info***
**[Projekt](https://cutt.ly/9Q1S2Lm)** **/** **[AllMusic](https://cutt.ly/rQ1SnMX)** **/** **[Wikipedia](https://cutt.ly/nQ1S1iy)** **/** **[Discogs](https://cutt.ly/rQ1GzHf)** **/** **[Last.fm](https://cutt.ly/PQ1Dv3R)** **/** **[ECM Reviews](https://cutt.ly/UQ1FhhF)** **/** **[Bandcamp](https://cutt.ly/GQ1SBNQ)** **/** **[Facebook](https://cutt.ly/fQ1SVkQ)** **/** **[Youtube](https://cutt.ly/oQ1SX8Y)** **/** **[Twitter](https://cutt.ly/iQ1DEHp)** **/** **[Spotify](https://cutt.ly/wQ1SLwz)** **/** **[Itv 1](https://cutt.ly/fQ1S7Sa)** **/** **[Itv 2](https://cutt.ly/hQ1GYA6)** **/** **[Lyrics ](https://cutt.ly/gQ1DHEp)**
# ***More "Autumn's Grey Solace" Organizam Star Candy***
- *** Autumn's Grey Solace - ["Within The Depths Of A Darkened Forest"](https://cutt.ly/IQ201Ph)***
- *** Autumn's Grey Solace - ["Over The Ocean"](https://cutt.ly/rQ22g48)***
- *** Autumn's Grey Solace - ["Riverine"](https://cutt.ly/aQ22kHn)***
- *** Autumn's Grey Solace - ["Shades Of Grey"](https://cutt.ly/wQ227bB)***
- *** Autumn's Grey Solace - ["Ablaze"](https://cutt.ly/mQ29YBn)***
- *** Autumn's Grey Solace - ["Eifelian"](https://cutt.ly/xQ5OEyU)***
- *** Autumn's Grey Solace - ["Winterrim"](https://cutt.ly/0Q5RnF9)***
- *** Autumn's Grey Solace - ["Monajjfyllen"](https://cutt.ly/gQ5RTef)***
- *** Autumn's Grey Solace - ["Celestial Realms"](https://cutt.ly/UQ5Te3x)***
- *** Autumn's Grey Solace - ["Eocene"](https://cutt.ly/IQ5OA5n)***
# ***"Organizam Star" Recommendations***
- *** Cocteau Twins - ["Heaven Or Las Vegas"](https://cutt.ly/TvLHzAO)***
- *** Airiel - ["Molten Young Lovers"](https://cutt.ly/kQZttVr)***
- *** Lush - ["Split"](https://cutt.ly/QQBXFck)***
- *** La Sera - ["Sees the Light"](https://cutt.ly/8WwQzaC)***
- *** Tricot - ["3"](https://cutt.ly/kQZttVr)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***"Stereolab"*** are an English-French avant-pop band formed in London in 1990.
Led by the songwriting team of ***[Tim Gane](https://cutt.ly/BmFnRwl)*** (guitar and keyboards) and ***[Lætitia Sadie](https://cutt.ly/dmFnYuG)r***(vocals, keyboards and guitar), the group's music combines influences from *krautrock*, *lounge* and *1960s pop music*, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French.
Their lyrics have political and philosophical themes influenced by the ***[Surrealist](https://cutt.ly/imFnOlx)*** and ***[Situationist](https://cutt.ly/ymFnAt5)*** movements.
Although ***"Stereolab"*** found success in the underground music scene and were influential enough to spark a renewed interest in older analogue instruments, they have never had a significant commercial impact. Meaby the key is lost in the interview where ***Gane*** and ***Sadier*** have discussed their musical philosophy - *"to be unique for us was more important than to be good"*.
Split into two sides - the gentle, intricate **"Easy Listening"** and the more upbeat **"New Wave"** - the eight-song EP ***"The Group Played Space Age Batchelor Pad Music"*** ranges from the bubbly keyboard piece ***"[Space Age Bachelor Pad Music (Foamy)](https://cutt.ly/am9NOgt)"*** to the defiant, driving groove of ***"[We're Not Adult Orientated](https://cutt.ly/tm90Vnn)"***.
The sweet, close harmonies on ***"[Ronco Symphony](https://cutt.ly/Zm9NAx4)"*** and ***"[The Groop Play Chord X](https://cutt.ly/Im9NYDb)"*** edge closer to the sophisticated, lounge pop-inspired sound explored during the rest of ***"Stereolab"*** career, while the vibes of ***"[Avant Garde M.O.R.](https://cutt.ly/pm9NEpE)"*** and the fizzy keyboards of ***"[Space Age Bachelor Pad Music (Mellow)](https://cutt.ly/3m9NRGV)"*** spotlight the band's more texturally complex arrangements.
However, the immediacy of ***"[We're Not Adult Orientated (Neu Wave Live)](https://cutt.ly/om92uJQ)"*** and the hypnotic, fuzzy guitars on ***"[U.H.F. - MFP](https://cutt.ly/Em92yX8)"*** prove that while ***"Stereolab"*** gained more polish and ambition on ***SABPM***, the band didn't lose any of its kinetic edge.
***”We're Not Adult Orientated (Neu Wave Live)”*** is the eighth and the last song on Stereolab EP ***"[The Group Played Space Age Batchelor Pad Music](https://cutt.ly/Jm9ilaA)"**”***, released on 26 May 1992 by ***"[Too Pure](https://cutt.ly/SmFmHZ6)"***.
***
***"Stereolab"*** info:
**[Official](https://cutt.ly/8mQOGE4)** **/** **[Wikipedia](https://cutt.ly/VmQOIoI)** **/** **[Unofficial](https://cutt.ly/tmQSJuL)** **/** **[Allmusic](https://cutt.ly/jmQPueG)** **/** **[Pitchfork](https://cutt.ly/omQPKqT)** **/** **[Last.fm](https://cutt.ly/JmQPVA8)** **/** **[Rateyourmusic](https://cutt.ly/emQAw1X)** **/** **[Discogs](https://cutt.ly/8mQPpky)** **/** **[Bandcamp](https://cutt.ly/YmQAuvN)** **/** **[YouTube](https://cutt.ly/cmQPhgK)** **/** **[Facebook](https://cutt.ly/mmQOB4B)** **/** **[Spotify](https://cutt.ly/WmQPONT)** **/** **[Instagram](https://cutt.ly/TmQO1ZR)** **/** **[Twitter](https://cutt.ly/7mQOMKr)** **/** **[Lyrics](https://cutt.ly/FmQS9fK)** **/** **[Photos](https://cutt.ly/rmQDumG)**
***
More ***"Stereolab"*** **Organism Star** candy:
**"Stereolab"** / ***[Peng!](https://cutt.ly/Qm9iuZM)***
**"Stereolab"** / ***[Switch On](https://cutt.ly/3m9ifx0)***
**"Stereolab"** / ***[Transient Random-Noise Bursts with Announcements](https://cutt.ly/Em9ib6b)***
**"Stereolab"** / ***[Mars Audiac Quintet](https://cutt.ly/xm9iRfJ)***
**"Stereolab"** / ***[Refried Ectoplasm (Switched On Volume 2)](https://cutt.ly/Zm31L2T)***
**"Stereolab"** / ***[Emperor Tomato Ketchup](https://cutt.ly/um9iOXY)***
**"Stereolab"** / ***[Dots And Loops](https://cutt.ly/Mm9iHCw)***
**"Stereolab"** / ***[Aluminum Tunes](https://cutt.ly/am9iV6c)***
**"Stereolab"** / ***[Cobra And Phases Group Play Voltage In The Milky Night](https://cutt.ly/bm9i2Wp)***
**"Stereolab"** / ***[The First Of The Microbe Hunters](https://cutt.ly/Zm9i4DW)***
**"Stereolab"** / ***[Sound-Dust](https://cutt.ly/Bm9oray)***
**"Stereolab"** / ***[Margerine Eclipse](https://cutt.ly/7m9op14)***
**"Stereolab"** / ***[Oscillons From The Anti-Sun](https://cutt.ly/om9ofEs)***
**"Stereolab"** / ***[Fab Four Suture](https://cutt.ly/Ym9olIL)***
**"Stereolab"** / ***[Chemical Chords](https://cutt.ly/Lm9obcI)***
**"Stereolab"** / ***[Not Music ](https://cutt.ly/hm9oT4m)***
**"Stereolab"** / ***[Electrically Possessed (Switched On Volume 4) ](https://cutt.ly/Xm305mY)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Lush" Biography***
One of the first bands to have been described with the *"shoegazing"* label, were an English alternative band formed in ***[London](https://cutt.ly/GQCIBch)*** in 1987. The original ***“Lush”*** line-up consisted of ***[Miki Berenyi](https://cutt.ly/4QCI0hj)*** (vocals, guitar), ***[Emma Anderson](https://cutt.ly/pQCI94G)*** (vocals, guitar), ***[Steve Rippon](https://cutt.ly/5QCObEV)*** (bass) and ***[Chris Acland](https://cutt.ly/aQCI4A2)*** (drums).
***[Phil King](https://cutt.ly/gQCOh1X)*** replaced ***Rippon*** in 1991. ***Meriel Barham***, the original lead vocalist left almost immediately, eventually joining ***“[Pale Saints](https://cutt.ly/NQC1jGo)”***. When a replacement could not be found, guitarist ***Miki*** stepped up to the mic.
The band, initially named the ***"Baby Machines"***, were inspired by the garage rock scene of the ***"[Nuggets](https://cutt.ly/hQC0sUW)”*** series", ***"[Cocteau Twins](https://cutt.ly/bQC0hPF)"***, ***"[Siouxsie and the Banshees](https://cutt.ly/cQC0c8G)"***, the ***"[Beach Boys](https://cutt.ly/bQC0S95)"*** and the ***''[Byrds](https://cutt.ly/hQC0G0V)``***.
> On their fourth album ***“Lovelife”***, the band moved away from their earlier *dream pop* and *shoegazing* style and embraced a more *Britpop*-oriented sound.
> From the circular melody of the opening "[Ladykillers](https://cutt.ly/MQBVC6t)" it's clear that “Lush” had been influenced by the direct, jagged pop of “[Elastica](https://cutt.ly/EQBV2wF)”, but the band also has reached back into '60s pop. All of the ballads on ***“Lovelife”*** are rooted in the hazy dream pop of the early '90s, but they are given stylish, mod arrangements complete with muted brass.
>
> ***“Lush”*** had completed touring for the year and was on break when ***Chris Acland***, suffering from depression, had unexpectedly hung himself in his parent's home on October 17, 1996. Devastated by the loss, the remaining members of ***“Lush”*** dropped out of the public eye.
> With the chemistry that made up the band shattered, the remaining members made it official, with the announcement in 1998 that the band was no more.
# ***The Song Info***
***“Runaway”*** is the tenth song from Lush's fourth and last studio album ***“[Lovelife](https://cutt.ly/nQBKh2r)”***, released on 5 March 1996 by ***“[4AD](https://cutt.ly/WQBpAgw)”***. The album was produced by ***[Pete Bartlett](https://cutt.ly/IQBBeLy)*** and the band at ***Protocol Studios*** in London, and engineered by ***Giles Hall***.
# ***More "Lush" Organizam Star Candy***
- ***Lush - ["Scar"](https://cutt.ly/5QBJjwP)***
- ***Lush - ["Spooky"](https://cutt.ly/xQBKoCu)***
- ***Lush - ["Split"](https://cutt.ly/QQBXFck)***
- ***Lush - ["Blindspot ep"](https://cutt.ly/UQBBvaU)***
# ***"Organizam Star" Recommendations***
- ***Airiel - ["Molten Young Lovers"](https://cutt.ly/kQZttVr)***
- ***Cocteau Twins - ["Victorialand"](https://cutt.ly/UvLHZOe)***
- ***Autumn's Grey Solace - ["Within The Depths Of A Darkened Forest"](https://cutt.ly/SQB6vzk)***
- ***Republica - ["Republica"](https://cutt.ly/Ib1PZIB)***
- ***Elastica - ["The Menace"](https://cutt.ly/MQB6GzV)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***“Electronic”*** were an English alternative dance supergroup formed by ***”[New Order](https://cutt.ly/dnd6Xb2)”*** singer and guitarist ***[Bernard Sumner](https://cutt.ly/dnd6Hip)*** and ex-***”[Smiths](https://cutt.ly/znd6JB2)”*** guitarist ***[Johnny Marr](https://cutt.ly/ond6KSI)***.
Inspired by contemporary dance music like Italo house and acts such as ***"[Technotronic](https://cutt.ly/2nfwO67)"***, their initial concept was to release white label records on ***”Factory”*** and remain an anonymous entity, in contrast to their considerable reputations with The Smiths and New Order. The fruits of this union became ***"Getting Away with It"***, Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies.
After this success, Sumner and Marr took a more commercial direction, blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock.
After the band's released self-titled debut studio album critic's said that there we had a pretty 1990s sort of a record, where each song crammed with elaborate Europop details and merits a treatise - simply a 100% pure distillation of Marr and Sumner's respective talents.
By the time the full combination of gentle keyboards, crisp rhythms, and the gentle, reflective chorus comes to bear, though, everything feels just great. Perhaps understandably ***”Electronic”*** leans much more toward ***”New Order”*** than the ***”Smiths”*** - Marr had already proven his desire to work in dance-crossover since his previous band's breakup, while Sumner's immediately recognizable, melancholic vocals call to mind New Order's rich history.
The two essential songwriters of the previous decade laying down the gauntlet and proving that their union could not only match eighteen months of anticipation from critics and listeners alike, but surpass it with every nuanced, deadly note.
***”Gangster”*** is the fifth song on band’s self-titled album, “[Electronic](https://cutt.ly/LnfWIe1)”, released in May 1991 on the ***"[Factory](https://cutt.ly/OnfwVcp)"*** label.
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***"Electronic"*** info:
**[Official](https://cutt.ly/dndwdY4)** **/** **[Unofficial 1](https://cutt.ly/Fnfe5S4)** **/** **[Unofficial 2](https://cutt.ly/BnfruHZ)** **/** **[Wikipedia](https://cutt.ly/nndwy7E)** **/** **[AllMusic](https://cutt.ly/3ndwb2I)** **/** **[Discogs](https://cutt.ly/ZndwiMc)** **/** **[Spotify]( https://cutt.ly/Vndwlor)** **/** **[Facebook](https://cutt.ly/2ndwp9I)** **/** **[YouTube](https://cutt.ly/HndwjY3)** **/** **[Twitter](https://cutt.ly/BndwssL)** **/** **[Lyrics]( https://cutt.ly/GndwWtt)**
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More ***"Electronic"*** **Organism Star** candy:
**"Electronic"** / ***[Raise the Pressure](https://cutt.ly/YnfWCDI)***
**"Electronic"** / ***[Twisted Tenderness](https://cutt.ly/1nfWMLx)***
More ***"Electronic"-like*** **Organism Star** candy:
**"New Order"** / ***[Movement](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Power Corruption Lies](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Low Life](https://cutt.ly/Jnevex1)***
**"New Order"** / ***[Brotherhood](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Technique](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Republic](https://cutt.ly/VnevfAY)***
**"New Order"** / ***[Get Ready](https://cutt.ly/6nevj06)***
**"New Order"** / ***[Waiting For The Sirens Call](https://cutt.ly/Inevxpz)***
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