Author: Mark Fedyk In this book, Mark Fedyk offers a novel analysis of the relationship between moral psychology and allied fields in the social sciences. Fedyk shows how the social sciences can be integrated with moral philosophy, argues for the benefits of such an integration, and offers a new ethical theory that can be used to bridge research between the two. Fedyk argues that moral psychology should take a social turn, investigating the psychological processes that motivate patterns of social behavior defined as ethical using normative information extracted from the social sciences. He points out methodological problems in conventional moral psychology, particularly the increasing methodological and conceptual inconsilience with both philosophical ethics and evolutionary biology. Fedyk's causal theory of ethics is designed to provide moral psychology with an ethical theory that can be used without creating tension between its scientific practice and the conceptual vocabulary of philosophical ethics. His account aims both to redirect moral psychology toward more socially realistic questions about human life and to introduce philosophers to a new form of ethical naturalism -- a way of thinking about how to use different fields of scientific research to answer some of the traditional questions that are at the heart of ethics.
Author: Ian Burney and Neil Pemberton
Crime scene investigationor CSIhas captured the modern imagination. On television screens and in newspapers, we follow the exploits of forensic officers wearing protective suits and working behind police tape to identify and secure physical evidence for laboratory analysis. But where did this ensemble of investigative specialists and scientific techniques come from? In Murder and the Making of English CSI, Ian Burney and Neil Pemberton tell the engrossing history of how, in the first half of the twentieth century, novel routines, regulations, and techniquesfrom chain-of-custody procedures to the analysis of hair, blood, and fiberfundamentally transformed the processing of murder scenes. Focusing on two iconic English investigationsthe 1924 case of Emily Kaye, who was beaten and dismembered by her lover at a lonely beachfront holiday cottage, and the 1953 investigation into John Christies serial murders in his dingy terraced home in Londons West EndBurney and Pemberton chart the emergence of the crime scene as a new space of forensic activity. Drawing on fascinating source material ranging from how-to investigator handbooks and detective novels to crime journalism, police case reports, and courtroom transcripts, the book shows readers how, over time, the focus of murder inquiries shifted from a primarily medical and autopsy-based interest in the victims body to one dominated by laboratory technicians laboring over minute trace evidence. Murder and the Making of English CSI reveals the compelling and untold story of how one of themost iconic features of our present-day forensic landscape came into being. It is a must-read for forensic scientists, historians, and true crime devotees alike.
Author: John B. Bader
With a solid GPA, numerous extracurricular achievements, and an acceptance letter from an excellent college, it seems that all of your hard work in school has paid off. Now what? What can you expect from college life, and how can you get the most out of it? This book answers these questions to help you excel in college. Deans at Americas top institutions tell you what you need to know to have a rich and rewarding college experience. Armed with an insiders perspective, you will develop habits critical for college success, including: Focusing on learning, not on grades
Author: Raymond Roussel
Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle epoque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dali--who dubbed it the most ungraspably poetic work of the era--Andre Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery. Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. It is hard to believe the immense amount of time composition of this kind of verse requires, he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism. This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
Author: Allan Bérubé
Bringing together the best of the late Allan Berube's published and unpublished work, this collection explores the growth of gay and lesbian history from its grassroots beginnings in the 1970s. D'Emilio and Freedman, who were friends of the author's, compiled the essays and have written a substantial introduction that provides a biographical portrait of a life of (largely self-taught)scholarship and of committed activism in the peace and gay liberation movements and later involvement with queer activism and class conscious, anti-racist scholarship.
Author: Edited by Cynthia Sugars
Canadian literature, and specifically the teaching of Canadian literature, has emerged from a colonial duty to a nationalist enterprise and into the current territory of postcolonialism. From practical discussions related to specific texts, to more theoretical discussions about pedagogical practice regarding issues of nationalism and identity, Home-Work constitutes a major investigation and reassessment of the influence of postcolonial theory on Canadian literary pedagogy from some of the top scholars in the field.
Author: Alex Engebretson
Alex Engebretson offers the first comprehensive study of Marilynne Robinsons fiction and essays to date, providing an overview of the authors life, themes, and literary and religious influences. Understanding Marilynne Robinson examines this author of three highly acclaimed novels and recipient of the National Book Critics Circle Award for fiction, the Pulitzer Prize for fiction, the Orange Prize for fiction, and the National Humanities Medal. Through close readings of the novels and essay collections, Engebretson uncovers the unifying elements of Robinsons work: a dialogue with liberal Protestantism, an emphasis on regional settings, the marked influence of nineteenth-century American literature, and the theme of home. The study begins with Housekeeping, Robinsons haunting debut novel, which undertakes a feminist revision of the Western genre. Twenty-four years later Robinson began a literary project that would bring her national recognition, three novels set in a small, rural Iowa town. The first was Gilead, which took up the major American themes of race, the legacy of the Civil War, and the tensions between secular and religious lives. Two more Gilead novels followed, Home and Lila, both of which display Robinsons gift for capturing the mysterious dynamics of sin and grace. In Understanding Marilynne Robinson, Engebretson also reviews her substantial body of non-fiction, which demonstrates a dazzling intellectual range, from the contemporary science-religion debates, to Shakespeare, to the fate of liberal democracy. Throughout this study Engebretson makes the argument for Marilynne Robinson as an essential, deeply unfashionable, visionary presence within todays literary scene.
Author: Nan Mullenneaux
Breaking every prescription of ideal femininity, American actresses of the mid-nineteenth century appeared in publicalongside men, financially supported nuclear and extended families, challenged domestic common law, and traveled the globe in the transnational theater market. While these women expanded professional, artistic, and geographic frontiers, they expanded domestic frontiers as well: publicly, actresses used the traditional rhetoric of domesticity to mask their very nontraditional personal lives, instigating historically significant domestic innovations to circumvent the gender constraints of the mid-nineteenth century, reinventing themselves and their families in the process. Nan Mullenneaux focuses on the personal and professional lives of more than sixty women who, despite their diverse backgrounds, each made complex conscious and unconscious compromises to create profit and power. Mullenneaux identifies patterns of macro and micro negotiation and reinvention and maps them onto the waves of legal, economic, and social change to identify broader historical links that complicate notions of the influence of gendered power and the definition of feminism; the role of the body/embodiment in race, class, and gender issues; the relevance of family history to the achievements of influential Americans; and national versus inter- and transnational cultural trends.While Staging Family expands our understanding of how nineteenth-century actresses both negotiated power and then hid that power, it also informs contemporary questions of how women juggle professional and personal responsibilitiesachieving success in spite of gender constraints and societal expectations.
Author: Ed Finn
We depend on -- we believe in -- algorithms to help us get a ride, choose which book to buy, execute a mathematical proof. It's as if we think of code as a magic spell, an incantation to reveal what we need to know and even what we want. Humans have always believed that certain invocations -- the marriage vow, the shaman's curse -- do not merely describe the world but make it. Computation casts a cultural shadow that is shaped by this long tradition of magical thinking. In this book, Ed Finn considers how the algorithm -- in practical terms, a method for solving a problem -- has its roots not only in mathematical logic but also in cybernetics, philosophy, and magical thinking. Finn argues that the algorithm deploys concepts from the idealized space of computation in a messy reality, with unpredictable and sometimes fascinating results. Drawing on sources that range from Neal Stephenson's Snow Crash to Diderot's Encyclopedie, from Adam Smith to the Star Trek computer, Finn explores the gap between theoretical ideas and pragmatic instructions. He examines the development of intelligent assistants like Siri, the rise of algorithmic aesthetics at Netflix, Ian Bogost's satiric Facebook game Cow Clicker, and the revolutionary economics of Bitcoin. He describes Google's goal of anticipating our questions, Uber's cartoon maps and black box accounting, and what Facebook tells us about programmable value, among other things.If we want to understand the gap between abstraction and messy reality, Finn argues, we need to build a model of algorithmic reading and scholarship that attends to process, spearheading a new experimental humanities.