Can We Talk Mediterranean?: Conversations on an Emerging Field in Medieval and Early Modern Studies
Author: Brian A. Catlos File Type: pdf This book provides a systematic framework for the emerging field of Mediterranean studies, collecting essays from scholars of history, literature, religion, and art history that seek a more fluid understanding of Mediterranean. It emphasizes the interdependence of Mediterranean regions and the rich interaction (both peaceful and bellicose, at sea and on land) between them. It avoids applying the national, cultural and ethnic categories that developed with the post-Enlightenment domination of northwestern Europe over the academy, working instead towards a dynamic and thoroughly interdisciplinary picture of the Mediterranean. Including an extensive bibliography and a conversation between leading scholars in the field, Can We Talk Mediterranean? lays the groundwork for a new critical and conceptual approach to the region.
Author: Alexander Chee
File Type: epub
bbFrom the author of The Queen of the Night, an essay collection exploring his education as a man, writer, and activistand how we form our identities in life and in art. As a novelist, Alexander Chee has been described as masterful by Roxane Gay, incendiary by theNew York Times, and brilliant by the Washington Post. WithHow to Write an Autobiographical Novel, his first collection of nonfiction, hes sure to secure his place as one of the finest essayists of his generation as well. How to Write an Autobiographical Novel is the authors manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nations history, including his fathers death, the AIDS crisis, 911, the jobs that supported his writingTarot-reading, bookselling, cater-waiting for William F. Buckleythe writing of his first novel, Edinburgh, and the election of Donald Trump. By turns commanding, heartbreaking, and wry,How to Write an Autobiographical Novelasks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack. **
Author: Silvia Federici
File Type: pdf
Cultural Writing. CALIBAN AND THE WITCH is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization. It is both a passionate work of memory recovered and a hammer of humanitys agenda--Peter Linebaugh, author of The London Hanged.
Author: Marilyn French
File Type: pdf
In the 20th century, women became a force for change, in part through suffrage, and in part through mass organizing. This final volume offers a vibrant history of multiple political revolutions as well as the centurys horrorsincluding genocides and the atom bomb. It ends with a thoughtful investigation into the various indigenous feminist movements throughout the world and asks what these peaceful revolutions might augur for the future. Eschewing easy answers, French suggests that the defining moral moments of the 21st century should and will build from a global human rights agenda. **
Author: Guiglelmo Carchedi
File Type: epub
Most mainstream economists view capitalisms periodic breakdowns are nothing more than temporary aberrations from another wise unbroken path toward prosperity. For Marxists, this fundamental flaw has long been acknowledged as a central feature of the free market system. This groundbreaking volume brings together Marxist scholars from around the world to offer an empirically grounded defense of Marxs law of profitability and its central role in explaining these capitalist crises. **About the Author Gugliemo Carchedi, doctorate (1965) in Economics, University of Turin, Italy, has worked at the United Nations in New York and has taught at the University of Amsterdam. He is the author of numerous articles and books in several fields of Marxist analysis and research. Michael Robertshas worked as an economist for over thirty years in the City of London financial center. He is author ofThe Great Recession A Marxist View(2009), and The Long Depression (2016).
Author: Tom Finkelpearl
File Type: pdf
In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, expert participants who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houstons Project Row Houses. Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern **
Author: William R. Clark
File Type: pdf
The invasion of Iraq may well be remembered as the first oil currency war. Far from being a response to 911 terrorism or Iraqs alleged weapons of mass destruction, Petrodollar Warfare argues that the invasion was precipitated by two converging phenomena the imminent peak in global oil production and the ascendance of the euro currency.Energy analysts agree that world oil supplies are about to peak, after which there will be a steady decline in supplies of oil. Iraq, possessing the worlds second-largest oil reserves, was therefore already a target of US geostrategic interests. Together with the fact that Iraq had switched to paying for oil in eurosrather than US dollarsthe Bush administrations unreported aim was to prevent further OPEC momentum in favor of the euro as an alternative oil transaction currency standard.Meticulously researched, Petrodollar Warfare examines US dollar hegemony and the unsustainable macroeconomics of petrodollar recycling, pointing out that the issues underlying the Iraq war also apply to geostrategic tensions between the United States and other countries, including the member states of the European Union, Iran, Venezuela and Russia. The author warns that without changing course, the American experiment will end the way all empires endwith military overextension and subsequent economic decline. He recommends the multilateral pursuit of both energy and monetary reforms within a UN framework to create a more balanced global energy and monetary systemthereby reducing the possibility of future oil and oil currency-related warfare.A sober call for an end to aggressive US unilateralism, Petrodollar Warfare is a unique contribution to the debate about the future global political economy.William R. Clark is manager of performance improvement at Johns Hopkins University School of Medicine. His research on oil depletion, oil currency issues and US geostrategy received a 2003 Project Censored Award and was published in Censored 2004. He lives in Columbia, Maryland.
Author: William Pargeter
File Type: pdf
p Segoe UI, serif 13pxbfont face=Segoe UI, serif size=2Reprint from Tavistock classics in fontspan Segoe UI, serif smallthe history of psychiatry seriesspanbp Segoe UI, serif 13pxspan Segoe UI, serif smallAs an Anglican minister, Pargeter shared Syms desire to foster fortitude in the face of Providence and even noted that genuine Christianity (as opposed to Methodism) must very powerfully deter men from this unnatural violence [suicide]. But spani Segoe UI, serif smallPargeter stressed the vulnerability of suicides - as victims of insanity or of irresponsible religious enthusiasts - rather than their ulpability. And whilst he believed that The original or primary cause of Madness is a mystery, and utterly inexplicable by human reason., his faith was robust enough to allow him to elaborate a range of emotional and physical precipitants of mental disorder, which he describes, following Cullen, as resulting directly from disturbance of the nervous fluid. ...font face=Segoe UI, serif size=1Reviews John Sym. Lifes Preservative Against Self-Killing (1637), with an introduction by Michael MacDonald. Routledge, 1988. 30.00 ISBN 0-415-00639-2. Revd. William Pargeter. Observation on Maniacal Disorders (1972), with an introduction by Stanley W. Jackson. Routledge, 1988. 20.00 ISBN 0-415-00638-4. Thomas Trotter. An Essay Medical, Philoso phical, and Chemical on Drunkenness and its Effects on the Human Body (1804), with an introduction by Roy Porter. Routledge, 1988. 25.99 ISBN 0-415-00636-8. John Haslam. Illustrations of Madness (1810), with an introduction by Roy Porter. Routledge, 1988. 20.00 ISBN 0415-00637-6fontfont face=Segoe UI, serif size=1Charlotte Mackenziefontfont face=Segoe UI, serif size=1History of Psychiatryfontspan x-smallVol 2, Issue 7, pp. 345 - 347spanspan x-smallFirst Published September 1, 1991spanspan x-smallhttpsdoi.org10.11770957154X9100200712span
Author: Lewis Rowell
File Type: pdf
Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of Indias musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of Indias magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowells glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.