The Poor in England, 1700-1900: An Economy of Makeshifts
Author: Steven King File Type: pdf This collection of studies investigates English poverty between 1700 and 1850 and the ways in which the poor made ends meet. The phrase economy of makeshifts has often been used to summarise the patchy, disparate and sometimes failing strategies of the poor for material survival. Incomes or benefits derived through the economy ranged from wages yielded by under-employment via petty crime through to charity however, until now, discussions of this array of makeshifts have usually fallen short of answering vital questions about how and when the poor secured access to them. This book represents the single most significant attempt in print to supply the English economy of makeshifts with a solid, empirical basis and to advance the concept of makeshifts from a vague but convenient label to a more precise yet inclusive definition. Individual chapters written by some of the leading historians of welfare examine how advantages gained from access to common land, mobilisation of kinship support, crime, and other marginal resources could prop up struggling households. They consider how the balance of these strategies might change over time or be modified by gender, life-cycle and geography. A comprehensive introduction summarises the state of research on English poverty, and a conclusion makes valuable suggestions for the direction of future research. This book will be crucial for historians of social life and welfare, of interest to researchers working on eighteenth- and nineteenth-century England and will be useful to undergraduates seeking guidance on the historiography of poverty.--BOOK JACKET.
Author: David Wagoner
File Type: pdf
David Wagoners wide-ranging poetry buzzes and swells with life. Woods, streams, and fields fascinate him--he happily admits his devotion to Thoreau--but so do people and their habits, dear friends and family, the odd poet, and strangers who become even stranger when looked at closely. In this new collection, Wagoner catches the mixed feelings of a long drive, the sensations of walking against a current, the difficulty of writing poetry with noisily amorous neighbors, and many more uniquely familiar experiences.
Author: Jeremy Black
File Type: pdf
ReviewAccessible, informative and clearly written. - Professor Grayson Ditchfield, University of Kent, UK If there is one book to buy on the period, this is it. - Archives Students will find this a valuable book, which deals with the big questions about the period while providing a wealth of detail. - A.W. Purdue, Times Higher Education About the AuthorJEREMY BLACK is Professor of History, University of Exeter, UK.
Author: Helen Westgeest
File Type: pdf
Video Art Theory A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life. ul lA critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary artl lThe only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrativel lThe text has emerged out of the authors own lectures and seminars on video artl lOffers a comparative approach which students find especially useful, offering new perspectivesl ul **
Author: Gilles DauveĢ
File Type: epub
div field field-type-text field-field-introduction div field-items div field-item odd A analysis of the revolutionary movements in Europe at the end of World War I, their contradictions and limitations. span font-styleitalicFirst published in France in 1976, as La Gauche Communiste en Allemagne (1918-1921). English translation by M. DeSocio published in 2006. Taken from the a href=httpwww.redemmas.orgcollective_action_notesdauve11.htm bb-urlCollective Action Notesa website.span
Author: Veronica Strang
File Type: pdf
What is a lighthouse? What does it do, and how? What does a lighthouse mean symbolically? And what happens when we examine such questions from different disciplinary perspectives? Can sharing these perspectives through an interdisciplinary conversation enlighten our thinking? This volume demonstrates the capacity of interdisciplinarity to transform the way we think. It provides both a comprehensive vision of what diverse disciplinary approaches bring to the topic itself, as well as some insights into how such exchanges act upon each disciplinary perspective. Bringing together a wide range of scholars to provide inputs on the topic, and illustrated by numerous visual and poetic images, it also includes their comments on how their views have been informed by interdisciplinary exchanges. In both text and image, lighthouses appear in multiple forms as signals of safety and surveillance as homologous persons and eyes as beacons of enlightenment as phallic assertions of boundaries as monuments of community identity as memorials of historical relationships with the sea as technological advancements. Preliminary conversations also opened up other avenues human and non-human evolutionary adaptations in the use of light as signal and warning the importance of regularity and synchronicity in pulses of light the interpretation of pulsars as the lighthouses of outer space the many related material objects and technologies categorically and metaphorically linked to the lighthouse (ancient watchhouses and beacons new digital technologies of signal and surveillance airport control towers to track and guide airborne craft back to port). Reflecting the free thinking and disciplinary equality that underpinned the initial experiment, the volume adopts an unconventional structural approach. Rather than offering distinct chapters, the contributors address cross-cutting themes in a more interwoven conversational mode, so that each sub-theme has i
Author: Stephen M. Barr
File Type: epub
Physicist Stephen M. Barrs lucidStudents Guide to Natural Scienceaims to give students an understanding, in broad outline, of the nature, history, and great ideas of natural science from ancient times to the present, with a primary focus on physics. Barr begins with the contributions of the ancient Greeks, in particular the two great ideas that reality can be understood by the systematic use of reason and that phenomena have natural explanations. He goes on to discuss, among other things, the medieval roots of the scientific revolution of the seventeenth century, the role played by religion in fostering the idea of a lawful natural order, and the major breakthroughs of modern physics, including how many newer revolutionary theories are in fact related to much older ones. Throughout this thoughtful guide, Barr draws his readers attention to the larger themes and trends of scientific history, including the increasing unification and mathematization of our view of the physical world that has resulted in the laws of nature appearing more and more as forming a single harmonious mathematical edifice.
Author: Paul Moody
File Type: pdf
This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMIs role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMIs amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the limits of British cinema. **