The General is a 1926 American silent film released by United Artists. It was inspired by the Great Locomotive Chase, a true story of an event that occurred during the American Civil War. The story was adapted from the 1889 memoir The Great Locomotive Chase by William Pittenger. The film stars Buster Keaton who co-directed it with Clyde Bruckman.
At the time of its initial release, The General, an action-adventure-comedy made toward the end of the silent era, was not well received by critics and audiences, resulting in mediocre box office returns (about half a million dollars domestically, and approximately one million worldwide). Because of its then-huge budget ($750,000 supplied by Metro chief Joseph Schenck) and failure to turn a significant profit, Keaton lost his independence as a filmmaker and was forced into a restrictive deal with Metro-Goldwyn-Mayer.
In 1954 the film entered the public domain in the United States because its claimant did not renew its copyright registration in the 28th year after publication.
The General has since been reevaluated, and is now often ranked among the greatest American films ever made. In 1989, it was selected by the Library of Congress to be included in the first class of films for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".
An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he has a longer and stranger past than they can imagine.
Safety Last! is a 1923 American silent romantic-comedy film starring Harold Lloyd. It includes one of the most famous images from the silent-film era: Lloyd clutching the hands of a large clock as he dangles from the outside of a skyscraper above moving traffic. The film was highly successful and critically hailed, and it cemented Lloyd's status as a major figure in early motion pictures. It is still popular at revivals, and it is viewed today as one of the great film comedies.
The film's title is a play on the common expression "safety first", which prioritizes safety as a means to avoid accidents, especially in workplaces. Lloyd performed some of the climbing stunts himself, despite having lost a thumb and forefinger four years earlier in a film accident.
In 1994, Safety Last! was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It is one of many works from 1923 that notably entered the public domain in the United States in 2019, the first time any works have done so in 20 years.
The New York Times gave Safety Last! a very positive review. A contemporary review in Photoplay predicted the film's future: "This new Harold Lloyd farce will become a classic of its kind, or we will miss our guess. For it is the bespectacled comedian's best effort to date." "This is easily one of the big comedies of the year. It is seven-reels in length—but it speeds by with the rapidity of a corking two-reeler," the reviewer concluded.
The Library of Congress added Safety Last! to its National Film Registry in 1994. The American Film Institute nominated the film for both their 1998 and 2007 lists of AFI's 100 Years...100 Movies. It was also nominated for AFI's 100 Years...100 Laughs. It placed #97 on AFI's 100 Years...100 Thrills.
The Brain That Wouldn't Die (also known as The Head That Wouldn't Die or The Brain That Couldn't Die) is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton. The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962, when it was released under its new title as a double feature with Invasion of the Star Creatures.
The film focuses upon a mad doctor who develops a means to keep human body parts alive. He keeps his fiancée's severed head alive for days, and also keeps a lumbering, malformed brute (one of his earlier failed experiments) imprisoned in a closet.
The specific plot device of a mad doctor who discovers a way to keep a human head alive had been used in fiction earlier (such as Professor Dowell's Head from 1925), as well as other variants on this theme.
The film was in the public domain in the United States from the day of its release due to a flawed copyright notice.
On a desolate island, suicidal sheep Franck meets his fate in a quirky salesman, who offers him the gift of a lifetime. Little does he know that he can only handle this much 'lifetime'.
The film itself, along with the other Blender Foundation "open movies," was released under the Creative Commons Attribution License
Way Down East is a 1920 American silent romantic drama film directed by D. W. Griffith and starring Lillian Gish. It is one of four film adaptations of the melodramatic 19th century play Way Down East by Lottie Blair Parker. There were two earlier silent versions and one sound version in 1935 starring Henry Fonda. Griffith's version is particularly remembered for its climax in which Lillian Gish's character is rescued from doom on an icy river.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1928.
Plot
Anna (Lillian Gish) is a poor country girl who is tricked by handsome man-about-town Lennox (Lowell Sherman) into a fake wedding. When she becomes pregnant, he reveals the truth of their relationship and leaves her. She has the baby, named Trust Lennox, on her own in a boarding house.
When the baby dies she wanders until she gets a job with Squire Bartlett (Burr McIntosh). Despite being unofficially engaged, David (Richard Barthelmess), Squire Bartlett's son, falls for her, but she rejects him due to her torrid past. Lennox then shows up as an old friend of the Bartletts, and lusting for another local girl, Kate. Seeing Anna, he tries to get her to leave, but she refuses to go claiming she never did anything wrong, although she promises to say nothing about their history.
Finally, the woman running the boardinghouse while visiting the Bartletts recognizes Anna. Squire Bartlett eventually learns of Anna's past from Martha, the town gossip. In his anger, he tosses Anna out into a snow storm. She agrees to go, but not before naming the respected Lennox as her despoiler and the father of her dead baby. She becomes lost in the raging storm while David leads a search party. In the climax, the unconscious Anna floats on an ice floe down a river towards a waterfall, until rescued at the last moment by David, who marries her in the final triple marriage ceremony scene.
Subplots relate the romances and eventual marriages of some of the picaresque characters inhabiting the village.
In the aftermath of an oppressive class war, a pregnant officer aboard an escape pod must struggle to survive with her remaining crew when a mysterious and vicious life form attacks, determined to become the dominant species.
This movie casts several members of the Star Trek family. Manu Intyrami (Icheb, Star Trek Voyager), Tim Russ (Tuvok, Star Trek Voyager, Star Trek The Next Generation and Deep Space Nine), Arman Schimerman (Quark, Deep Space Nine), Martina Sirtis (Counselor Deanna Troi, Start Trek The Next Generation, Star Trek Enterprise, First Contact, Star Trek Generations and 4 other Star Trek movies), Hana Hatae (Deep Space Nine, Star Trek The Next Generation, the daughter of transporter Chief Miles O'Brien) and Doug Jones from the upcoming series Star Trek Discovery. The combination of these actors as well as the other main character actors blends together very well. Although the plot does follow the same premise as the "Aliens" movies, these actors do bring their own distinct version of their characters to this movie. The CGI effects are very good and are convincing to the viewer. Some of the plot lines do tend to become slow at times, but the action scenes are very realistic. Being a Star Trek fan from the very beginning, I was impressed to see all the incredible talent these actors brought to this movie. To see these Star Trek actors in different roles was a nice change and they played their roles extremely well. I would add this movie to my Sci Fi collection.
Directed by: Scotty Baker
Starring: Morgan Lariah, Manu Intiraymi, Doug Jones
One-Eyed Jacks is a 1961 American Technicolor Western film starring and directed by Marlon Brando; it was the only film he directed. It was originally planned to be directed by Stanley Kubrick from a screenplay by Sam Peckinpah, but studio disputes led to their replacement by Brando and Guy Trosper. Brando portrays the lead character Rio, and Karl Malden plays his partner, "Dad" Longworth. The supporting cast features Pina Pellicer, Katy Jurado, Ben Johnson and Slim Pickens. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress.
PLOT
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Rio (also called "The Kid"), his mentor Dad Longworth, and a third man called Doc rob a bank of two saddlebags of gold in Sonora, Mexico. Mexican rurales (mounted police) track them, catch them celebrating in a cantina, and kill Doc. Dad and Rio escape, but get trapped on a high ridge with only one horse between them. Rio figures the rurales will be "swarming all over us inside an hour." They decide one partner might succeed in riding to a nearby jacalito (small adobe house) and returning with fresh mounts. They gamble for it, with Rio fixing it so his pal, Dad, can be the one to go.
Dad gets to a corral and straps the saddlebags of gold onto a fresh pony, but he gets second thoughts. He casts one eye towards a point on the ridge sure to be taken by the rurales, and with the other he gazes off in the opposite direction, towards the border and safety. One way leads to danger and a poor chance at survival with half the loot, the other towards certain safety with all the spoils. After a short moment of reflection he leaves his friend to be taken by the rurales. Rio is arrested and transported to prison by way of the jacalito, where he learns firsthand of Dad's betrayal.
Director: Marlon Brando
Writers: Guy Trosper (screenplay), Calder Willingham (screenplay) | 1 more credit »
Stars: Marlon Brando, Karl Malden, Pina Pellicer
Dominion is a feature-length documentary presenting an uncompromising, damning exploration of the various ways animals are used and abused by humans, particularly in the meat, dairy, egg, clothing and entertainment industries.
Filmed in Australia, ‘Dominion’ combines footage from handheld, hidden, and aerial drone cameras, much of it never seen before, to convey both the terrifying scale of an empire built on secrecy – and the individual stories of its victims.
Focusing on the legal, industry-standard practices that occur all over the world, the film questions the morality and validity of humankind’s dominion over the animal kingdom, advocating not for minor improvements to their welfare but for a deeper conversation about our right to exploit those we deem inferior to ourselves.
Narrated by Joaquin Phoenix, Rooney Mara, Sia, Sadie Sink and Kat Von D, and co-produced by Earthlings creator Shaun Monson. Filmed in Australia, with a global message.
Available for free as of 10 October 2018.
More info & Donations at https://www.dominionmovement.com/
License: Attribution-NoDerivatives 4.0 International
In 1906, Professor Alexander Saxton (Christopher Lee), a renowned United Kingdom anthropology, is returning to Europe by the Trans-Siberian Express from China to Moscow. With him is a crate containing the frozen remains of a primitive humanoid creature that he discovered in a cave in Manchuria. He hopes it is a Transitional fossil#Missing_links in human evolution. Doctor Wells (Peter Cushing), Saxton's friendly rival and Royal Society colleague, is also on-board but travelling separately. Before the train departs Shanghai, a thief is found dead on the platform. His eyes are completely white and without irises or pupils, and a bystander initially mistakes him for a blind man. A monk named Father Pujardov (Alberto de Mendoza), the spiritual advisor to a Poles Count and Countess who are also waiting to board the train, proclaims the contents of the crate to be evil. Saxton furiously dismisses this as superstition. Saxton's eagerness to keep his scientific find secret arouses the suspicion of Wells, who bribes a porter to investigate the crate. The porter is killed by the ape-like creature within, which then escapes the crate by picking the lock.
The creature finds more victims as it roams the moving train, each victim being found with the same opaque, white eyes. An autopsy suggests that the brains of the victims are being drained of memories and knowledge. When the creature is gunned down by police Inspector Mirov, the threat seems to have been vanquished. Saxton and Wells discover that images are retained in a liquid found inside the eyeball of the corpse, which reveal a prehistoric Earth and a view of the planet seen from space. They deduce that the real threat is somehow a formless Extraterrestrial life that inhabited the body of the creature and now resides within the Inspector. Father Pujardov, sensing the greater presence inside the Inspector and believing it to be that of Satan, renounces his faith to pledge allegiance to the mysterious entity.
Cast
Christopher Lee ... Professor Sir Alexander Saxton
Peter Cushing ... Dr. Wells
Alberto de Mendoza ... Father Pujardov
Telly Savalas ... Captain Kazan
Julio Peña ... Inspector Mirov
Silvia Tortosa ... Countess Irina Petrovski
Ángel del Pozo ... Yevtushenko
Helga Liné ... Natasha
Alice Reinheart ... Miss Jones
José Jaspe ... Conductor Konev
George Rigaud ... Count Marion Petrovski
Víctor Israel ... Maletero – the Baggage Man
Faith Clift ... American Passenger (credited as Faith Swift)
Juan Olaguivel ... the Creature (credited as Juan Olaguibel)
Barta Barri ... First Telegraphist
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