This work was completed in 1916 while Holst was working as Director of Music at Morley College in London. The original composition was scored for two pianos, however Holst changed this to a full orchestral version after hearing the work of other composers such as Igor Stravinsky and Arnold Schoenberg.
The suite was premiered at the Queen’s Hall in London in 1918 to a small audience, with generally positive reviews. While this work is considered the most well-known of Holst’s compositions, the composer did not consider this work to be one of his best creations.
The Master-Singers of Nuremburg, WWV. 96. Prelude by Richard Wagner
Wagner completed his opera ‘The Master-Singers of Nuremburg” in 1867, with the premiere performance being given in June 1868 at the Königliches Hof- und National-Theater. The opera is based on the work of German historian Georg Gottfried Gervinus’, as well as events from the life of Wagner himself.
The Sleeping Beauty, Op. 66: Act. 1 ‘The Garland Waltz’ by Pyotr Ilyich Tchaikovsky
Tchaikovsky composed the ballet “The Sleeping Beauty” in 1890, and premiered the work at the Mariinsky Theatre in St. Petersburg in the same year. The Garland Waltz occurs early in the first act. The premise of the ballet is based on the Brothers Grimm adaptation of the story.
Children’s Corner Suite, L. 133. No. 4, The Snow is Dancing by Claude Debussy
Debussy completed his six movement Children’s corner suite in 1908, with the first performance being given in December the same year. Debussy wrote the suite for his daughter Claude-Emma, who was three at the time.
Polonaise in A♭ major, Op. 53 ‘Heroic Polonaise’ by Frédéric Chopin
Chopin completed this composition for piano in 1842. Chopin had not intended for the work to have the name ‘Heroic Polonaise’, however after the novelist and political activist Amantine Dupin (George Sand) heard the piece she wrote to Chopin that the music to her sounded like the ‘spirit of the French revolution’. The revolution Dupin referred to is the revolution of 1848. The term has now become affixed to the work.
España Rhapsody by Emmanuel Chabrier
French composer Emmanuel Chabrier completed his España Rhapsody in 1883 after a trip to several cities around Spain. The work was premiered at the Théâtre du Château d’Eau in Paris the same year.
The work is based on the folk music of Spain, in particular the ‘Jota’ music.
The Carnival of the Animals: Fossils by Camille Saint-Saëns
Camille Saint-Saëns composed his musical suite ‘The Carnival of the Animals’ in 1886 while on leave in Austria. The original work was intended for small collection of instruments taking priority in each respective movement of the suite, however the popularity of the work has since seen the entire suite adapted for orchestra.
Symphony No. 1 in A♭ major, Op. 55 by Sir Edward Elgar
Elgar completed this symphony in 1908, with the premiere performance being given in December the same year in Manchester. Elgar had originally intended the work to be in honour of General Charles George Gordon, however during composition (which lasted several years) decided to leave the music as a purely symphonic work.
The work was instead dedicated to the conductor Hans Richter, friend and admirer of Elgar who would conduct the 1908 premiere.
The symphony is comprised of four movements:
I. Andante. Nobilmente e semplice — Allegro 00:00
II. Allegro molto 21:59
III. Adagio 29:24
IV. Lento — Allegro 42:33
Étude Op. 10, No. 3, in E major ‘Tristesse’ by Frédéric Chopin
Chopin published his first book of Etudes in 1833 while he was composing and performing in the salons of Paris. The work was completed after Chopin had become friends with fellow composer Franz Liszt and as such the collection is dedicated to him.
L'Arlésienne Suite No. 1, Op. 23 by Georges Bizet
In 1872, French composer Georges Bizet composed the incidental music accompaniment to the play L'Arlésienne by French Novelist Alphonse Daudet. The first performance of the music took place in October 1872 at the Théâtre du Vaudeville in Paris. Despite only minor acclaim for the incidental music itself, Bizet adapted the work into a Suite for orchestra, with the first performance being given in November 1872.
The work is comprised of four movements:
I. Prélude, Allegro deciso
II. Minuet, Allegro giocoso
III. Adagietto
IV. Carillon, Allegro moderato