Description: An assassin fends off numerous attacks from her comrades, who are trying to move up in rank by killing off the competition.
Pistol Opera is a 2001 Japanese film directed by Seijun Suzuki that served as a sequel to 1966's Branded to Kill, which was also by Suzuki.
Hanada is not played by Joe Shishido this time, but by Mikijiro Hira; Suzuki has said that the original intent was for Shishido to play the character again, but that the film's producer, Satoru Ogura, wanted Hira to play the character instead. The reasons for this are still unclear (if you ask me, it's a little sacrilegious, but what do I know.)
CAST:
Makiko Esumi as Miyuki Minazuki, a.k.a. Stray Cat, a.k.a. Killer No. 3 Sayoko Yamaguchi as Sayoko Uekyo Kirin Kiki as Minazuki's grandmother Mikijiro Hira as Goro Hanada, a.k.a. The Champ, a.k.a. the former Killer No. 1 Hanae Kan as Sayoko, the young girl Kenji Sawada as Assassin NO.2 Jan Woudstra as Painless Surgeon, a.k.a. No. 5 Masatoshi Nagase as the Man in Black, a.k.a. Dark Horse Haruko Kato as Shizuka Orikuchi
CREW:
DIRECTOR Seijun Suzuki
PRODUCERS Satoru Ogura, Ikki Katashima and Tadayoshi Kubo
Part 8 of 16 Episodes
The Animator's Survival Kit: A Manual of Methods, Principles, and Formulas for Classical, Computer, Games, Stop Motion, and Internet Animators is an instructional book by Academy Award-winning animator and director Richard Williams. The book includes techniques, advice, tips, tricks, and general information on the history of animation.
Animation examples from the book combined with footage from Richard Williams' masterclasses have been put into a 16-volume DVD box set titled The Animator's Survival Kit – Animated. The logo from the book cover was completely animated in the traditional style, taking Williams and his animators 9 months to complete. Williams also included some early drafts of his own work from previous projects.
Description: There are five survivors in a futuristic library. Bam is their supreme dictator, and has the others interrogated and tortured, believing them to have said where. What Bam means is unclear, but he distrusts all.
What Where is Samuel Beckett's last play produced following a request for a new work for the 1983 Autumn Festival in Graz, Austria. It was written between February and March 1983 initially in French as Quoi où and translated by Beckett himself.
CAST:
Sean McGinley - Bam
Gary Lewis - Bom / Bim / Bem
CREW:
DIRECTOR
Damien O'Donnell
WRITER
Samuel Beckett
Description: In this stinging indictment of Mexican politics disguised as a screwball comedy, Elena (Julieta Egurrola) finds out the truth about her philandering husband, Dr. Enrique Laguardia (Fernando Luján), when his secretary uncovers his secret life as a drug smuggler and money launderer (he works for Con and Trix Corp.).
The film won multiple awards (including Best Film, Actor and Actress) at the Guadalajara Film Festival.
Cast:
Fernando Luján - Enrique Laguardia
Julieta Egurrola - Elena Lascuráin
Carmen Delgado - Yadir
Álvaro Guerrero - Pedro
María Isasi - Rita (as María Isasi-Isasmendi)
Arturo Ríos - Gerardo
Eligio Meléndez - Don Jacinto
Zaide Silvia Gutiérrez - Luisa
Laura Sosa - Chayito
Rodrigo Murray - Rosales
Jorge Galván - Don Gustavo
Jorge Fratta - Alex
Andrés Loewe - Saul
Elena Olivares - Rogelia
Gregg Lucas - Galán (as Greg Lucas)
CREW:
Directed by Maria del Carmen de Lara ... (as Maricarmen de Lara)
Writing Credits (in alphabetical order)
Laura Sosa
Maria del Carmen de Lara
Produced by
Álvaro Garnica ... producer
Laura Imperiale ... producer
Jorge Sánchez ... producer
Music by
Eduardo Gamboa
Cinematography by
Arturo de la Rosa
Description: The Mads force Joel and the 'bots to watch Godzilla vs. Megalon (1973), the cheesy Japanese monster mash featuring Godzilla and a flying cyborg Jet Jaguar meeting a giant cockroach and a big black chicken sent by Seatopians. With Katsuhiko Sasaki, Hiroyuki Kawase, Yutaka Hayashi, and Godzilla's infamous flying kick, could this finally be the film that does Joel and his friends in for good?
The basic premise of Mystery Science Theater 3000 (MST3K) is that a human test subject — Joel Robinson (Joel Hodgson) — has been imprisoned aboard the spacecraft Satellite of Love by mad scientists (collectively called "The Mads") and is forced to watch a series of bad movies in order to find one that will drive the test subject insane.
In an attempt to keep his sanity, Joel built sentient robots ("the bots") from parts aboard the Satellite of Love, and they subsequently remained aboard with Joel's successors as test subjects. The Bots include Tom Servo, Crow T. Robot, Gypsy, who is in charge of satellite operations, and Cambot, the silent recorder of the experiments. Crow and Servo join the human test subject in watching the film in the satellite's theater. To keep from going mad, the trio frequently comment and wisecrack during the movie, a process known as "riffing". At regular intervals throughout the movie, the hosts leave the theater and return to the bridge of the satellite to perform sketches (commonly called "host segments") that often satirize the film being watched.
In one of their more infamous episodes, the satellite of love crew got a chance to make fun of the famous Godzilla, riffing on one of the most ridiculed yet beloved big-G campy classics in their typical fashion. While this one certainly one of their more beloved and celebrated episodes, Toho subsequently stop licensing any Godzilla films for the MST3K to feature (seems they didn't appreciate the riffs) and subsequent home releases of this episode have been very space and difficult to come by. Thankfully, it found its way onto the internet archieve (and Facebook for however long that'll last,) which means it has found its way onto here! Please enjoy the show!
The Animation Examples from episode 4 of Richard Williams Animator's Survival Kit
The Animator's Survival Kit: A Manual of Methods, Principles, and Formulas for Classical, Computer, Games, Stop Motion, and Internet Animators is an instructional book by Academy Award-winning animator and director Richard Williams. The book includes techniques, advice, tips, tricks, and general information on the history of animation.
Animation examples from the book combined with footage from Richard Williams' masterclasses have been put into a 16-volume DVD box set titled The Animator's Survival Kit – Animated. The logo from the book cover was completely animated in the traditional style, taking Williams and his animators 9 months to complete. Williams also included some early drafts of his own work from previous projects.
Description: Following a 19th-century play penned by Benjamin Antier, the figure of Robert Macaire, bandit and rogue, enjoyed popularity in several contexts. One of the most detailed treatments may be found in Epstein’s LES AVENTURES DE ROBERT MACAIRE, which he executed in five interrelated episodes.
CAST:
Jean Angelo ... Robert Macaire
Suzanne Bianchetti ... Louise de Sermèze
Marquisette Bosky ... Jeanne - la fille de Robert
Lou Dovoyna ... Victoire (as Lou Davy)
Maximilienne ... La fermière (as Maximilienne Max)
Niblia ... Eugénie Mouffetard (as Mlle. Niblia)
Alex Allin ... Bertrand
Camille Bardou ... Verduron
Nino Constantini ... René de Sermèze
Gilbert Dulong ... Marquis de Sermèze (as Sacha Dulong)
François Viguier ... Baron de Cassignol
Jean-Pierre Stock ... Vicomte de la Ferté
Jules de Spoly
Alexej Bondireff
Dulcart ... Fiancée de René de Sermèze(uncredited)
René Ferté ... M. de Valecure (uncredited)
CREW:
DIRECTOR
Jean Epstein
WRITER
Charles Vayre
CINEMATOGRAPHY
Nikolas Roudakoff and Paul Guichard
Description: Conrad Veidt plays a famous musician who is blackmailed for being gay. Eventually he stands trial and is convicted. At the end the film pleads for the abolition of §175 (the paragraph which punishes homosexuality).
Anders als die Andern, a 1919 German film produced during the Weimar Republic, is one of the first sympathetic portrayals of homosexuals in cinema. The story was co-written by Richard Oswald and Magnus Hirschfeld, who also had a small part in the film and partially funded the production through his Institute for Sexual Science. The film was intended as a polemic against the then-current laws under Germany's Paragraph 175, which made homosexuality a criminal offense. It is believed to be the first pro-gay film in the world.
Censorship laws were enacted in reaction to films like Anders als die Andern and by October 1920 only doctors and medical researchers could view it. Prints of the film were among the many "decadent" works burned by the Nazis after they came to power in 1933. Unfortunately this turbulent history meant that parts of this film have been lost seemingly forever, though the copy that exists today is this a fairly complete version of the 1919 original.
CAST:
Conrad Veidt as Paul Körner
Leo Connard as Körner's Father
Ilse von Tasso-Lind as Körner's Sister
Alexandra Willegh as Körner's Mother
Ernst Pittschau as Sister's Husband
Fritz Schulz as Kurt Sivers
Wilhelm Diegelmann as Sivers' Father
Clementine Plessner as Sivers' Mother
Anita Berber as Else
Reinhold Schünzel as Franz Bollek
Helga Molander as Mrs. Hellborn
Magnus Hirschfeld as Arzt (German for Doctor)
Karl Giese as Young Paul Körner
CREW:
DIRECTOR
Richard Oswald
PRODUCER
Richard Oswald
WRITERS
Richard Oswald and Magnus Hirschfeld
CINEMATOGRAPHY
Max Fassbender
PRODUCTION DESIGN
Emil Linke
Description: A young woman sits down in a chair. Only her mouth is visible as she begins to speak at a rapid clip, describing events that she insists did not really happen to her.
Not I is a short dramatic monologue written in 1972 (20 March to 1 April) by Samuel Beckett which was premiered at the "Samuel Beckett Festival" by the Repertory Theater of Lincoln Center, New York (22 November 1972).
CAST:
Julianne Moore: Auditor / Mouth
CREW:
DIRECTOR
Neil Jordan
WRITER
Samuel Beckett
Description: Though his parents help him run the family business, Jun still feels persecuted by their love; when they bar him from meeting with his girlfriend, tensions increase.
CAST:
Yutaka Mizutani ... Saiki, Jun
Mieko Harada ... Keiko
Etsuko Ichihara ... Jun's mother
Ryôhei Uchida ... Jun's father
Kazuko Shirakawa ... Keiko's mother
Jun Etô ... Miyata, Michio
Kaori Momoi ... Ishikawa, Ikuko
Takeo Chii ... Hidaka, Toru
Yûji Arikawa
Kai Atô
Go Hasegawa ... Son at the beach
Kazuhiko Hasegawa ... Father at the beach
Kôji Himuro
Haruo Kariya
Akio Kuwasaki
Sue Mitobe ... Hunter's woman
Yoshihiko Miyake
Tomoko Noguchi
CREW:
DIRECTOR
Kazuhiko Hasegawa
PRODUCER
Shôhei Imamura
WRITERS
Tsutomu Tamura and Kenji Nakagami
EDITOR
Sachiko Yamaji
CINEMATOGRAPHY
Tatsuo Suzuki
ART DIRECTION
Sachiko Yamaji
COMPOSERS
Mickie Yoshino and Godaigo