Author: Mark Everist File Type: pdf The Conductus repertory is the body of monophonic and polyphonic non-liturgical Latin song that dominated European culture from the middle of the twelfth century to the beginning of the fourteenth. In this book, Mark Everist demonstrates how the poetry and music interact, explores how musical structures are created, and discusses the geographical and temporal reach of the genre, including its significance for performance today. The volume studies what medieval society thought of the Conductus, its function in medieval society - whether paraliturgical or in other contexts - and how it fitted into patristic and secular Latin cultures. The Conductus emerges as a genre of great poetic and musical sophistication that brought the skills of poets and musicians into alignment. This book provides an all-encompassing view of an important but unexplored repertory of medieval music, engaging with both poetry and music even-handedly to present new and up-to-date perspectives on the genre. **Review There have been no book-length studies of the Conductus until Discovering Medieval Song, expertly written by the foremost authority on the genre, and on music of the so-called ars antiqua more generally. Covering everything from the Conductuss complicated relationship to the liturgy, to its ties with contemporaneous genres such as the motet and organum, Discovering Medieval Song is both the first comprehensive study of the genre and a nuanced examination of thorny issues of performance and musico-poetic relationships. Its broad scope should not confuse readers - this is not merely a reportorial survey. Rather, the book offers new insights into performance, form, and the inter- and intratextual poetics of the Conductus, and includes new discoveries and information on sources and individual works. This will be the book to consult on the genre for many decades to come. Mary Channen Caldwell, University of Pennsylvania Discovering Medieval Song is a masterful achievement. Mark Everist has managed to tame an extremely unruly repertory of medieval song. Ranging far and wide throughout Europe, he brings together the hundreds of examples of the musical-poetic genre of the Conductus in a long-awaited monograph that is the first of its size and scope to tackle the subject. Painstakingly argued and brimming with new insights, this book will also likely be the last word on the topic for years to come. Thomas B. Payne, College of William and Mary, Virginia Book Description The Conductus is a non-liturgical Latin song that dominated European culture in the Middle Ages. This comprehensive book uses cutting-edge research to show how poetry and music interact, exploring the role of the Conductus in medieval society, and providing new perspectives on this important body of music and poetry.

Author: Tom Huhn File Type: pdf

Author: Mark G. Schmeller File Type: pdf In the early American republic, the concept of public opinion was a recentand ambiguousinvention. While appearing to promise a new style and system of democratic and deliberative politics, the concept was also invoked to limit self-rule, cement traditional prejudices and hierarchies, forestall deliberation, and marginalize dissent. As Americans contested the meaning of this essentially contestable idea, they expanded and contracted the horizons of political possibility and renegotiated the terms of political legitimacy. Tracing the notion of public opinion from its late eighteenth-century origins to the Gilded Age, Mark G. Schmellers Invisible Sovereign argues that public opinion is a central catalyst in the history of American political thought. Schmeller treats it as a contagious idea that infected a broad range of discourses and practices in powerful, occasionally ironic, and increasingly contentious ways. Ranging across a wide variety of historical fields, Invisible Sovereign traces a shift over time from early political-constitutional concepts, which identified public opinion with a sovereign people and wrapped it in the language of constitutionalism, to more modern, social-psychological concepts, which defined public opinion as a product of social action and mass communication. **

Author: Franco Moretti File Type: pdf