And, now, for something completely different! Although the foregoing opening is from Monty Python, the video accompanying this description is not a comedy, but, nonetheless, seeks to draw the audience's attention to some important issues just as the Monty Python sketches tried to do -- sometimes quite successfully and sometimes less successfully, and which of those two, foregoing possibilities might apply to the accompanying play will be up to you to decide. The production costs for the play were about $37.00 dollars. Notwithstanding such a budget, the play has been years in the making (a lifetime really) and required considerable time to put together by a team of one. The video gives expression to a complete play concerning the issue of sovereignty. The play runs for 3 hours and 20 minutes, with the first and third acts lasting about an hour each, while the second act comes in at about an hour and a quarter. There are twelve characters, plus a moderator, who are featured in the play. Although I did not have access to human actors to play the different roles, I did attempt -- notwithstanding an extremely limited production budget and a cranky director -- to creatively improvise as best I could. As the beginning of the video points out, the visual aspect of the video is quite static (moreover, just as the video indicates, I am working on adding a more dynamic dimension to the visual aspect of things for a later edition of the play), but, hopefully, this current defect will be compensated for by the quality of the issues that will be discussed during the course of the play ... issues that are relevant to what is transpiring in the world today. I suppose – given its limitations -- one might consider the current offering a far off-Broadway production. Try to keep in mind that the setting for the play is just a vehicle for transporting ideas to an audience. That setting does not necessarily have to be realistic in order to have a potential for some degree of effectiveness. If you like, you can download the video and engage it at your leisure. Alternatively, you can just attend to the play via my channel on Odysee.

And, now, for something completely different! Although the foregoing opening is from Monty Python, the video accompanying this description is not a comedy, but, nonetheless, seeks to draw the audience's attention to some important issues just as the Monty Python sketches tried to do -- sometimes quite successfully and sometimes less successfully, and which of those two, foregoing possibilities might apply to the accompanying play will be up to you to decide. The production costs for the play were about $37.00 dollars. Notwithstanding such a budget, the play has been years in the making (a lifetime really) and required considerable time to put together by a team of one. The video gives expression to a complete play concerning the issue of sovereignty. The play runs for 3 hours and 20 minutes, with the first and third acts lasting about an hour each, while the second act comes in at about an hour and a quarter. There are twelve characters, plus a moderator, who are featured in the play. Although I did not have access to human actors to play the different roles, I did attempt -- notwithstanding an extremely limited production budget and a cranky director -- to creatively improvise as best I could. As the beginning of the video points out, the visual aspect of the video is quite static (moreover, just as the video indicates, I am working on adding a more dynamic dimension to the visual aspect of things for a later edition of the play), but, hopefully, this current defect will be compensated for by the quality of the issues that will be discussed during the course of the play ... issues that are relevant to what is transpiring in the world today. I suppose – given its limitations -- one might consider the current offering a far off-Broadway production. Try to keep in mind that the setting for the play is just a vehicle for transporting ideas to an audience. That setting does not necessarily have to be realistic in order to have a potential for some degree of effectiveness. If you like, you can download the video and engage it at your leisure. Alternatively, you can just attend to the play via my channel on Odysee. In either case, just close your eyes, sit back, relax with your favorite form of libation and/or snack nearby, and listen to the tale that is being spun during the play. However, don’t forget to critically reflect on the ideas that will be cast before you during the course of the play. I don't think there are many plays that are on Odysee, so, in that sense, the current presentation will be something that is, indeed, completely different. Despite such differences, I hope you will enjoy the production ... as well as, hopefully, cut me some slack for trying to do a lot with very little money and limited resources.

There is a great deal of discussion these days among various Muslims about the topic of "revivalism" -- that is, the process of reviving, or bringing back, what someone believes to be the original nature of Islam. In conjunction with such notions, one also hears about the idea of shari'ah which often is referred to as "Divine Law". I believe that many aspects of the foregoing kinds of discussion are problematic and stand in need of a course correction ... a correction which I believe the mystical path has the potential to offer. The present talk provides an overview of both the nature of the problem and the character of the solution.

The following material encompasses an interview that was conducted by Dr. Len Ber of Targeted Justice --https://www.targetedjustice.com/ -- in late January of 2024. For those who are unfamiliar with the term, “Targeted Individuals” are people who are being terrorized everyday of the week by: Various government agents, would-be overlords of the corporate sector, medical people who lack ethics and integrity, academic experimenters who care only about their careers, military black operatives, abusers of the policing system (on a federal, state, and local level), as well as independent contractors who are willing to torture people for a buck. These perpetrators use a variety of protocols governing wireless networks of energy that been have established by the IEEE (Institute of Electrical and Electronics Engineers) and which have enabled unscrupulous, greedy, and self-serving individuals to subject people all over the world (estimated to consist of some 6,000,000 individuals) to programs (operated both through systems of artificial intelligence as well as manual apps on mobile phones, iPads, or computers) that seek to impose physical, emotional, and cognitive torture as well as mind-control programs on innocent people. The phenomenon of the Havana Syndrome is but one expression of the world-wide program of terror that is being run by people that many modalities of media are actively protecting and attempting to keep hidden from a more wide-spread public awareness.