Nights in the Big City: Paris, Berlin, London 1840-1930 (2nd Edition)
Author: Joachim Schlör File Type: pdf This elegantly written book describes the evolving perception and experience of the night in three great European cities Paris, Berlin, and London. As Joachim Schlor shows, the lighting up of the European city by gas and electricity in the nineteenth and early twentieth centuries brought about a new relationship with the night for both those who toiled at work and those who caroused in restaurants, pubs, and cafes.Nights in the Big Cityexplores this change and offers a stirring portrait of the secrets and mysteries a city can hold when the sun goes down. Sifting through countless police and church archives alongside first-hand accounts, Schlor sets out on his own explorations with a head full of histories, exploring the boulevards and side-streets of these three great capitals. Illustrated with haunting and evocative photographs by, among others, Bill Brandt and Andre Kertesz, and filled with contemporary literary references,Nights in the Big Cityis a milestone in the cultural history of the city. **
Author: George Orwell
File Type: epub
George Orwell was first and foremost an essayist. From his earliest published article in 1928 to his untimely death in 1950, he produced an extraordinary array of short nonfiction that reflectedand illuminatedthe fraught times in which he lived and wrote. As soon as he began to write something, comments George Packer in his foreword to this new two-volume collection, it was as natural for Orwell to propose, generalize, qualify, argue, judgein short, to thinkas it was for Yeats to versify or Dickens to invent.Facing Unpleasant Facts charts Orwells development as a master of the narrative-essay form and unites classics such as Shooting an Elephant with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwells boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these narrative essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex. **
Author: Linda Cummins
File Type: pdf
Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussys work within a tradition thriving on anti-Aristotelian principles motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussys scores and finds convincing correlations in this chiasmatic crossover. CONTENTS Introduction Chapter 1 Ruins of Convention Conventions of Ruin Chapter 2 Beginnings and Endings Chapter 3 Arcadias and Arabesques Chapter 4 The Sketch Chapter 5 Auto-Quotation Chapter 6 Preludes A Postlude Bibliography**
Author: Reginald Lynch
File Type: pdf
Recalling the Biblical and Patristic roots of the Churchs sacramental identity, the Second Vatican Council calls the Church the visible sacrament of that unity offered through Christ (LG 9). Sacrament in this sense not only describes who the Church is, but what she does. In this regard, the Council Fathers were careful to establish a strong connection between the symbolic nature of the Churchs sacraments and their effect on those who received them. Reginald Lynch is concerned with the cleansing of the hearta phrase borrowed from St. Augustine and employed by Aquinas, which describes the effects that natural elements such as water or bread have on the human person when taken up by the Church as sacramental signs. Aquinas approach to sacramental efficacy is unique for its integration of diverse theological topics such as Christology, merit, grace, creation and instrumentality. While all of these topics will be considered to some extent, the primary focus of The Cleansing of the Heart is the sacraments understood as instrumental causes of grace. This volume provides the historical context for understanding the development of sacramental causality as a theological topic in the scholastic period, emphasizing the unique features of Aquinas response to this question. Following this, relevant texts from Aquinas early and later work are examined, noting Aquinas development and integration of the idea of sacramental causality in his later work. The Cleansing of the Heart concludes by contrasting alternatives to Aquinas theory of sacramental causality that subsequently emerged. The rise of humanism introduced many changes within rhetoric and philosophy of language that had a profound effect on some theologians during the Modern period. This book provides historical context for understanding the most prominent of these theories in contrast to Aquinas, and examines some of their theological implications. **
Author: Bernd Heinrich
File Type: mobi
From flying squirrels to grizzly bears, and from torpid turtles to insects with antifreeze, the animal kingdom relies on some staggering evolutionary innovations to survive winter. Unlike their human counterparts, who must alter the environment to accommodate physical limitations, animals are adaptable to an amazing range of conditions. Examining everything from food sources in the extremely barren winter land-scape to the chemical composition that allows certain creatures to survive, Heinrichs Winter World awakens the largely undiscovered mysteries by which nature sustains herself through winters harsh, cruel exigencies. From flying squirrels to grizzly bears, and from torpid turtles to insects with antifreeze, the animal kingdom relies on some staggering evolutionary innovations to survive winter. Unlike their human counterparts, who must alter the environment to accommodate physical limitations, animals are adaptable to an amazing range of conditions.Examining everything from food sources in the extremely barren winter land-scape to the chemical composition that allows certain creatures to survive, Heinrichs Winter World awakens the largely undiscovered mysteries by which nature sustains herself through winters harsh, cruel exigencies.**
Author: Steven Hrotic
File Type: pdf
Religion in Science Fiction investigates the history of the representations of religion in science fiction literature. Space travel, futuristic societies, and non-human cultures are traditional themes in science fiction. Speculating on the societal impacts of as-yet-undiscovered technologies is, after all, one of the distinguishing characteristics of science fiction literature. A more surprising theme may be a parallel exploration of religion its institutional nature, social functions, and the tensions between religious and scientific worldviews. Steven Hrotic investigates the representations of religion in 19th century proto-science fiction, and genre science fiction from the 1920s through the end of the century. Taken together, he argues that these stories tell an overarching story-a metanarrative-of an evolving respect for religion, paralleling a decline in the belief that science will lead us to an ideal (and religion-free) future. Science fictions metanarrative represents more than simply a shift in popular perceptions of religion it also serves as a model for cognitive anthropology, providing new insights into how groups and identities form in a globalized world, and into how crucial a role narratives may play. Ironically, this same perspective suggests that science fiction, as it was in the 20th century, may no longer exist. **
Author: Paul Ryan
File Type: epub
Dyin out there? Learn how to act funny from a top Hollywood expert. Want to know a secret? Sssshhhh. Great comedy actors arent born...theyre made. Who makes them? Paul Ryan, thats who. Now Ryan, the top comedy acting coach in Hollywood, shares his secrets in The Art of Comedy, a step-by-step guide for turning actors into comedy actors. Packed with exercises, The Art of Comedy explains exactly how to build a character, how to incorporate improvisation into a written scene, where to turn for comic inspiration, and how to increase your comedic imagination. Also included is a technical analysis of comedy greats from Milton Berle to Jerry Seinfeld. For anyone who wants to work in film, in television, or in community theater, heres the complete guide to acting funny. Written by Hollywoods top comedy acting coach Packed with practical step-by-step exercises Gives actors at every level an edge at comedy auditions**
Author: David Todd Doris
File Type: pdf
Winner of the 2012 Melville J. Herskovits award (African Studies Association) Throughout southwestern Nigeria, Yoruba men and women create objects called aale to protect their propertiesfarms, gardens, market goods, firewoodfrom the ravages of thieves. Aale are objects of such unassuming appearance that a non-Yoruba viewer might not register their important presence in the Yoruba visual landscape a dried seedpod tied with palm fronds to the trunk of a fruit tree, a burnt corncob suspended on a wire, an old shoe tied with a rag to a worn-out broom and broken comb, a ripe red pepper pierced with a single broom straw and set atop a pile of eggs. Consequently, aale have rarely been discussed in print, and then only as peripheral elements in studies devoted to other issues. Yet aale are in no way peripheral to Yoruba culture or aesthetics. In Vigilant Things, David T. Doris argues that aale are keys to understanding how images function in Yoruba social and cultural life. The humble, often degraded objects that comprise aale reveal as eloquently as any canonical artwork the channels of power that underlie the surfaces of the visible. Aale are warnings, intended to trigger the work of conscience. Aale objects symbolically threaten suffering as the consequence of transgressionthe suffering of disease, loss, barrenness, paralysis, accident, madness, fruitless labor, or deathand as such are often the useless residues of things that were once positively valued empty snail shells, shards of pottery, fragments of rusted iron, and the like. If these objects share suffering and uselessness as constitutive elements, it is because they already have been made to suffer and become useless. Aale offer would-be thieves an opportunity to recognize themselves in advance of their actions and to avoid the thievery that would make the useless people. **
Author: Giorgio Agamben
File Type: pdf
The search to create a science of signatures that exceeds the attempts of semiology and hermeneutics to determine pure and unmarked signs.ReviewThe Signature of All Things is Giorgio Agambens sustained reflection on method. To reflect on method implies for Agamben an archaeological vigilance a persistent form of thinking in order to expose, examine, and elaborate what is obscure, unanalyzed, even unsaid, in an authors thought. To be archaeologically vigilant, then, is to return to, even invent, a method attuned to a world supported by a thick weave of resemblances and sympathies, analogies and correspondences. Collecting a wide range of authors and topics in a slim but richly argued volume, Agamben enacts the search to create a science of signatures that exceeds the attempts of semiology and hermeneutics to determine the pure and unmarked signs that signify univocally, neutrally, and eternally. Three conceptual figures organize Agambens argument and the advent of his new method the paradigm, the signature, and archaeology. Each chapter is devoted to an investigation of one of these concepts and Agamben carefully constructs its genealogy transhistorically and from an interdisciplinary perspective. And at each moment of the text, Agamben pays tribute to Michel Foucault, whose methods he rethinks and effectively uses to reformulate the logic of the concepts he isolates. The Signature of All Things reveals once again why Agamben is one of the most innovative thinkers writing today.About the AuthorGiorgio Agamben is Professor of Philosophy at the University of Venice. He is the author of Profanations (2007), Remnants of Auschwitz The Witness and the Archive (2002), both published by Zone Books, and other books.