96966
Author: Andreas Huyssen
File Type: pdf
p MS Shell Dlg 2, serif 12pxThis issue examines the legacy of Nazi-looted art in light of the 2012 discovery of the famous Hildebrand Gurlitt collection of stolen artwork in Germany. When the German government declassified the case almost two years later, the resulting scandal raised fundamental questions about the role of art dealers in the Third Reich, the mechanics of the Nazi black market for artwork, the shortcomings of postwar denazification, the failure of courts and governments to adjudicate stolen artwork claims, and the unwillingness of museums to determine the provenance of thousands of looted pieces of art. The contributors to this issue explore the continuities of art dealerships and auction houses from the Nazi period to the Federal Republic and take stock of the present political and cultural debate over the handling of this artwork. p MS Shell Dlg 2, serif 12pxSpecial topic contributors. Konstantin Akinsha, Meike Hoffmann, Andreas Huyssen, Lawrence M. Kaye, Olaf Peters, Jonathan Petropoulos, Anson Rabinbach, Avinoam Shalem, Julia Voss, Amy Walsh p MS Shell Dlg 2, serif 12px**p MS Shell Dlg 2, serif 12pxp MS Shell Dlg 2, serif 12pxfont face=MS Shell Dlg 2, serifspan 12pxAndreas Huyssen, Anson Rabinbach, and Avinoam Shalemspanfontfont face=MS Shell Dlg 2, serifspan 12pxNazi-Looted Art and Its Legacies Introductionspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 1-7 doi10.12150094033X-3705667spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxOlaf Petersspanfontfont face=MS Shell Dlg 2, serifspan 12pxFrom Degenerate Art to Looted Art Developments and Consequences of National Socialist Cultural Policyspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 9-33 doi10.12150094033X-3705676spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxMeike Hoffmannspanfontfont face=MS Shell Dlg 2, serifspan 12pxHildebrand Gurlitt and His Dealings with German Museums during the Third Reichspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 35-55 doi10.12150094033X-3705685spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxJulia Vossspanfontfont face=MS Shell Dlg 2, serifspan 12pxHave German Restitution Politics Been Advanced since the Gurlitt Case? A Journalists Perspectivespanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 57-73 doi10.12150094033X-3705694spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxKonstantin Akinshaspanfontfont face=MS Shell Dlg 2, serifspan 12pxRestitution as Diagnosis Political Aspects of the Trophy Art Problem and Russian-German Relationsspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 75-86 doi10.12150094033X-3705703spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxAmy Walshspanfontfont face=MS Shell Dlg 2, serifspan 12pxA Persian Tapestry Looted by the Nazis from the Princes Czartoryski Museum, Krakowspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 87-107 doi10.12150094033X-3705712spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxLawrence M. Kayespanfontfont face=MS Shell Dlg 2, serifspan 12pxThe Restitution of Nazi-Looted Art and Other Cultural Property Have We Gone Too Far or Not Far Enough?spanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 109-123 doi10.12150094033X-3705721spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxJonathan Petropoulosspanfontfont face=MS Shell Dlg 2, serifspan 12pxFive Uncomfortable and Difficult Topics Relating to the Restitution of Nazi-Looted Artspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 125-142 doi10.12150094033X-3705730spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxMalika Maskarinecspanfontfont face=MS Shell Dlg 2, serifspan 12pxThe End of Art and the Future of Criticism in Wilhelm Worringers Art Historyspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 143-167 doi10.12150094033X-3705739spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxSarah E. Jamesspanfontfont face=MS Shell Dlg 2, serifspan 12pxHermann Glockner Waste as a Figure of Thought?spanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 169-203 doi10.12150094033X-3705748spanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxspanfontfont face=MS Shell Dlg 2, serifspan 12pxRoberto Simanowskispanfontfont face=MS Shell Dlg 2, serifspan 12pxInstant Selves Algorithmic Autobiographies on Social Network Sitesspanfontfont face=MS Shell Dlg 2, serifspan 12pxNew German Critique (2017) 44(1 130) 205-216 doi10.12150094033X-3705766spanfontdiv MS Shell Dlg 2, serif 12px
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