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The Music Producer's Guide to Success: Unlocking Income Streams in the Digital Age (eBook)
Download eBook on Sellfy: https://bit.ly/3OQmnY7
Download Amazon Kindle eBook: https://amzn.to/3uF350Z
"The Music Producer's Guide to Success: Unlocking Income Streams in the Digital Age". This eBook is an essential guide for music producers, written by award winning industry veteran Jon Brooks. Contained within these pages is a resounding call to action, empowering producers with the knowledge, advice and actionable solutions essential for overcoming the industry's inherent challenges.
Uncover the keys to your financial success, embrace the challenges with newfound confidence and elevate your music production journey to unprecedented heights.
Transform your passion into a sustainable and rewarding career. Whether you're a seasoned producer or just starting, "The Music Producer's Guide to Success" is your roadmap to not only surviving but thriving in an industry that demands resilience, innovation and a strategic approach.
TABLE OF CONTENTS
Introduction
• Welcome
• Why Have I Written This Book?
• Brief Overview of The Evolving Music Industry
• The Importance of Multiple Income Streams for Music Producers
Chapter 1: Developing Your Craft
• Continuous Learning And Skill Development
• Staying Updated with Industry Trends and Technologies
• The Role of Formal Education and Online Courses
• Understanding Signal Flow
Chapter 2: Building a Professional Portfolio
• Creating A Professional Website
• Showcasing Your Work and Maximizing Earnings on Social Media
• IMDb (Internet Movie Database)
Chapter 3: Making Money with Your Recording Studio
• Recording Sessions
• Mixing and Mastering, Production and Engineering Services
• Session Musicians and Vocalists
• Recording Voice Overs
• Music Production Courses and Workshops
• Equipment Rental
• Remote Mixing and Mastering Services
• Podcast Recording and Editing
• Live Session Recordings
• Collaborate with Content Creators
• Sell Royalty-Free Samples and Loops
• Licensing and Sync Opportunities
• Create a Subscription Model
• Live Streaming
Chapter 4: Passive Income, Active Income vs. Hybrid Income
• Definitions and Examples
• Characteristics
• Pros and Cons
• Considerations
Chapter 5: Music Royalties and Selling Products
• Exploring The Various Types Of Music Royalties
• Decoding Music Royalties
• Selling Products for Income Growth and Brand Expansion
• eCommerce Stores for Music Producers
Chapter 6: Freelancing and Service Offerings
• Offering Custom Music Production Services
• Negotiating a Budget
• The Spotting Session
• Freelancing on Platforms like Freelancer, Upwork and Fiverr
• Ghost Production
Chapter 7: Licensing and Sync Opportunities
• Exploring Opportunities for Music Licensing
• Evergreen Stock Music
• Examining the Options: Exclusive vs. Non-Exclusive Music Libraries
• Networking with Music Supervisors and Industry Professionals
Chapter 8: Music for Advertising and Sonic Branding
• Definition of Sonic Branding
• How Music and Audio Add Value to a Brand
Chapter 9: Music Distribution
• Traditional vs. Digital Distribution
• Key Components of Music Distribution
• Challenges and Opportunities
Chapter 10: Teaching Music Production
• Setting Up Lessons or Tutorials for Aspiring Producers
• Leveraging Online Platforms Like Skillshare and Udemy
• Balancing Teaching With Your Own Production Schedule
Chapter 11: Working with Independent Labels
• The Benefits of Collaborating with Indie Labels
• Finding and Establishing Relationships with Independent Artists
• Navigating Contracts and Agreements with Artists and Labels
Chapter 12: Merchandising and Branding
• Creating and Selling Branded Merchandise
• How to Build a Recognizable Brand in the Music Industry
Chapter 13: Diversifying Revenue Streams
• Exploring Avenues of Income
• Selling Music NFTs
• Leveraging Patreon and Crowdfunding Platforms
• Audio Fingerprinting and Digital Watermarking
• Content ID Monetization
Chapter 14: Copyright and Metadata
• What is Music Copyright
• Protecting Intellectual Property
• Preventing Copyright Violations
• Music Copyright Infringement
• The Importance of Music Metadata
• Music Metadata Codes and Numbers (EAN/UPC, ISNI, IPI/CAE, ISRC, ISWC)
Chapter 15: Digital Rights Management and Content ID
• Content ID Service Providers
• Soundmouse Music Recognition
• Tunesat Audio Recognition
Chapter 16: Networking and Collaboration
• The Significance of Networking in the Music Industry
• Attending Local Events, Workshops, and Online Communities
• Tips and Benefits of Collaborating with other Artists
Chapter 17: Professionalism and Reputation
• Building a Positive Reputation and Professional Image
• Timely Communication and Reliability
Chapter 18: The Psychology of a Music Producer
• The Creative Nexus: Delving into a Producer's Mindset
Conclusion
• Recap of Key Strategies for Financial Success
• Encouragement for Continuous Learning and Adaptation
About Me
• About Me
• Jon Brooks Links
• TrackSonix Links
• Contact Information
© 2024 Jon Brooks
...
https://www.youtube.com/watch?v=WSHyZqy44Z0
Download Amazon Kindle eBook: https://amzn.to/3uF350Z
"The Music Producer's Guide to Success: Unlocking Income Streams in the Digital Age". This eBook is an essential guide for music producers, written by award winning industry veteran Jon Brooks. Contained within these pages is a resounding call to action, empowering producers with the knowledge, advice and actionable solutions essential for overcoming the industry's inherent challenges.
Uncover the keys to your financial success, embrace the challenges with newfound confidence and elevate your music production journey to unprecedented heights.
Transform your passion into a sustainable and rewarding career. Whether you're a seasoned producer or just starting, "The Music Producer's Guide to Success" is your roadmap to not only surviving but thriving in an industry that demands resilience, innovation and a strategic approach.
TABLE OF CONTENTS
Introduction
• Welcome
• Why Have I Written This Book?
• Brief Overview of The Evolving Music Industry
• The Importance of Multiple Income Streams for Music Producers
Chapter 1: Developing Your Craft
• Continuous Learning And Skill Development
• Staying Updated with Industry Trends and Technologies
• The Role of Formal Education and Online Courses
• Understanding Signal Flow
Chapter 2: Building a Professional Portfolio
• Creating A Professional Website
• Showcasing Your Work and Maximizing Earnings on Social Media
• IMDb (Internet Movie Database)
Chapter 3: Making Money with Your Recording Studio
• Recording Sessions
• Mixing and Mastering, Production and Engineering Services
• Session Musicians and Vocalists
• Recording Voice Overs
• Music Production Courses and Workshops
• Equipment Rental
• Remote Mixing and Mastering Services
• Podcast Recording and Editing
• Live Session Recordings
• Collaborate with Content Creators
• Sell Royalty-Free Samples and Loops
• Licensing and Sync Opportunities
• Create a Subscription Model
• Live Streaming
Chapter 4: Passive Income, Active Income vs. Hybrid Income
• Definitions and Examples
• Characteristics
• Pros and Cons
• Considerations
Chapter 5: Music Royalties and Selling Products
• Exploring The Various Types Of Music Royalties
• Decoding Music Royalties
• Selling Products for Income Growth and Brand Expansion
• eCommerce Stores for Music Producers
Chapter 6: Freelancing and Service Offerings
• Offering Custom Music Production Services
• Negotiating a Budget
• The Spotting Session
• Freelancing on Platforms like Freelancer, Upwork and Fiverr
• Ghost Production
Chapter 7: Licensing and Sync Opportunities
• Exploring Opportunities for Music Licensing
• Evergreen Stock Music
• Examining the Options: Exclusive vs. Non-Exclusive Music Libraries
• Networking with Music Supervisors and Industry Professionals
Chapter 8: Music for Advertising and Sonic Branding
• Definition of Sonic Branding
• How Music and Audio Add Value to a Brand
Chapter 9: Music Distribution
• Traditional vs. Digital Distribution
• Key Components of Music Distribution
• Challenges and Opportunities
Chapter 10: Teaching Music Production
• Setting Up Lessons or Tutorials for Aspiring Producers
• Leveraging Online Platforms Like Skillshare and Udemy
• Balancing Teaching With Your Own Production Schedule
Chapter 11: Working with Independent Labels
• The Benefits of Collaborating with Indie Labels
• Finding and Establishing Relationships with Independent Artists
• Navigating Contracts and Agreements with Artists and Labels
Chapter 12: Merchandising and Branding
• Creating and Selling Branded Merchandise
• How to Build a Recognizable Brand in the Music Industry
Chapter 13: Diversifying Revenue Streams
• Exploring Avenues of Income
• Selling Music NFTs
• Leveraging Patreon and Crowdfunding Platforms
• Audio Fingerprinting and Digital Watermarking
• Content ID Monetization
Chapter 14: Copyright and Metadata
• What is Music Copyright
• Protecting Intellectual Property
• Preventing Copyright Violations
• Music Copyright Infringement
• The Importance of Music Metadata
• Music Metadata Codes and Numbers (EAN/UPC, ISNI, IPI/CAE, ISRC, ISWC)
Chapter 15: Digital Rights Management and Content ID
• Content ID Service Providers
• Soundmouse Music Recognition
• Tunesat Audio Recognition
Chapter 16: Networking and Collaboration
• The Significance of Networking in the Music Industry
• Attending Local Events, Workshops, and Online Communities
• Tips and Benefits of Collaborating with other Artists
Chapter 17: Professionalism and Reputation
• Building a Positive Reputation and Professional Image
• Timely Communication and Reliability
Chapter 18: The Psychology of a Music Producer
• The Creative Nexus: Delving into a Producer's Mindset
Conclusion
• Recap of Key Strategies for Financial Success
• Encouragement for Continuous Learning and Adaptation
About Me
• About Me
• Jon Brooks Links
• TrackSonix Links
• Contact Information
© 2024 Jon Brooks
...
https://www.youtube.com/watch?v=WSHyZqy44Z0
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Thomas The Tank Engine Theme Tune arranged and produced by Jon Brooks. Original music composer Mike O'Donnell.
Theme Tune for Thomas The Tank Engine. Mark's favourite theme tune when he was a toddler! xxx
Mark Sebastian Brooks, Kuching, Sarawak, Malaysia, Petaling Jaya, Kuala Lumpur, MSB, Mark Brooks, Mark S. Brooks, M.S. Brooks, Mark Sebastian, Sebastian Brooks,
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IDENT
ident-music-logo-music-transition-music
'New Day' is the perfect music to accent any ident, logo, sting or transitional moment. It is a fresh, light and airy track that is short, sweet and uplifting. The acoustic guitar, steady drums and synthesizers carry this optimistic track from beginning to end, leaving you with a big smile across your face. Positivity and joy are expressed by this warm and welcoming piece of music. Ideal uses include opening a morning breakfast TV show, daytime television, commercials, a scene change, sting, transition, a logo or ident.
Download the album on iTunes for personal use: https://itunes.apple.com/us/album/production-music-library-vol./id1073143144
Download the album on CDBaby for personal use: http://www.cdbaby.com/cd/tracksonix2
Download on Google Play for personal use: https://play.google.com/music/preview/Btrexhsiqhydsbdswyvclzi4dq4?u=0#
Download on Amazon MP3 for personal use: https://www.amazon.co.uk/gp/product/B01AM20OOW?ie=UTF8&keywords=TrackSonix&qid=1453913052&ref_=sr_1_2&s=dmusic&sr=1-2-mp3-albums-bar-strip-0
If you would like me to edit or modify any of the music tracks, or license any of them for your production, please contact Jon Brooks: http://www.jonbrooks.co.uk/Contact.html
TrackSonix - Production Music Library (Volume 2)
"New Day”
Music Composer: Jon Brooks
(© 2016 TrackSonix)
Subscribe to TrackSonix on YouTube: https://www.youtube.com/channel/UCKa9vUvKcfRAvqEaHlBqLcQ
Facebook Page: https://www.facebook.com/TrackSonix
Music Composer: Jon Brooks (TrackSonix)
PRO: PRS (Performing Rights Society) UK
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YouTube Channel: http://www.youtube.com/jonbrookscomposer
CDBaby Music Store: http://www.cdbaby.com/Artist/JonBrooks1
Tags: cinematic, instrumental, building, synthesizer, transition, positive, happy, smile, bright, warm, acoustic guitar, joy, cheerfulness, cheery, cheerful, buoyant, morning, sun, daytime, advert, advertising, commercials, light, tracksonix, jon brooks, music, new day, new, fresh, guitar, good morning, start, new start, transitional, ident, logo, morning tv, airy, synthesiser, optimistic, positivity, welcoming, theme, scene change, sting, stinger, friendly, joyful, triumphant, neutral, romantic, reflective, thoughtful, daytime
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Logic Pro X Template for ‘A Hero Returns’ by Jon Brooks. Download link in bio. https://logicpro-templates.sellfy.store/ #logicpro #logicprox #logicprotemplates #logicproxtemplates #jonbrooks #sellfystore #musicproduction
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WRONG
wrong-time,-wrong-space-?-logic-pro-x
Download the full Logic Pro X template project for the award winning sci-fi animation 'Wrong Time, Wrong Space' on Sellfy here: http://bit.ly/3k1FJsx
Cinematic, epic and dramatic orchestral sci-fi music composed and produced in Logic Pro X by film and TV composer Jon Brooks.
AWARDS:
Best Original Music (Finalist) - Beyond the Curve International Film Festival 2020.
Best Animation (Winner) - Beyond the Curve International Film Festival 2020.
Best Sci-Fi Film (Winner) - Beyond the Curve International Film Festival 2020.
Official Selection - North Europe International Film Festival, London 2021.
Official Selection - 4th Dimension Independent Film Festival 2021.
Influenced by composers such as John Williams, Danny Elfman, Jerry Goldsmith, Two Steps From Hell, James Newton Howard and Hans Zimmer.
Track Duration: 7:30
Key: Various
Tempo: Various
Film Director: Mark Stirton
Music Composer: Jon Brooks
INSTANT DOWNLOAD: http://bit.ly/3k1FJsx
LPX Template Download
Download Size: 2.73 GB
Uncompressed Size: 10.78 GB
Note: You may have to replace some of the instruments or plugins for similar ones unless you have them all yourself; otherwise playback might be a little different. Sampler instruments, settings, full mix bounce, automation, mixed elements, mastering chain and audio stems are included; but not the sample library audio content (due to sample library copyright terms).
Audio Channels: 2
MIDI Channels: 69
Aux/Bus Channels: 1
Stereo Main Output: 1
Plugins/Soundbanks:
Logic Pro X (Stock Plugins)
Omnisphere
Kontakt
Vienna Instruments Special Edition Vol. 1 & Vol. 1 PLUS
Vienna Instruments Special Edition Vol. 2 & Vol. 2 PLUS
VSL Epic Horns
Vienna Imperial (PIano)
East West Hollywood Orchestra
Project SAM True Strike 1
Distorted Reality 2
Project Sam Symphobia 1
Project Sam Symphobia 2
London Orchestral Percussion
Advanced Orchestra (Violins)
Action Strings (Kontakt)
Rise and Hit (Kontakt)
Action Strikes (Kontakt)
Evolve (Kontakt)
Action Toms (Stylus)
Download Logic Pro X template: http://bit.ly/3k1FJsx
LINKS
Download Logic Pro templates: https://logicpro-templates.sellfy.store
YouTube Logic Pro X Templates: https://www.youtube.com/channel/UCauFk6cjOy_cna2uU9dJy1g
YouTube Jon Brooks: http://www.youtube.com/jonbrookscomposer
Facebook Page: https://www.facebook.com/JonBrooksComposer
SoundCloud: https://soundcloud.com/jonbrooks-1
Official Website: http://www.jonbrooks.co.uk
Twitter: https://twitter.com/JonBrooks_Music
#logicprotemplates #logicprox #logicpro
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christmas-under-the-sea-?-dance-video
Christmas Under the Sea dance video by Jessica and Alice. Music by Kiddie Boom Box.
Children's dance routine for 'Christmas Under the Sea' by the original singers (Jessica and Alice). Performed enthusiastically on a freezing cold Christmas morning (Under the Sea)!
Choreography by Jessica Buxton (Aged 9).
Facial expressions by Alice Buxton (Aged 6).
Production, filming and editing by Jon Brooks (Aged 42).
Location, production and music playback by Joanne Staples (Age not to be disclosed).
Link to original music video: https://youtu.be/zm82wDUI9Ew
Available to stream on all digital music platforms:
Apple iTunes Music: https://bit.ly/applechristmasunderthesea
Spotify: https://bit.ly/christmasunderthesea
Amazon Music: https://bit.ly/christmassongunderthesea
Amazon Digital: https://bit.ly/digitalchristmasunderthesea
Deezer: https://bit.ly/3rwhZCx
Tidal: https://tidal.com/browse/album/204969414
Anghami: https://bit.ly/3lvnf5Q
Children's Christmas song 'Christmas Under the Sea' by Kiddie Boom Box.
Original Animation: Yay Toddlers Studio
Music and Lyrics: Jon Brooks and Jessica Buxton
Vocals: Jessica Buxton
Backing Vocals: Alice Buxton and Joanne Staples
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DE PR
de-profundis-giovanni-rovetta
"De Profundis" - Giovanni Rovetta (1596--1668) was an Italian Baroque composer and maestro di capella of the Capella Marciana at St Mark's Basilica, Venice between Monteverdi and Cavalli. Check out this Youtube Music Channel too: http://www.youtube.com/jonbrookscomposer
Like his violinist father, Giacomo, Giovanni's career from the end of 1614 involved working in St. Mark's Church. During his time at St. Mark's, succeeded Alessandro Grandi as assistant maestro and, on Claudio Monteverdi's death, he was appointed maestro until his own death in 1668. His musical output mainly consists of: four volumes of motets for small forces, settings of the Mass and psalms for larger forces with instruments, and three books for madrigals for a variety of ensembles.
De Profundis (Latin: "from the depths") is an epistle written by Oscar Wilde during his imprisonment in Reading Gaol, to Lord Alfred Douglas. During its first half Wilde recounts their previous relationship and extravagant lifestyle which eventually led to Wilde's conviction and imprisonment for gross indecency. He indicts both Lord Alfred's vanity and his own weakness in acceding to those wishes. In the second half, Wilde charts his spiritual development in prison and identification with Jesus Christ, whom he characterises as a romantic, individualist artist.
Wilde wrote the letter between January and March 1897, close to the end of his imprisonment. Contact had lapsed between Douglas and Wilde and the latter had suffered from his physical labour and emotional isolation; a new warden thought that writing might be more cathartic than prison labour. Wilde's work was closely supervised and he was not allowed to send the letter, but took it with him upon release, whereupon he entrusted the manuscript to an ex-lover, the journalist Robert Ross, with instructions to have two copies made: one to be sent to the author himself and the other to Douglas. Ross published the letter in 1905, five years after Wilde's death, giving it the title "De Profundis" from Psalm 130. It was an incomplete version, excised of its autobiographical elements; various editions gave more text until 1962 when the complete and correct version appeared in a volume of Wilde's letters.
Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 -- 30 November 1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams and plays, and the circumstances of his imprisonment which was followed by his early death.
Wilde's parents were successful Dublin intellectuals. Their son became fluent in French and German early in life. At university Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art", and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress, and glittering conversation, Wilde became one of the best-known personalities of his day.
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ROBIN
robin-hood-music-and-lyrics
Robin Hood, Robin Hood, riding through the glen. Robin Hood, Robin Hood, with his band of men. Feared by the bad, loved by the good. Robin Hood, Robin Hood, Robin Hood.
Website: http://www.jonbrooks.co.uk
YouTube channel: http://www.youtube.com/jonbrookscomposer
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Robin Hood is famous for his gallantry, robbing the rich to feed the poor and fighting against injustice and tyranny. Anyone who knows of Robin Hood has also heard the stories of his outlaw band. The names of Little John, Friar Tuck, Maid Marion, Allan a Dale, Will Scarlet, Much the Miller and the evil Sheriff of Nottingham are as much a part of the legend as Robin Hood himself.
The stories of Robin portray him as a fearless outlaw leading his band of "merry men" (and women) against the tyranny of Prince John, The Sheriff of Nottingham and Sir Guy of Gisbourne. A brilliant archer, Robin lived a life of adventure - poaching the King's deer from the outlaws' retreat in Sherwood Forest.
Stories about the adventures of Robin Hood have been told and retold for over six hundred years. In Robin's time, few people could read or write and consequently little was written down about the exploits of our hero. Instead, people learnt about Robin and his band through the ballad and song of wandering minstrels who weaved a patchwork of fact and fiction into the contemporary culture of the time.
10 ROBIN HOOD FACTS:
1. No-one has been able to prove that Robin Hood existed.
2. The earliest certain mention of England's greatest outlaw hero is found in the B text of William Langland's Piers Plowman, dated to about 1377; there is a similar mention in the C text, dated to about 1393.
3. Nearly all that is known about the legend is found in five of the earliest surviving balladsand part of a play.
4. The early ballads do not tell us why Robin became an outlaw and he and his merry men are described as yeoman, which basically means a cut above peasant but below the status of a knight.
5. Maid Marian does not appear in any of the early ballads. Her association with Robin Hood is due to their joint participation in the May Festivities of the sixteenth century.
6. Friar Tuck (not necessarily the friar of the Morris dances) does not appear in any of the early ballads. He is mentioned in the play 'Robin Hood and the Sheriff' of c. 1475. In 1417, Robert Stafford, chaplain of Lindfield in Sussex, used the name of Frere Tuk when he committed robberies in the area.
7. Only five of the merry men are given a name in the early ballads (with variation in spelling), but only the Gest contains all five.
8. Allan a Dale makes his first known appearance in Robin Hood and Allen a Dale, in broadside copies (a tale printed on one side of a piece of paper) of the seventeenth century. Three are collated in The English and Scottish Popular Ballads.
9. Nowhere in the early ballads is there mention of Robin or his merry men robbing from the rich to give to the poor. In the Gest, Robin does say 'Or yf he be a pore man, Of my good he shall have some' (page 28, stanza 5).
10. Sherwood is named in only one of the early ballads; Robin Hood and the Monk.
No story of Robin Hood is complete without its setting, Sherwood Forest which in Robin's time covered about 100,000 acres. At the heart of the Greenwood encampment lies the famous Major Oak, the "council tree" of the outlaw band.
Sherwood Forest was of course home for the Kings deer which the outlaws hunted for their illegal feasts. People in Robin's time saw the forest as a dangerous place and travelled mostly in large groups for fear of ambush and robbery. To Robin and the outlaws Sherwood Forest was a place of safety from the Sheriff's, men.
Today, Sherwood Forest Country Park covers about 450 acres and attracts around 3/4 million visitors a year who flock to see the Major Oak and the Visitor Centre. Each year in August the Forest plays host to the Robin Hood Festival where enthusiasts can recapture the spirit of Robin Hood in the beautiful surroundings of the Greenwood.
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ALLEL
allelujah-music-for-film,-tv,
Spiritual, Religious and Inspirational Christian Music. Moody atmospheric music with an epic and dramatic climax. Darkness becomes light. Powerful and grand sacred song. High Quality Music Tracks for TV, Film, Advertising, YouTube, Radio, Video Games, Media and Corporate Videos. TrackSonix Production Music Library (Volume 1). Styles include: Epic Orchestra, Quirky Children's Music, Relaxing Music, Jazz, Production Music and Emotional Instrumental Music.
If you would like me to edit or modify any of the music tracks, or license any of them for your production, please contact Jon Brooks: http://www.jonbrooks.co.uk/Contact.html
Download the album on iTunes: https://itunes.apple.com/gb/album/production-music-library-vol./id991562950
Download the album on CDBaby: http://www.cdbaby.com/cd/tracksonixproductionmusiclib
Download on Google Play: https://play.google.com/store/music/album/Tracksonix_Production_Music_Library_Vol_1?id=Bdj7cgizqrfmvvwqoax2gqtun3y&hl=en_GB
Download on Amazon MP3: http://www.amazon.co.uk/dp/B00X1NYQZS
TrackSonix - Production Music Library (Volume 1)
Track 11: "Allelujah"
Music Composer: Jon Brooks
(© 2015 TrackSonix)
Subscribe to TrackSonix on YouTube: https://www.youtube.com/channel/UCKa9vUvKcfRAvqEaHlBqLcQ
Facebook Page: https://www.facebook.com/TrackSonix
Music Composer: Jon Brooks
PRO: Performing Rights Society (PRS), UK
CAE No. 506710479
Website http://www.jonbrooks.co.uk
YouTube Channel: http://www.youtube.com/jonbrookscomposer
CDBaby Music Store: http://www.cdbaby.com/Artist/JonBrooks1
Production Music Library, Music Library, Stock Music, Production Music, James Horner, Plane Crash, Hallelujah, Spiritual, Religious, Inspirational, Christian, Catholic, Moody, Atmospheric, Music, Epic, Dramatic, Climax, Darkness, Jesus, Light, Powerful, Grand, Sacred, Song, Vocals, Boy, Church, Mass, Hymns, Hymn, Worship, Monastery, Choir, Church Choir, Choral, Chorister, Faith, Praise, God, Ceremony, Ceremonial, Orchestra, Orchestral, Piano, Choirs, Instrument, Singing, Song, Songs, Allelujah, Service, Services, Nature, Jewish, Haunting
...
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CHINE
chinese-chops-music-for-youtube,
Chinese music with western influences. Atmospheric, light, positive, upbeat and melodic. Perfect for Chinese New Year, Gong Xi Fa Cai. Suitable for idents and other productions requiring a short music tag. High Quality Music Tracks for TV, Film, Advertising, Radio, YouTube, Video Games, Media and Corporate Videos.
TrackSonix Production Music Library (Volume 1). Styles include: Epic Orchestra, Quirky Children's Music, Relaxing Music, Jazz, Production Music and Emotional Instrumental Music.
If you would like to license this music track for your production please contact Jon Brooks: http://www.jonbrooks.co.uk/Contact.html
Download the album on iTunes: https://itunes.apple.com/gb/album/production-music-library-vol./id991562950
Download the album on CDBaby: http://www.cdbaby.com/cd/tracksonixproductionmusiclib
Download on Google Play: https://play.google.com/store/music/album/Tracksonix_Production_Music_Library_Vol_1?id=Bdj7cgizqrfmvvwqoax2gqtun3y&hl=en_GB
Download on Amazon MP3: http://www.amazon.co.uk/dp/B00X1NYQZS
TrackSonix - Production Music Library (Volume 1)
Track 7: "CHINESE CHOPS"
Music Composer: Jon Brooks
PRO: CAE No. 506710479 PRS
(© 2015 TrackSonix)
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https://www.youtube.com/watch?v=GTFvisn3a48
Transaction
Created
7 months ago
Content Type
Language
video/mp4
English