http://digital.panicmachine.com/album/era-vulgaris-kali-yuga-edition ERA VULGARIS remains one of the most notorious of all CHORONZON albums. The natural successor to MAGOG AGOG, their debut (we have the last remaining copies...), with a palpable alien presence throughout that snapped some necks at the time. Thee hallz ov blackmetal at the time were not fortified to handle the vibrations of this futuristic black industrial assault, but the few, the brave sought out its sounds. But even fewer heard all the tracks from the sessions for ERA VULGARIS, some of which were released in an exceedingly rare CD as LARVAE. Copies of ERA VULGARIS go for $40.00 or more, copies of LARVAE are closely guarded and held on to as are copies of the special 2xCD + book edition of PANIC PANDEMIC. ... https://www.youtube.com/watch?v=--JMTcqXIXo

http://digital.panicmachine.com/album/the-last-dream https://play.spotify.com/album/1bN2Alw2fDc1IDri3LnNyT The music that flows through P. Emerson Williams haunts his mind un til it can be given form, such as it is, like a transmission from the abyssic depths, just as the music transmits to Erich Zann. The guitar and voice arrangement grows tendrils and tentacles, being recorded in odd locations using subterranean reverberations and energies that flow thorugh the earth. This EP is a weird tale scribbled and scrabbled feverishly im the last dimming light, echoes of the last shout, the last dream. Is this collection declaimed for human ears or the watchers, to record the tale in their eternal silence? That remains to be seen. This short collection of pieces came about in the cpourse of recording the piece Den Daude Spellemannen Spiller Fremdeles, which was written to open the set P. Emerson Williams played with Jarboe during DARK MOFO for an evening of music in Hobart, Australia that included JG Thirlwell and Chelsea Wolfe. About P. Emerson Williams: P. Emerson Williams is a multi-media artist delving in music, art, writing, and video. More people listen to the sounds of P. Emerson Williams every day than realize it, for much of it is embedded in extensive transmedia projects past and ongoing. A visionary artist and an illustrator, his work takes projects spanning physical and digital media, genres and modes of performance to strange realms. "Given P. Emerson Williams extensive track record of cross-medium and genre art over the past thirty years, it is likely he will become an underground legend. This may have occurred already, yet given his reclusiveness, it’s unlikely he would notice." -James Curcio, author of Fallen Nation, Join My Cult and The Immanence of Myth P. Emerson Williams is a Necrofuturist Highwire Artist – Dr. Hyatts Black Book Omega, The Original Falcon Press, 2009 credits released October 19, 2016 P. Emerson Williams - Guitar, Vox ... https://www.youtube.com/watch?v=zEHSUr3rqRo

... https://www.youtube.com/watch?v=9XxdHEmrgyU

From the Veil of Thorns album Eschaton & Celebration out now on PANICMACHINE http://www.veilofthorns.com http://digital.panicmachine.com/album/eschaton-celebration Eschaton (Noun) - From Ancient Greek ἔσχατον (eskhaton), neuter singular of ἔσχατος (eskhatos, "last"). (New Testament) day at the end of time following Armageddon when God will decree the fates of all individual humans according to the good and evil of their earthly lives. (literally) the last; used in theology to refer to the world's state during the posthistoric era of God's overt (apocalyptic) reign, immediately preceding the end of the world. Celebration (Noun) - The formal performance of a solemn rite, such as Christian sacrament - The observance of a holiday or feast day, as by solemnities - The act, process of showing appreciation, gratitude and/or remembrance, notably as a social event.- A social gathering for entertainment and fun; a party. Veil of Thorns are known for covering much ground sonically and conceptually. There is the punk-noir and lyrical meditations on being an outsider and lubrication of the wheels of empire on Vampire Wars. There is the musical hall of mirrors and dispatches from the charred fields of the apocalypsis of the act of artistic creation found on the twin albums Necrofuturist and Salon Apocalypse. Eschaton & Celebration opens up to an experience of the final stage of apocalypse. This is a journey into the heart of chaos that indeed does celebrate the end of everything familiar in cultural, spiritual and physical reality itself. P. Emerson Williams -- Vocals, Guitar, bass, cello, keyboards, programming Ruddy Bitch -- Drums, Electronic Soundwaves, percussive Manipulations PANICMACHINE: http://digital.panicmachine.com/album/eschaton-celebration Spotify: https://play.spotify.com/album/7vyvVS4IJH4utGYfyrgRrr Rdio: http://rd.io/x/QVWinyIaSKE/ iTunes: https://itunes.apple.com/gb/album/eschaton-celebration/id875269140?affId=1480348 Rhapsody: http://www.rhapsody.com/artist/veil-of-thorns/album/eschaton-and-celebration Nokia-Ovi: http://music.ovi.com/no/no/t4/Product/Veil-of-Thorns/Eschaton-Celebration/68820680 Wimp: https://wimp.no/wweb/album/30337045 Inner Moonlight Where the casting was of the night On my name, hubris, persuasion Clouded that summit The majestic filth which ill eclipses miracle Oh, we will always have the spark On which the shadows scream Inner moonlight Unseeing, dark illusion led Flitting, never a sin, in knowledge Art in exploitation Inner moonlight Holy, sad story, august and light And we shared in the promise A wintertime deceased Inner moonlight Decedent's stark fall Gutters contorted Waste moon Aspect of my sown subconscious Two wounds that are fire to heat Angel ... https://www.youtube.com/watch?v=wHUON49EiJI